Henry Davan Wetton Vidéos
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- Angleterre
Dernière mise à jour
2024-06-16
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George Butterworth James Campbell Hamilton Harty Wetton London Mozart Players 1896 1911 1914 1916
A Shropshire Lad, Rhapsody for orchestra (1911) by George Butterworth. A Shropshire Lad is based on A. E. Housman's 1896 collection A Shropshire Lad. Butterworth set also eleven poems from A Shropshire Lad .Nine of the eleven songs were premiered at Oxford on 16 May 1911, by James Campbell McInnes (baritone) and the composer (piano). The following month, the six songs which make up the present cycle were performed in London, with McInnes as singer and Hamilton Harty as accompanist. This orchestral rhapsody is one of the few works George Butterworth did not destroy before he went to France to serve in the Great War of 1914-18. He died at the Battle if the Somme in August 1916 and, though he received a hasty battlefield burial, his remains were never recovered for a more formal burial. The Orchestra is The London Mozart Players conducted by Hilary Davan Wetton. Original audio: (http•••) Score: (http•••) / I DO NOT own the AUDIO neither the SCORE. I don't earn anything by doing this video and it has been done only for didactical purposes. Copyrights go to all the artists.
Cipriani Philip Cipriani Hambly Potter Wetton Ulster Orchestra 1792 1830 1834 1871
Philip Cipriani Hambly Potter (London 1792 / 1871) Symphony No. 7 (also known as both "No. 4") "No. 9") in D major (1834). The numbering I adopted here is derived from UC user Albion: (http•••) Movement timings: (Thanks, James!) 1. Moderato assai - allegro (0:00) 2. Andante (7:34) 3. Scherzo: allegro (15:48) 4. Finale: presto (20:01) Performed by the BBC Ulster Orchestra conducted by Hilary Davan Wetton Illustration: The Ruins of Winchester Palance, Soutwark, 1830. CC-BY Wikimedia Commons.
Cipriani Cipriani Potter Wetton 1792 1871
Cipriani Potter (3 de octubre de 1792, Londres, Reino Unido - 26 de septiembre de 1871, Londres, Reino Unido). Sinfonía nº 6 en Sol menor: 1.- Allegro con fuoco. 00:00 2.- Andante con moto. 08:28 3.- Scherzo: Vivace. 17:04 4.- Finale: Allegro assai. 21:15 Milton Keynes City Orchestra. Hilary Davan Wetton, director.
Cipriani Philip Cipriani Hambly Potter Wetton Thomas Attwood William Crotch Joseph Wölfl Beethoven Förster Mozart Mendelssohn William Sterndale Bennett Bennett Joseph Barnby Brahms Kate Loder Loder Richard Wagner Royal Philharmonic 1683 1792 1816 1817 1819 1822 1832 1837 1859 1871
It is my sincere desire that any and all remuneration due me be sent instead to the artists. Philip Cipriani Hambly Potter (1792 – 1871) Symphony No. 8 (5) in E-flat Major I. Maestoso - Allegro non tanto 0:00 II. Andante con moto ma sostenuto 13:55 III. Scherzo: Allegro vivace 22:42 IV. Allegro vivace 27:51 Milton Keynes Chamber Orchestra Hilary Davan Wetton, conductor Born in London, the son of a piano teacher named Richard Huddleston Potter, Cipriani was named after his godmother (a sister of Giovanni Battista Cipriani). His father began his musical instruction, which was continued by Thomas Attwood, William Crotch and Joseph Wölfl. In 1816 an overture by him was performed at a Philharmonic concert. Frustrated by a lack of opportunities in England, Potter went to Vienna in 1817, where he met Beethoven who advised him to study with Aloys Förster. Returning to England in 1819, Potter became a central figure in London concert life as both a pianist and conductor, playing piano in the British premiere of several Mozart piano concertos and Beethoven's 1st, 3rd and 4th piano concertos, as well as conducting the British premiere of Mendelssohn's G minor piano concerto with the composer at the piano. In 1822, Potter began teaching at the newly founded Royal Academy of Music, first piano and later conducting the orchestra. In 1832 he became Principal of the Royal Academy, resigning in 1859. His students there included William Sterndale Bennett and Joseph Barnby. As Potter focused more on his educational work and preparing editions of Mozart and Beethoven keyboard music, he composed less and less often. There are few works written after 1837. He did, however, maintain a keen interest in new music from the continent. In 1871, he gave the first British rendition of Brahms's German Requiem, performing a piano duet version with pianist Kate Loder. This became known as the "London Version" (German: Londoner Fassung) of the work. There are nine extant symphonies, although the composer's numbering tells us he wrote ten. The tenth symphony in G minor was praised by Richard Wagner during his time as conductor of the Royal Philharmonic Society. He also wrote four piano concerti, some chamber music and several piano solo pieces. His instrumental music displays the continental inheritance of his teachers in its use of instrumental forms such as sonata form. Aside from a cantata and a handful of songs, Potter composed no vocal music. Potter also wrote a couple of articles for periodicals about music, one of them about his visit to Beethoven. Potter owned a 1683 Stradivarius violin, named after him the Cipriani Potter. There is some dispute about the numeration of his symphonies. The symphonies were numbered out of chronological order by the composer, so the number in composition order is in parentheses.
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