Carl Adolph Preyer Video
compositore
- Germania, Stati Uniti
Ultimo aggiornamento
2024-05-01
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Maurice Steger Fiorè Gasparini Torri Albinoni Dieupart Hasse Vivaldi Rial Giusti Faber Keller Zeller Preyer Cormier Kammerorchester Basel 2017 2018
BAROQUE TWITTER by SONY MUSIC Arias & Concerti | Fiorè, Vinci, Gasparini, Torri, Albinoni, Dieupart, Hasse, Vivaldi & Mancini Baroque Twitter offers listeners an exiting journey into the world of early 18th -century Baroque poetry and music, a world filled with musical variety and soloistic brilliance. Together with the Kammerorchester Basel, Nuria Rial and Maurice Steger have recorded an album of Baroque arias and concertos inspired by birdsong and Twitter. In their search for works they have discovered some dazzling jewels, some well known, others previously unrecorded: dreamily playful arias about love, infatuation and the beauties of nature./ Nuria Rial | soprano Maurice Steger | flautino & recorder Stefano Barneschi | violin & direction KAMMERORCHESTER BASEL on period instruments Stefano Barneschi, Valentina Giusti, Matthias Müller | violin I Anna Faber, Regula Keller, Mona Marie Pöppe | violin 2 Bodo Friedrich, Anna Pfister | viola Martin Zeller, Georg Dettweiler | violoncello Stefan Preyer | double bass Daniele Caminiti | theorbo Sergio Ciomei | harpsichord Recording: 23–26 July 2017, Les Dominicains de Haute-Alsace, Guebwiller, France Recording producer & recording engineer: Joël Cormier · Mixed & Mastered at Idee und Klang Studio Basel Concept, musicological research, edition of scores (except Mancini & Vivaldi): Giovanni Andrea Sechi 2017 Maurice Steger appears of courtesy of Harmonia Mundi France SONY MUSIC 2018/ www.mauricesteger.com
Károly Goldmark Mendelssohn Leopold Jansa Böhm Preyer Jean Sibelius Johannes Brahms Richard Wagner Liebermann Richard Strauss Saba Sir Thomas Beecham Schumann Staatsoper 1830 1842 1848 1858 1860 1872 1875 1876 1877 1915 1938 1997
It is my express wish that any and all potential or actual remumeration that may be my due be instead directed towards any and all holders of copyright. Karl Goldmark +••.••(...)) Piano Trio No. 2 in E minor, Op. 33 I. Allegro con moto 0:00 II. Scherzo: Presto - Andantino grazioso - Tempo I 10:15 III. Andante sostenuto 17:12 IV. Allegro - Adagio 20:12 The Mendelssohn Piano Trio Karl Goldmark (born Károly Goldmark, 1830 – 1915) was a Hungarian-born Viennese composer. He came from a large Jewish family. His father, Ruben Goldmark, was a chazan to the Jewish congregation at Keszthely, Hungary, where Karl was born. Karl Goldmark's older brother Joseph became a physician and was later involved in the Revolution of 1848, and forced to emigrate to the United States. Karl Goldmark's early training as a violinist was at the musical academy of Sopron (1842–44). He continued his music studies there and two years later was sent by his father to Vienna, where he was able to study for some eighteen months with Leopold Jansa before his money ran out. He prepared himself for entry first to the Vienna Technische Hochschule and then to the Vienna Conservatory to study the violin with Joseph Böhm and harmony with Gottfried Preyer. The Revolution of 1848 forced the Conservatory to close down. He was largely self-taught as a composer. He supported himself in Vienna playing the violin in theatre orchestras, at the Carlstheater and the privately supported Viennese institution, the Theater in der Josefstadt, which gave him practical experience with orchestration, an art he more than mastered. He also gave lessons: Jean Sibelius studied with him briefly. Goldmark's first concert in Vienna (1858) met with hostility, and he returned to Budapest, returning to Vienna in 1860. To make ends meet, Goldmark also pursued a side career as a music journalist. "His writing is distinctive for his even-handed promotion of both Brahms and Wagner, at a time when audiences (and most critics) were solidly in one composer's camp or the other and viewed those on the opposing side with undisguised hostility." (Liebermann 1997) Johannes Brahms and Goldmark developed a friendship as Goldmark's prominence in Vienna grew. Goldmark, however would ultimately distance himself because of Brahms' prickly personality. Among the musical influences Goldmark absorbed was the inescapable one, for a musical colorist, of Richard Wagner, whose anti-semitism stood in the way of any genuine warmth between them; in 1872 Goldmark took a prominent role in the formation of the Vienna Wagner Society. He was made an honorary member of the Gesellschaft der Musikfreunde, received an honorary doctorate from the University of Budapest and shared with Richard Strauss an honorary membership in the Accademia di Santa Cecilia, Rome. Goldmark's opera Die Königin von Saba ("The Queen of Sheba"), Op. 27 was celebrated during his lifetime and for some years thereafter. First performed in Vienna on 10 March 1875, the work proved so popular that it remained in the repertory of the Vienna Staatsoper continuously until 1938. He wrote six other operas as well. The Rustic Wedding Symphony (Ländliche Hochzeit), Op. 26 (premiered 1876), a work that was kept in the repertory by Sir Thomas Beecham, includes five movements, like a suite composed of coloristic tone poems. His Violin Concerto No. 1 in A minor, Op. 28, was once his most frequently played piece. The concerto had its premiere in Bremen in 1877, initially enjoyed great popularity and then slid into obscurity, although it has made a comeback in recent years. His chamber music, in which the influences of Schumann and Mendelssohn are paramount, although critically well received in his lifetime, is now rarely heard. It includes the String Quintet in A minor Op. 9 that made his first reputation in Vienna, the Violin Sonata in D major Op. 25, two Piano Quintets in B-flat major, Op. 30 and C-sharp minor, Op. 54, two Piano Trios, Op. 4 in B-flat Major and Op. 33 in E minor,, a Cello Sonata Op. 39, and the work that first brought Goldmark's name into prominence in the Viennese musical world, the String Quartet in B-flat Op. 8 (his only work in that genre). He also composed choral music, two Suites for Violin and Piano (in D major, Op. 11, and in E-flat major, Op. 43), and numerous concert overtures, such as the Sakuntala Overture Op. 13 (a work which cemented his fame after his String Quartet), the Penthesilea Overture Op. 31, the In the Spring Overture Op. 36, the Prometheus Bound Overture Op. 38, the Sappho Overture Op. 44, the In Italy Overture Op. 49, and the Aus Jugendtagen Overture, Op. 53. Other orchestral works include the symphonic poem Zrínyi, Op. 47, and two orchestral scherzos, in E minor, Op. 19, and in A major, Op. 45.
Wiener Sängerknaben Preyer Thomas Weinhappel Hering Bruno Weil
'Kyrie', 'Sanctus' from Mass in A-flat major, D678, Franz Shubert Soloists Wiener Sängerknaben: Stefan Preyer, Thomas Weinhappel; tenor: Jörg Hering; bass: Harry van der Kamp Dir. music: Bruno Weil; choirmaster: Peter Marschik
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- cronologia: Compositori (Europa).
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