William Eddins Vidéos
Dernière mise à jour
2024-05-04
Actualiser
As we continue to share beautiful music with you through the At Home with the JPO series, we hope that this week’s recording brings you joy and comfort. As our final newsletter, for what has been a challenging year, we are pleased to present a video recording of Mascagni’s Intermezzo from his one-act opera, Cavalleria Rusticana. The performance by the JPO, under the baton of William Eddins, took place at the Linder Auditorium in February 2020 as part of the Special Valentine’s Gala Concert. Mascagni entered the work in a competition open to all young Italian composers, who had not yet had an opera perform on stage, to be judged by a jury of prominent Italian critics and composers. Mascagni submitted the work on the closing date of the competition as was one of three composer to be selected! The Intermezzo represents the contrast between the very serene lifestyle of the people of a small village and the passionate, often turbulent romance between the main characters of the opera. On behalf of the Board, Musicians and the JPO Management Team, I would like to wish you a healthy and safe holiday season, and hope that you will be able to enjoy time with your loved ones. May 2021 bring you fresh beginnings, peace and prosperity. We will resume our online programme towards the end of January 2021. Thank you for your ongoing support.
Virgil Thomson William Schuman National Symphony Orchestra 1950
This work was completed in 1950. The outer fast movements are lively expressions of the American spirit. However, it is the slow second movement that seems to be most memorable with its odd but attractive harmonic layout. It's almost hard to believe this is Virgil Thomson. Performed by Yehuda Hanani (Cello) and the RTE National Symphony Orchestra Conducted by William Eddins Included with this recording is music for cello and orchestra by William Perry and William Schuman. See the Naxos website for more details: (http•••) Paintings by Edward Lamson Henry
Mozart Beethoven Haydn Ravel Debussy Sandoval Holstein Christoph Eschenbach Diabelli Wels Hindemith Gould Freeman Norton Stevens Macdowell Schumann Shakespeare Stefan Asbury Kudirka Loebel Ming Wagner Vargas William Kraft Curtis Roads Michael Gandolfi John Harbison Pelo Tanglewood Ojai Music Festival Stadthalle Wuppertal Memphis Symphony Orchestra 2008 2009
Contemporary Classical Music 21st Century Composers String Quartets "Or" contemporary classical music for string quartet by 21st century contemporary classical Portuguese American composer Patricio da Silva. The instrumentation string quartet music consists of two violins, one viola and one cello. Best string quartets in music history include a list of classical composer names as Mozart Beethoven Haydn Ravel and Debussy, to name just a few. Contemporary string quartet music "Or" performed in this classical music youtube video by members of What's Next? Ensemble: Sakura Tsai, Edgar Sandoval, violins; John Stulz viola; Stella Cho, cello. Download String Quartet "Or" and other contemporary classical music by Patricio da Silva on Itunes, Amazon, streaming on Pandora, and Spotify... Career Highlights Patricio da Silva’s Guitar Concerto has been featured on over 250 classical music stations around the world including the syndicated radio show “Classical Guitar Alive”. In 2009, Patricio da Silva was honored to have his work “Three Pieces for Solo Piano” performed by Tzimon Barto during the Schleswig Holstein Music Festival, in a benefit concert with Maestro Christoph Eschenbach for the acquisition of the manuscript of Beethoven’s Diabelli Variations by the Beethoven-Haus in Bonn, Germany. Festivals and concert halls where Patricio da Silva’s music has been performed include among others Tanglewood, Ravinia, The Ojai Music Festival, Aspen, Ruhr Festival, Historische Stadthalle Wuppertal, Stadttheater Wels, German-American Institute Saarbrücken, Long Night of Culture at the Fruchthalle in Kaiserslautern, Hindemith Institut Frankfurt, The Society for Multi-Ethnic Studies MESEA, London Festival of American Music, Los Angeles County Museum of Art (LACMA), Auditorio de Galicia, and Yamaha’s YASI in NY. Awards and Honors Awards include the Second Biennial International Barto Prize, the Gould Family Foundation Composers Award, Ojai Festival Music for Tomorrow, Foundation of Science and Technology, Fundação Luso-Americana, Betty Freeman Foundation, American Music Center, American Composers Forum, and Meet the Composer. Mr. da Silva has received the Otto Eckstein fellowship at Tanglewood, Norton Stevens fellowship at MacDowell Colony, and the Susan and Ford Schumann fellowship at Aspen Music Festival and a residency at the Atlantic Center for the Arts. Live Projects Performers of Patricio da Silva’s works include, among others, The Berkeley Symphony Orchestra (Composer in Residence 2008-10), California Ear-Unit, Lontano, Lyris Quartet, The Memphis Symphony Orchestra, The Moscow Piano Quartet, New Fromm Players, Orquestra do Algarve, OrchestrUtopica, Shakespeare & Co., What’s Next? Ensemble, Stefan Asbury, Jens Barnieck, Tzimon Barto, Ryu Cipris, Gloria Cheng, William Eddins, Lorenz Gamma, David Gutkin, Paul Haas, Vimbayi Kaziboni, Michael Kudirka, David Loebel, Julia Oesch, Yevgeniy Milavskiy, Brian Pezzone, Ming Tsu, Laurent Wagner and Ian Whitcomb. Education Patrício da Silva received formal musical training at the Escola Superior de Música de Lisboa where he studied piano and composition (B.M. in piano), followed by composition studies in the USA at CalArts (MFA), and the University of California (Ph.D). His composition teachers include António Pinho Vargas, Mel Powel, Stephen L. Mosko, Morton Subotnick, William Kraft, David Cope, Curtis Roads, Michael Gandolfi, John Harbison and Sydney Hodkinson. #ContemporaryClassicalMusic #classicalmusic #classical #music #stringquartet #composer #contemporary Quartet de Cordas pelo compositor Portugues Patricio da Silva.
Beethoven William Eddins Minnesota Orchestra 2020
Beethoven’s First Symphony is full of crisp melodies and quick turns of phrase, as well as musical “inside jokes.” Later in life Beethoven would revolutionize the symphonic form, but in this early work he was content to compose music of clean lines and undeniable beauty. Listen to the conclusion of Beethoven's First Symphony from the Minnesota Orchestra's concert on Friday, November 20, 2020, conducted by William Eddins. Watch the Full Performance: (http•••)