Václav Würfel Vidéos
pianiste et compositeur tchèque
- orgue, piano
- musique classique, opéra
- margraviat de Moravie
- compositeur ou compositrice, pianiste, chef ou cheffe d'orchestre, professeur ou professeure de musique, organiste
Dernière mise à jour
2024-05-02
Actualiser
Stern Goebbels Boden Papen Würfel Kerr Einstein Stolz Herschel Schiff Jude Rasse Hildebrandt Olympia 1433 1824 1933 1936 1938 1941 1945 2013
Dieser Film unternimmt es, mit teilweise unveröffentlichtem Archivmaterial ein authentisches Bild jener Vorgänge zu zeichnen, deren letzte Station die Vernichtungslager waren. Auf Grundlage des Buches von Gerhard Schoenberner: (http•••)/ Warum konnte sich die antisemitische Organisation Hitlers so rasch mit den Vorurteilen vieler Millionen Deutscher zu einem derartigen Verfolgungswahn verbinden? Der Film fragt vor allem auch nach den Anfängen, denen nicht gewehrt wurde. Der Film berichtet von den couragierten Versuchen der deutschen Juden, sich gegen den nationalsozialistischen Terror zusammenzuscharen und ein neues religiöses Selbstbewusstsein zu finden. Er zeigt die Zerstörungswut der Nazis in der Kristallnacht des November 1938, und er dokumentiert die Fluchtwege, Rettungsversuche und Überlebenskünste in den Wochen und Monaten danach." 0:00 Bücherverbrennung auf dem Opernplatz in Berlin, 10.05.1933, Ich übergebe alles Undeutsche dem Feuer, Gegen Frechheit und Anmaßung, für Achtung und Ehrfurcht vor dem unsterblichen deutschen Volksgeist, Feuersprüche 01:08 Joseph Goebbels: Das Zeitalter eines überspitzten jüdischen Intellektualismus ist nun zu Ende, Hier sinkt die geistige Grundlage der November-Republik zu Boden, aber aus diesen Trümmern wird sich siegreich erheben der Phönix eines neuen Geistes. 02:19 Heinrich Heine: Das war ein Vorspiel nur: Dort wo man Bücher verbrennt, verbrennt man auch am Ende auch Menschen 02:41 Machtergreifung Hitlers, Fackelzug, NSDAP, 04:44 Goebbels, „diese jüdische Frechheit hat länger gelebt, als sie in Zukunft noch leben wird" 05:07 Reichstagsbrand, Massenverhaftungen, Schutzhaft, Sozialdemokraten, Kommunisten 06:06 Reichstagswahl, Paul von Hindenburg, Reichspräsident, Franz von Papen 07:35 Juden-Boykott, April 1033, Ermächtigungsgesetz, Berufsverbote für Juden 09:05 Hitler: „Am 30.Januar sind in Deutschland die Würfel gefallen. Und ich glaube nicht, dass die Gegner, die damals noch gelacht haben, heute auch noch lachen." Anhalter Bahnhof, Flucht ins Exil, Thomas Mann, Heinrich Mann, Berthold Brecht, Carl Zuckmayer, Alfred Kerr, Kurt Tucholsky, Elisabeth Bergner, Marlene Dietrich, Max Reinhard, Albert Einstein, Carl von Ossietzky 12:14 Neue Kunst, Entartete Kunst, Otto Dix, Führerkult 14:33 Verordnung und Erlass, nur für Arier, Juden sind hier erwünscht, Auswanderung nach Palästina, Tragt ihn mit Stolz, den gelben Fleck 18:24 Nürnberger Rassegesetze, Leni Riefenstahl, Olympia-Filme 20:13 Olympische Spiele 1936, 11.Olympiade 20:42 Hitlers Einzug in Wien, Prag, Panzer, Stahlhelme, Judenhass, Rassenfanatismus, Himmler, Heinrich, 22:00 Attentat, Herschel Grynszpan, Grünspan, Ernst vom Rath, Diplomat 7.11.38 23:32 Reichskristallnacht, Geschäfte geplündert, Synagogen angezündet, Kristallnacht, 09.11.1938, Pogromnacht, Grünspan-Affäre, Judenpogrome, Zwangssnamen Israel und Sara 24:56 Massenflucht, Novemberpogrome, jew's temporary shelter, Bürokratische Hürden, Schiff St.Louis, Hamburg nach Cuba, Rotterdam 30:26 Kindheit Hitlers, Portraits Hitler, Jude als Übel, Herrenrasse, Rassenwahn 33:00 „Le Juif et la France" 1941 Paris 33:52 Euthanasie, „Der ewige Jude", Ratten 35:47 Hitler: „Vernichtung der Deutschen Rasse", doppelter Krieg, gegen Länder und gegen die Juden, polnische Juden, Lebensraum im Osten Regie: Dieter Hildebrandt Drehbuch: Gerhard Schoenberner Produktion: Arthur Cohn, Bengt von zur Mühlen/ Dies ist ein Affiliate Link Affiliate Links sind Links, für die - je nach messbarem Erfolg - eine Provision gezahlt wird. Die Produkte, die wir hier bewerben können natürlich auch gerne woanders gekauft werden. Der Link ist lediglich ein Vorschlag, damit ihr sehen könnt, wie das Produkt aussieht und wo es gekauft werden kann.
Fryderyk Chopin Wilhelm Würfel Debussy Bach Liszt 1823 1826 1840
Download free sheet music in public domain: (http•••) Curious about this Fugue in A minor? I can’t find an accurate date of composition but guess it must be an early work dating from the time Chopin studied organ at the Warsaw Lyceum with the Czech musician Wilhelm Würfel, between 1823 and 1826. That’s to say the fugue could have been written by Chopin between the ages of 13 and 16. I am not convinced it was composed anywhere close to 1840, Chopin’s mature period, as the guessed date with a “?” on The Fryderyk Chopin Institute website. (http•••) There’s little more about the fugue on page 64 of the above sheet music PDF. Recorded with the 4th harmonic pedal in resonance position only. _ _ _ _ _ _ _ _ _ _ A few thoughts about this fugue: Composer-hopefuls, even today, get taught in composition class how to write in the styles of the great composers, while not loosing sight of the goal of eventually developing the emerging composer’s own voice. A contemporary example is the composer/pianist Nahre Sol (http•••) Nahre has YouTube tutorials that give insights in how to compose like Debussy or Bach, but she has a distinctive musical voice of her own and is one of the most exciting new composers I’ve discovered recently. Narhe’s Julliard trained, so has a foundation in composition/theory, but her own composing style is fresh, original, her ideas spring from all sorts of places, not necessarily musical. This little fugue by Chopin must have been one of many he wrote with his composition teacher, Wilhelm Würfel. It’s clearly a learning exercise. Chopin could have easily stayed simple harmonically as many students in his day would have done, but there are signs of his genius for exploring harmony as he wanders about into almost dissonance towards the end. If you play the fugue crisp, clear, bold with contrast in legato with staccato, it sounds very "Bach-ish”. But as Chopin was to become, only a few years later, very much a composer for piano with his own distinct voice, I decided to play it without the characteristic “Bach-touch” and added some pedal. As an art student I bought a huge book of early Picasso. His work at 14 and 16 years old was as competent academically as any other established artist of his day. He really learned his craft. But his genius was to break free from tradition and invent abstraction which changed the history of art. Much in the way Chopin loved, learned from but broke away from the influence of baroque and classical music, quickly finding his own voice at the piano, and with Liszt and his contemporaries, similarly changed the history of music. It’s fun exploring the early work of great composers!
Fryderyk Franciszek Chopin Pareja Wojciech Żywny Wilhelm Würfel Józef Ksawery Elsner Charlotte Rothschild 1810 1817 1835 1836 1837 1847 1849
Segunda temporada para conocer a los grandes maestros a través de su música... En esta entrega les dejo al Maestro Chopin... Nombre de nacimiento Fryderyk Franciszek Chopin Nacimiento 22 de febrero de 1810 o 1 de marzo de 1810 Żelazowa Wola (Gran Ducado de Varsovia) Fallecimiento 17 de octubre de 1849 París (Francia) Causa de la muerte Tuberculosis Sepultura Frédéric Chopin's tomb y Cementerio del Père-Lachaise Residencia Varsovia Nacionalidad Francesa (desde 1835), polaca y rusa Familia Padres Nicolas Chopin Tekla Justyna Chopin Pareja Maria Wodzińska +••.••(...)) George Sand +••.••(...)) Educación Educado en Universidad de Música Fryderyk Chopin Universidad de Varsovia Alumno de Wojciech Żywny Wilhelm Würfel Józef Ksawery Elsner Información profesional Ocupación Compositor, pianista, profesor de música, virtuoso y músico Años activo desde 1817 Estudiantes Charlotte de Rothschild Movimiento Romanticismo y música clásica Género Música del Romanticismo y música clásica Instrumento Piano Obras notables Estudios Polonesa Op. 53 Nocturnos Baladas (Chopin) (http•••) Nocturne in E-flat major, Op. 9, No. 2 Played by Vadim Chaimovich ((http•••) FB-Vadim: (http•••) Redes Sociales (http•••) (http•••) El Otro canal de Youtube... (http•••)
Arrau Chopin Elsner Radziwill Krakauer Franciszek Mirecki Zygmunt Noskowski Ignacy Jan Paderewski Roman Statkowski Mozart Demar 1816 1828 1829 1831 1834 1848
Krakowiak, Concert rondo in F, op.14; composed in 1828 (1829?) while Chopin was still studying with Elsner (on page 28 of the manuscript there is a correction in the horn part with a comment of Elsner); published in 1834; dedicated to Marcellina Czartoryska-Radziwill. PART II : (http•••) ~~~ Krakowiak is a Polish dance from the region of Kraków, the old capital of Poland (used by the Piast and the Jagiełło dynasties) and the center of southern part of the country, called Małopolska. The common name used in English is Cracovienne (from the French); in German the dance is known as Krakauer Tanz. The term refers to a group of dances from southern and central Małopolska, which are known by their places of origin (proszowiak from Proszów), or by the particular figures used in their choreography. The dance dates back to the 16th and 17th centuries when it was included in organ and lute tablatures, as well as songbooks, under such titles as Chorea polnica or Polnish Tanz. However, the first time that the name itself appeared in print was in Franciszek Mirecki's 1816 piano album, Krakowiaks Offered to the Women of Poland (Warsaw, 1816). In the mid-19th century, the krakowiak became a popular ballroom dance in Austria and France and grew to be regarded as a "national dance" of Poland, competing with the polonaise. For Poland, this was the time of partitions and the unsuccessful uprisings +••.••(...)) which sought to regain the country's independence. The krakowiak, polonaise and even mazurka, appeared in the Parisian salons as symbols of solidarity with the oppressed nation. At the same time, the krakowiak became a choice of composers who transformed it into an extensive and even virtuosic form, beginning from Chopin's Krakowiak op. 14, 1828; and including pieces by Zygmunt Noskowski, Ignacy Jan Paderewski, and Roman Statkowski. As the result of this increased artistic stature, even the ballroom form of the dance grew in scope and the dance was transformed into a three-part form, with the music featuring a contrasting central section, and modulations to other keys. ~~~ Chopins letter to his friend Titus Woyciechowski from Vienna, September 12, 1829, explaining the premiere of the piece made together with his Mozart Variations : "The members of the orchestra showed me sour faces at the rehearsal; what vexed them most was that I wished to make my debut with a new composition. I began with the Variations which are dedicated to you; they were to be followed by the Rondo Krakowiak. We got through the Variations well, the Rondo, on the other hand, went so badly that we had to begin twice from the beginning; the cause of this was said to be the bad writing. I ought to have placed the figures above and not below the rests (that being the way to which the Viennese musicians are accustomed). Enough, these gentlemen made such faces that I already felt inclined to send word in the evening that I was ill. Demar, the manager, noticed the bad disposition of the members of the orchestra, who also don't like Wurfel. The latter wished to conduct himself, but the orchestra refused (I don't know for what reason) to play under his direction. Mr. Demar advised me to improvise, at which proposal the orchestra looked surprised. I was so irritated by what had happened that in my desperation I agreed to it; and who knows if my bad humour and strange mood were not the causes of the great success which my playing obtained. The orchestra cursed my badly-written music, and was not at all favourably inclined towards me until I began the improvisation; but then it joined in the applause of the public. From this I saw that it had a good opinion of me. Whether the other artists had so too I did not know as yet; but why should they be against me? They must see that I do not play for the sake of material advantages. " ~~~
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