Teatro San Bartolomeo Vidéos
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2024-05-13
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Teatro San Carlo Scala Fenice Teatro San Bartolomeo Scarlatti Domenico Sarro Antonio Caldara Vittoria Tesi Peruzzi Angelo Amorevoli Righini Christoph Willibald Gluck Johann Christian Bach Bach Louis Spohr Isabella Colbran Rossini Nozzari Benedetti San Carlo Opera Company 1386 1621 1682 1736 1737 1752 1761 1809 1817 1841
The Teatro Reale di San Carlo (Royal Theatre of Saint Charles), as originally named by the Bourbon monarchy but today known simply as the Teatro di San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice.[1] The opera season runs from late January to May, with the ballet season taking place from April to early June. The house once had a seating capacity of 3,285,[2] but has now been reduced to 1,386 seats.[3] Given its size, structure and antiquity, it was the model for theatres that were later built in Europe. Commissioned by the Bourbon King Charles III of Naples (Carlo III in Italian), Charles wanted to endow Naples with a new and larger theatre to replace the old, dilapidated, and too-small Teatro San Bartolomeo of 1621, which had served the city well, especially after Scarlatti had moved there in 1682 and had begun to create an important opera centre which existed well into the 1700s.[4] Thus, the San Carlo was inaugurated on 4 November 1737, the king's name day, with the performance of the opera Domenico Sarro's Achille in Sciro, which was based on the 1736 libretto by Metastasio which had been set to music that year by Antonio Caldara. As was customary, the role of Achilles was played by a woman, Vittoria Tesi, called "Moretta"; the opera also featured soprano Anna Peruzzi, called "the Parrucchierina" and tenor Angelo Amorevoli. Sarro also conducted the orchestra in two ballets as intermezzi, created by Gaetano Grossatesta, with scenes designed by Pietro Righini.[1] The first seasons highlighted the royal preference for dance numbers, and featured among the performers famous castrati. In the late 18th century, Christoph Willibald Gluck was called to Naples by the impresario Tufarelli to direct his 1752 Clemenza di Tito at the theatre, and Johann Christian Bach in 1761-62 brought two operas, Catone in Utica and Alessandro nell'Indie. 1737: Construction of the Teatro di San Carlo The new opera house was designed by Giovanni Antonio Medrano, a military architect, and Angelo Carasale, the former director of the San Bartolomeo. The horseshoe-shaped auditorium is the oldest in the world. It was built at a cost of 75,000 ducats. The hall was 28.6 meters long and 22.5 meters wide, with 184 boxes, including those of proscenium, arranged in six orders, plus a royal box capable of accommodating ten people, for a total of 1,379 seats. Including standing room, the theatre could hold over 3,000 people. The fastidious composer and violinist Louis Spohr reviewed the size and acoustic properties of this opera house very thoroughly on 15 February 1817 and concluded that: there is no better place for ballet and pantomime. Military movements of infantry and cavalry, battles, and storms at sea can be represented here without falling into the ludicrous. But for opera, itself, the house is too large. Although the singers, Signora Isabella Colbran, [Prima Donna of the Teatro San Carlo opera company and Rossini's future wife], and the Signori Nozzari, Benedetti, etc., have very strong voices, only their highest and most stentorian tones could be heard. Any kind of tender utterance was lost.[5] Much admired for its architecture, its gold decorations, and the sumptuous blue upholstery (blue and gold being the official colours of the Bourbons), the San Carlo was now the biggest opera house in the world.[6] In relation to the power of the existing Bourbon Kingdom of the Two Sicilies, Beauvert notes that the design of the house, with its 184 boxes lacking any curtains was so that "no one could avoid the scrutiny by the sovereign" who had his private access from the Royal Palace.[6] In 1809 Domenico Barbaia was appointed manager of the royal opera houses in Naples and remained in charge until 1841.[7] He soon established a reputation for innovative and dazzling productions, which attracted both the public and leading singers to the opera house.
Teatro San Carlo Scala Fenice Teatro San Bartolomeo Scarlatti Domenico Sarro Antonio Caldara Vittoria Tesi Peruzzi Angelo Amorevoli Righini Christoph Willibald Gluck Johann Christian Bach Bach 1386 1621 1682 1736 1737 1752 1761
Places to see in ( Naples - Italy ) Teatro di San Carlo The Real Teatro di San Carlo, its original name under the Bourbon monarchy but known today as simply the Teatro di San Carlo, is an opera house in Naples, Italy. It is located adjacent to the central Piazza del Plebiscito, and connected to the Royal Palace. It is the oldest continuously active venue for public opera in the world, opening in 1737, decades before both the Milan's La Scala and Venice's La Fenice theatres. The opera season runs from late January to May, with the ballet season taking place from April to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1386 seats. Given its size, structure and antiquity, it was the model for the following theatres in Europe. Commissioned by the Bourbon King Charles III of Naples (Carlo III in Italian), Charles wanted to endow Naples with a new and larger theatre to replace the old, dilapidated, and too-small Teatro San Bartolomeo of 1621, which had served the city well, especially after Scarlatti had moved there in 1682 and had begun to create an important opera centre which existed well into the 1700s. Thus, the San Carlo was inaugurated on 4 November 1737, the king's name day, with the performance of the opera Domenico Sarro's Achille in Sciro, which was based on the 1736 libretto by Metastasio which had been set to music that year by Antonio Caldara. As was customary, the role of Achilles was played by a woman, Vittoria Tesi, called "Moretta"; the opera also featured soprano Anna Peruzzi, called "the Parrucchierina" and tenor Angelo Amorevoli. Sarro also conducted the orchestra in two ballets as intermezzi, created by Gaetano Grossatesta, with scenes designed by Pietro Righini. The first seasons highlighted the royal preference for dance numbers, and featured among the performers famous castrati. In the late 18th century, Christoph Willibald Gluck was called to Naples by the impresario Tufarelli to direct his 1752 Clemenza di Tito at the theatre, and Johann Christian Bach in 1761-62 brought two operas, Catone in Utica and Alessandro nell'Indie. ( Naples - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Naples . Through a series of videos we will try to show you recommended places to visit in Naples - Italy Join us for more : (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••)
Caserta Giovanni Battista Pergolesi Nelli Agostini Carbone Locatelli Teatro San Bartolomeo 1733 2017
La Serva Padrona - Giovanni Battista Pergolesi Aperìa Reggia di Caserta 10/6/2017 Festival dell’Opera buffa Napoli e l’Europa intermezzo in due parti libretto di Gennarantonio Federico dalla commedia omonima di Jacopo Agnello Nelli Napoli, Teatro San Bartolomeo, 5 settembre 1733 Direttore | Maurizio Agostini Regia e Scene| Mariano Bauduin Costumi | Marianna Carbone Interpreti Uberto, Filippo Morace Serpina, Rossella Locatelli Vespone, Ernesto Lama sabato 10 giugno 2017 ore 18.00
Giovanni Battista Pergolesi Vega Teatro San Bartolomeo 1733
La serva padrona ( Giovanni Battista Pergolesi) es un intermezzo buffo compuesto en Italia durante el primer cuarto del siglo XVIII y estrenada en el Teatro San Bartolomeo de Nápoles el 28 de agosto de 1733. Esta puesta en escena ha sido preparada por la Orquesta de cámara Calíope (dirigida por la maestra Zoila Vega Salvatierra) y un grupo de selectos actores.