Dorothy Chandler Pavilion Vidéos
Commémorations 2024 (Inauguration: Dorothy Chandler Pavilion (Californie))
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2024-04-27
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Esa Pekka Salonen Chandler Dorothy Chandler Pavilion 1997
Esa-Pekka Salonen - L.A. Variations, for orchestra (1997) Los Angeles Philharmonic Conductor - Esa-Pekka Salonen L.A. Variations (sometimes stylized as LA Variations) is an orchestral composition by the Finnish composer Esa-Pekka Salonen. The work was commissioned by the Los Angeles Philharmonic, of which Salonen was then music director. It was first performed at the Dorothy Chandler Pavilion in Los Angeles, January 16, 1997, with Salonen conducting the Los Angeles Philharmonic. The piece is dedicated to the orchestra, about which Salonen remarked, "I wrote LA Variations specifically for the players of the Los Angeles Philharmonic. I'm very proud of the virtuosity and power of my orchestra." (http•••) Join the Score Video Creator Discord Server: (http•••) Support me on Patreon: (http•••)
Thomas Bloch Bloch Chandler Dorothy Chandler Pavilion 2014
Filmed at the LA Opera media event "LUCIA & the Glass Harmonica" on March 7, 2014 at the Dorothy Chandler Pavilion
Franz Liszt Beethoven Evgeny Kissin Chandler Chopin Seong Jin Cho Dorothy Chandler Pavilion Walt Disney Concert Hall Concert Hall October 1837 1994 2011 2015 2018
Transcendental Étude No. 10 in F minor, "Appassionata", is the tenth Transcendental Étude of a set of twelve by Franz Liszt. It is possibly the most played of the études and has a prominent melody. Passage work for the left hand is rather difficult, while the right hand plays the melody mostly in octaves. There are several portions where the left and right hands alternate to play descending chords reminiscent of the third concert étude, Un Sospiro. Other difficulties include cramped spacing (the hands are often close together), left-hand arpeggiated passage work, and the right hand ascending the keyboard in swiftness using only the thumb, the third, and fourth finger. Musically, it is a study in pushing melodic lines to the razor's edge with passion and dramaticism while maintaining the melody. The climax occurs right after the softest part of the piece and is an octave D♭ played 23 times in a row with rhythmic changes and rapid left-hand arpeggios that constantly change theme. This is one of the more popular études of the set. It is in sonata form, with a second group in E♭ minor, and an explosive coda. The 1837 version bears a coda which is modelled after the coda in the finale of Beethoven's "Appassionata" Sonata. Moscow native and classical pianist, Evgeny Kissin, launched into the limelight in 1994 in Los Angeles performing his interpretation of Transcendental Étude No. 10 at Dorothy Chandler Pavilion. Kissin has continued to perform interpretations of Liszt's work throughout his career. Diocesan College alumni, Liam Pitcher, won the Rustenberg Piano Festival in 2011 performing Transcendental Étude No. 10. South Korean pianist and 2015 gold medal winner of the International Chopin Piano Competition, Seong-Jin Cho, performed Transcendental Étude No. 10 at the Walt Disney Concert Hall in October 2018 for his Los Angeles debut.
Pierce Dorothy Chandler Pavilion Lincoln Center 1982
Dorothy Chandler Pavilion, 1982. Pierce always saved the irreverent Bette Davis impression for last. His devoted audiences would not let him off stage until he smoked at least one cigarette in the nervous and distinctive style of the temperamental star of "All About Eve" and "Now, Voyager." There had to be at least three or four cutthroat remarks made about legendary rival Joan Crawford. His audience always looked forward to Pierce's irreverent scenes adapted from "Whatever Happened To Baby Jane" in which Joan Crawford was teamed with rival Bette Davis. Then there was the moment when he asked the audience to "recite along" with one of the campiest lines in "Whatever Happened To Baby Jane." The musical director is Michael Biagi. Before his death, Pierce donated his papers to the Billy Rose Theatre Collection of the New York Public Library at Lincoln Center. For more tributes, go to (http•••) Before his death, Pierce donated his papers to the Billy Rose Theatre Collection of the New York Public Library at Lincoln Center. For more tributes, go to (http•••)
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