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Vyacheslav Artyomov Davydova Olympia 1993
Provided to YouTube by The Orchard Enterprises A Sonata of Meditations · Vyacheslav Artyomov · Mark Pekarsky Percussion Ensemble · Lidia Davydova Vyacheslav Artyomov: Invocations ℗ 1993 Olympia Compact Discs Ltd Released on: 1993-10-10 Music Publisher: Olympia Compact Discs Ltd Auto-generated by YouTube.
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Tchaikovsky Modest Tchaikovsky Davydov Nikolay Rubinstein Rubinstein Karl Klindworth Max Erdmannsdörfer Vera Davydova Davydova Bolshoi Theatre 1843 1867 1868 1874 1884 1892 1920 1945
Tchaikovsky: Souvenir de Hapsal, Op. 2 (1867) III. Chant sans paroles. Allegretto grazioso e cantabile (F major) Souvenir de Hapsal, Op. 2 (TH 125 ; ČW 100 to 102), was Tchaikovsky's first cycle of pieces for solo piano, written in the summer of 1867 while he was staying at the Estonian resort of Hapsal (now Haapsalu). Movements and Duration: A complete performance of all three pieces lasts around 10 to 15 minutes. Composition: The pieces were written during a break from Tchaikovsky's work on the opera The Voyevoda, in June and July 1867, while the composer was staying at Hapsal together with Modest Tchaikovsky and Anatoly Tchaikovsky, and some members of the Davydov family. Performances: Scherzo (No. 2) was performed for the first time by Nikolay Rubinstein at a special symphony concert of the Russian Musical Society in Moscow, on 27 February/10 March 1868. Chant sans paroles (No. 3) was first performed in Moscow by Karl Klindworth at the 1st Quartet Soirée of the Russian Musical Society on 2/14 October 1868, and in Saint Petersburg by Anna Yesipova at a concert in the Bolshoi Theatre on 28 February/12 March 1874. It was also conducted by Tchaikovsky at a concert in the Imperial School of Jurisprudence in the same city on 3/15 March 1892, in an orchestral arrangement by Max Erdmannsdörfer. It is not known when Ruines d'un château (No. 1) was first performed. Publication: The cycle was published for the first time by Pyotr Jurgenson in 1868. Many years later, in 1884, when Jurgenson was undertaking to publish a selection of his works for piano, Tchaikovsky included the complete cycle in his list of pieces worthy of being reprinted. Souvenir de Hapsal appears in volume 51А of Tchaikovsky's Complete Collected Works (1945), edited by Ivan Shishov. Autographs: The whereabouts of Tchaikovsky's manuscripts for all three pieces are unknow. Dedications: Souvenir de Hapsal is dedicated to Vera Davydova, later Butakova (1843–1920), younger sister of Lev Davydov (husband of Tchaikovsky's sister Aleksandra, who was staying at Hapsal when Tchaikovsky wrote the piano pieces. Related Works: Scherzo (No. 2) was a reworking by Tchaikovsky of the central section of his Allegro in F minor for piano, which had been composed during his studies at the Saint Petersburg Conservatory in the early 1860s.
Tchaikovsky Modest Tchaikovsky Davydov Nikolay Rubinstein Rubinstein Karl Klindworth Max Erdmannsdörfer Vera Davydova Davydova Bolshoi Theatre 1843 1867 1868 1874 1884 1892 1920 1945
Tchaikovsky: Souvenir de Hapsal, Op. 2 (1867) I. Ruines d'un chateau. Adagio misterioso (E minor) Souvenir de Hapsal, Op. 2 (TH 125 ; ČW 100 to 102), was Tchaikovsky's first cycle of pieces for solo piano, written in the summer of 1867 while he was staying at the Estonian resort of Hapsal (now Haapsalu). Movements and Duration: A complete performance of all three pieces lasts around 10 to 15 minutes. Composition: The pieces were written during a break from Tchaikovsky's work on the opera The Voyevoda, in June and July 1867, while the composer was staying at Hapsal together with Modest Tchaikovsky and Anatoly Tchaikovsky, and some members of the Davydov family. Performances: Scherzo (No. 2) was performed for the first time by Nikolay Rubinstein at a special symphony concert of the Russian Musical Society in Moscow, on 27 February/10 March 1868. Chant sans paroles (No. 3) was first performed in Moscow by Karl Klindworth at the 1st Quartet Soirée of the Russian Musical Society on 2/14 October 1868, and in Saint Petersburg by Anna Yesipova at a concert in the Bolshoi Theatre on 28 February/12 March 1874. It was also conducted by Tchaikovsky at a concert in the Imperial School of Jurisprudence in the same city on 3/15 March 1892, in an orchestral arrangement by Max Erdmannsdörfer. It is not known when Ruines d'un château (No. 1) was first performed. Publication: The cycle was published for the first time by Pyotr Jurgenson in 1868. Many years later, in 1884, when Jurgenson was undertaking to publish a selection of his works for piano, Tchaikovsky included the complete cycle in his list of pieces worthy of being reprinted. Souvenir de Hapsal appears in volume 51А of Tchaikovsky's Complete Collected Works (1945), edited by Ivan Shishov. Autographs: The whereabouts of Tchaikovsky's manuscripts for all three pieces are unknow. Dedications: Souvenir de Hapsal is dedicated to Vera Davydova, later Butakova (1843–1920), younger sister of Lev Davydov (husband of Tchaikovsky's sister Aleksandra, who was staying at Hapsal when Tchaikovsky wrote the piano pieces. Related Works: Scherzo (No. 2) was a reworking by Tchaikovsky of the central section of his Allegro in F minor for piano, which had been composed during his studies at the Saint Petersburg Conservatory in the early 1860s.
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