Werner Krenn Vidéos
artiste lyrique autrichien
- ténor
- Autriche
- artiste lyrique, acteur ou actrice de cinéma, acteur ou actrice, musicien ou musicienne
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Dernière mise à jour
2024-04-26
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Mathilde Kralik Anton Bruckner Julius Epstein Krenn Gustav Mahler Blume 1857 1876 1878 1900 1944
Mathilde Kralik +••.••(...)): Fuge c-moll Mathilde Kralik wurde 1857 als Mathilde Aloisia Kralik von Meyrswalden in Linz geboren. Sie war ein zunächst Privatschülerin von Anton Bruckner und Julius Epstein und begann ihr Studium 1876 am Konservatorium der Gesellschaft der Musikfreunde in der Klasse von Franz Krenn. 1878 erhielt sie gemeinsam mit Gustav Mahler den 1. Preis ihrer Kompositionsklasse. Danach gehörte sie als Komponistin von Opern und Veranstalterin musikalischer Soirees zu den bekanntesten Persönlichkeiten des Wiener Musiklebens um 1900. Sie schrieb Opern (u.a. die Märchenoper "Blume und Weißblume" auf den Text ihres Bruders Richard), Lieder, Kammermusik sowie einige Klavier-und Orgelwerke. Mathilde Kralik was born Mathilde Aloisia Kralik von Meyrswalden in Linz in 1857. She was a private pupil of Anton Bruckner and Julius Epstein at first and began her studies in 1876 at the Conservatory of the Society of Friends of Music in the class of Franz Krenn. In 1878 she was awarded 1st prize in her composition class together with Gustav Mahler. Afterwards, as a composer of operas and organizer of musical soirees, she was one of the most prominent figures in Viennese musical life around 1900. She wrote operas (including the fairy-tale opera "Blume und Weißblume" on the text of her brother Richard), songs, chamber music, and several piano and organ works.
Franz Lehár Renate Holm Werner Krenn Parry Reichert 1971 2019
Provided to YouTube by Universal Music Group Lehár: Der Zarewitsch, Operetta in 3 Acts / Act 3 - Kosende Wellen · Renate Holm · Werner Krenn · Wiener Volksopernorchester · Anton Paulik Vienna, Women and Song ℗ 1971 Decca Music Group Limited Released on: 2019-05-10 Producer, Recording Producer: Christopher Raeburn Studio Personnel, Recording Engineer: James Lock Studio Personnel, Recording Engineer: Gordon Parry Composer: Franz Lehár Author: Béla Jenbach Author: Heinz Reichert Auto-generated by YouTube.
Karl Terkal Heinz Zednik Andreas Schager Franz Supper Adolf Dallapozza Kurt Schreibmayer Kurt Equiluz Werner Krenn Josef Köstlinger Hauser
Karl Terkal und Kurt Wehofschitz singen aus "Der Bettelstudent" Entdecken Sie das Buch zum diesem Kanal! Ein Theaterabend in Buchform. Mit Exklusivmaterial zu allen wichtigen österreichischen Tenören. Über 100 Bilder, zum Teil in Farbe. Geleitwort von Heinz Zednik, Exklusivtext von Andreas Schager, Interview mit Franz Supper. Entstanden durch die Mitarbeit von Adolf Dallapozza, Kurt Schreibmayer, Alois Aichhorn, Kurt Equiluz, Werner Krenn, Josef Köstlinger u.v.a. "Magische Töne - Österreichische Tenöre der Nachkriegszeit" von Gregor Hauser ISBN 978-3-85450-019-3
Stéphan Elmas Heghine Rapyan Leitner Franz Liszt Krenn 1862 1879 1881 1885 1937 2002 2021
Premiére Sonate in h-Moll Heghine Rapyan, Piano Peter Leitner, Sound & Video Heghine Rapyan, Salzburg 2021 Stéphan Elmas (1862 – August 11, 1937) was an Armenian composer, pianist and teacher. In July 1879, with the encouragement of his teacher – but against the wishes of his family – Stéphan Elmas left for Weimar, Germany, hoping to audition for Franz Liszt. Here he was able to meet the great master: Liszt advised him to go to Austria and work with Professor Anton Door at the Vienna Conservatory [a.k.a. University of Music and Performing Arts, Vienna] and Franz Krenn, the distinguished composer and church musician. In Vienna, the seventeen-year-old Stéphan divided his time between studying the piano and composition, making his Vienna debut in 1885: an event which received many accolades in the press. Elmas continued to compose, writing many character pieces, including waltzes, mazurkas, nocturnes and impromptus. He dedicated his 6 Etudes (1881) to Franz Liszt and a number of pieces to Victor Hugo. Elmas composed rapidly and with great ease. Perhaps this explains why he sometimes did not revise his compositions sufficiently. However, many of his works are of high quality and perhaps he was most successful in composing his elegant and stylish salon pieces. These pieces seem to be composed for an earlier time: Elmas’s compositions tend to hearken back towards the style of earlier, Romantic composers, rather than forward to the challenging times that were shaping the musical world at the beginning of the new century. The music of Stephan Elmas is pure romantic, undeservedly neglected and forgotten. Back in 2002, I was the 1st price winner of Stephan Elmas International Piano Competition. His music was a great discovery for me.
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