Walter Trampler Vidéos
altiste américain
Commémorations 2025 (Naissance: Walter Trampler)
- alto, viole d'amour
- musique classique
- États-Unis
- professeur ou professeure de musique, joueur de viole d'amour, altiste
Dernière mise à jour
2024-04-27
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Marga Richter Walter Trampler Ching Bentley Shepherd 1926 1962 1978 2018
Darkening of the Light for solo viola (1978) by Marga Richter (b. 1926) I Lento doloroso II del movimento precedente III Allegro risoluto IV Adagio V Allegramente VI Allegro con passione VII Allegro fervente VIII Allegro con fuoco IX Lento cantando 'Darkening of the Light', written in 1962 for renowned violist Walter Trampler, is a work with nine short interconnected movements. Each segment, from I-VIII, has its own character, from yearning to turmoil, even rage. Then, in movement IX, (a resolution of movement IV), comes quiet acceptance and peace. Six of the movements follow one another without a perceptible pause, making the work, in essence, one entity. The light has sunk into the earth: The image of Darkening of the Light. Wounding of the Bright. The Light is veiled, yet still shines. I Ching 36 Karen Bentley Pollick, viola New York Women Composers at the Chapel February 1, 2018 Chapel Performance Space at Good Shepherd Chapel Seattle, Washington (http•••) (http•••) Daniel Husser, Videographer
Pré Bach Beethoven Richard Goode Mendelssohn Thomas Schippers Schumann Brahms Walter Trampler Spoleto Festival Teatro Caio Melisso 1100 1805 1965 1966
Questa è una rara registrazione, dalla mia collezione privata, dell'esibizione che Jacqueline Du Pré diede a Spoleto (Italia), nell'ambito del Festival dei Due Mondi, nel 1965 e nel 1966, presso il Teatro Caio Melisso. Un tesoro che deve essere di tutti. 1. J.S. Bach: Suite per violoncello solo n.3 in Do Magg BWV 1009 - JDP violoncello - 10 Luglio 1965 - 18:05 2. L. van Beethoven: Sonata per violoncello e pianoforte in Re Magg. Op. 102 n. 2 - JDP violoncello, Richard Goode pianoforte - 13 Luglio 1965 - 21:42 3. L. van Beethoven: Trio per pianoforte, violino e violoncello in Mib Magg. Op. 70 n. 2 - JDP violoncello, Michael Tree violino, Richard Goode pianoforte - 14 Luglio 1965 - 31:02 4. L. van Beethoven: Sonata per violoncello e pianoforte in La Magg. Op. 69 - JDP violoncello, Lawrence Smith pianoforte - 15 Luglio 1965 - 24:53 5. F. Mendelssohn: Trio per pianoforte, violino e violoncello in Re Min. Op. 49 - JDP violoncello, Thomas Schippers pianoforte, Arnold Steinhardt violino - 18 Luglio 1965 - 28:15 6. R. Schumann: Phantasiestücke per violoncello e pianoforte Op. 73 - JDP violoncello, Richard Goode pianoforte - 18 Luglio 1965 - 11:00 7. J. Brahms: Trio per pianoforte, violino e violoncello in Do Magg. Op. 87 - JDP violoncello, James Oliver Buswell IV violino, Richard Goode pianoforte - 10 Luglio 1966 - 28:36 8. L. van Beethoven: Trio per violino, viola e violoncello Op. 9 n. 1 - JDP violoncello, James Oliver Buswell IV violino, Walter Trampler viola - 12 Luglio 1966 - 26:35 9. J. Brahms: Sonata per violoncello e pianoforte in Mi Min. Op. 38 - JDP violoncello, Richard Goode pianoforte - 13 Luglio 1966 - 22:25
Boccherini Broadus Erle Raimondi Walter Trampler
#классическая_музыка #Боккерини #квартет #classical_music #Boccherini #quartet 1. Allegro 2. Andantino Lantarello; Menuetto Con Moto 3. Finale (Presto Assai) New Music String Quartet Broadus Erle and Matthew Raimondi, violins; Walter Trampler, viola; Claus Adam, cello. Получайте вознаграждение за совершение покупок онлайн в 20000+ магазинах (http•••) Get rewarded for shopping online at 20000+ stores (http•••)
Alexander Schneider Bartók Hauser Schubert George Szell Beethoven Milton Katims Walter Trampler Budapest Quartet Ensemble Modern Kodály 1917 1927 1932 1936 1938 1945 1946 1962 1967
Adagio, Allegro recorded in 1932 Josef Roisman - violin Alexander Schneider - violin István Ipolyi - viola Mischa Schneider - cello Founded in 1917 in Budapest, Hungary, the Budapest Quartet became the most internationally successful chamber ensemble of modern times. Across 50 years, and a repertory ranging from Mozart to Bartók, the group brought chamber music of these composers to audiences on two continents, and further popularized the music through their recordings. The Budapest Quartet's original members were Emil Hauser, Imre Poganyi, Istvan Ipolyi, and Harry Son, all of whom had played in the Budapest Opera Orchestra. Their debut concert in 1917, at Kolozsvar in Hungary, was a great success, and by the early 1920s they'd begun touring Europe. The group was acclaimed by audiences and critics everywhere for their superb ensemble playing and the depth and insight that they brought to their repertory, which extended from the Classical to the contemporary, including the quartets of Bartók and Kodály. The group flourished during the late 1920s and early 1930s despite numerous membership changes. Joseph Roisman, who joined on second violin in 1927, became the leader of the group a few years later, replacing Emil Hauser in the 1930s. Ipolyi was succeeded by Alexander Schneider, while Son was replaced by Schneider's brother Mischa, and in 1936 Boris Kroyt joined on the viola. The second generation Budapest Quartet was, if anything, even more technically impressive than the first, more incisive in its playing, and overall faster, with more frequent (and modern) use of vibrato. Roisman's leadership brought the group to America, at first simply on tour, and also into the recording studio in a serious way for the first time. From 1938 onward, amid the growing uncertainty of life in Europe, the Budapest Quartet moved to the United States and was based for the next 24 years as the quartet-in-residence at the Library of Congress in Washington, D.C., before moving to the State University of New York at Buffalo in 1962. Among their more notable work for the Library of Congress, they recorded Schubert's "Trout" Quintet and other works with the conductor George Szell on the piano during 1945 and 1946. Their major commercial recording activity, however, was done for Columbia Masterworks (now Sony Classical) beginning in the early 1950s. Key to the group's repertory during their American era were the Beethoven quartets, which they recorded several times and performed complete nearly every year. For performances of the quintets, they were augmented with the presence of Milton Katims and Walter Trampler. Their work continued until 1967, when they gave their last performance. The ravages of age and illness forced the retirement of Mischa Schneider, and then Roisman and Kroyt. The Budapest Quartet was among the most honored and respected chamber ensembles of the early and middle twentieth century, an era in which the orchestra was the dominant force in classical music. The performances of the original quartet brought the chamber music of such varied composers as Mozart and Bartók to a wider audience than ever before, and the later group's embrace of the Beethoven quartets and quintets, in concert and on record, gave these works the best hearings they had in modern times.
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- chronologie: Interprètes (Amérique du Nord).
- Index (par ordre alphabétique): T...