E. C. Essex Video
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- Regno Unito
Ultimo aggiornamento
2024-05-02
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John Dowland Jordi Savall Nichol Whitehead Johann Sebastian Bach Hespèrion XX 1563 1604 1626 1801 1926 1987
John Dowland +••.••(...)) - Lachrimae (Or Seaven Teares, 1604) [Jordi Savall] 1 Lachrimae Antiquae (00:00) 2 Sir John Souch His Galiard (04:41) 3 Lachrimae Antiquae Novae (06:45) 4 Mr. Henry Noell His Galiard (11:36) 5 Lachrimae Gementes (13:35) 6 The Earle Of Essex Galiard (18:01) 7 Lachrimae Tristes (19:26) 8 Mr. Nicholas Gryffith His Galiard (24:47) 9 Lachrimae Coactae (26:41) 10 Mr. Giles Hoby His Galiard (31:34) 11 Lachrimae Amantis (33:03) 12 Mr. Thomas Collier His Galiard (38:25) 13 Lachrimae Verae (39:54) 14 Capitaine Digorie Piper His Galiard (45:07) 15 Semper Dowland Semper Dolens (47:01) 16 The King Of Denmark's Galiard (53:00) 17 Sir Henry Umpton's Funerall (55:00) 18 Mr. Bucton His Galiard (1:01:05) 19 Mr. John Langton's Pavan (1:02:35) 20 Mrs. Nichol's Almand (1:07:46) 21 Mr. George Whitehead His Almand (1:09:08) Jordi Savall / Hespèrion XX Recorded in 1987, at Spain Scans & Booklet: (http•••) This channel seeks to bring together the totality of the baroque music of the nations of Europe. In particular, the one referring to the harpsichord. Enjoy, think, pray to Johann Sebastian Bach, the Fifth Evangelist! Please help the channel, so that the content can improve in quantity and quality. Baroque music deserves no less! Value the effort by donating a small amount to some of these wallets: Bitcoin (Red BTC): 1PCpKt5cuCoZ7rTvFSJFSEnNxasguVoFkL Ethereum (Red ERC20): 0xbad6b9065c12012afd14cbecc56fb83e487f4854 USDT (Red TRC20): TJBjzsy8imdENvntc4Mfgi2rhZ2wx7wZZc BNB (Red BEP20): 0xbad6b9065c12012afd14cbecc56fb83e487f4854 EOS (Red EOS): 107235864 Thank you so much!/ BAROQUE ROOM***
Francis Clive Savill Carey Carey English Singers 1883 1906 1907 1910 1911 1912 1914 1915 1920 1924 1928 1939 1945 1946 1953 1955 1968
Here's Clive Carey the English Baritone his complete Folksong Recordings probably all recorded in the mid to late 1920's. These very rare recordings have be preserved for posterity by The Thames Valley Morris Men who have a double link with Carey. Firstly, he is buried in the churchyard in Claygate in Surrey where the side is based. Secondly, he was the collector who recorded the Morris tradition from the village of Oddington, Gloucestershire. (http•••) Francis Clive Savill Carey CBE (30 May 1883 – 30 April 1968) was born into an artistic and talented family at Sible Hedingham in Essex. He was educated at King's College choir school, Sherborne School, and at Clare College, Cambridge, where he studied as an Organ Scholar and gained his MusB in 1906. He was also Grove scholar at the Royal College of Music. Clive’s career began at Cambridge, with visits to France, Italy, and Germany to study music and learn languages. He had a rich voice and on his debut in London in 1907 made an immediate impression, The Times said he had “a baritone of wide compass and attractive quality.” Notably in 1911 Clive directed and sang as Papageno in the Cambridge production of Mozart's opra Die Zauberflöte when Dent's English translation was first used. He was also active in the folk-music revival, collecting songs and dances in Sussex, Essex and Oxfordshire. Between 1910 and 1914 Carey organized the musical activities of Neal's Espérance Morris Guild. He contributed to Part 2 of the Espérance Morris Book (1912) and published Ten English Folk Songs in 1915. During the First World War, Clive Carey served with the Royal Army Medical Corps and the Royal Army Ordnance Corps, risig to the rank of Major. After demobilization he returned to singing and opera direction at the Old Vic Opera Company under Lilian Baylis, taking the title role in the 1920 Don Giovanni. He was in the original group of the English Singers and toured Europe with them. Disappointed with his lack of professional progress, Clive took his first major teaching post at the Elder Conservatorium, Adelaide, 1924 - 1928. He returned to England, working at the Royal College of Music, and returned to producing opera with Lilian Baylis at Sadler's Wells until war broke out in 1939, whereupon Clive and his wife Doris returned to Australia for the duration of the war. He then returned to Britain and was again director at Sadler's Wells 1945–6, and professor of singing and director of the opera school at the Royal College of Music, 1946 - 1953. He was esteemed as a director, a teacher, a performer and a stylish gentleman. He was appointed CBE in 1955. He died at his London home on 30 April 1968.
Gladys Ripley Elgar George Weldon Weldon Albert Coates Adrian Boult Malcolm Sargent Thomas Beecham Thornton Serge Koussevitzky Wilhelm Furtwängler Victor Sabata Handel Heddle Nash Philharmonia Orchestra Royal Choral Society Royal Albert Hall Three Choirs Festival 1626 1899 1908 1925 1926 1928 1940 1942 1945 1946 1949 1950 1952 1955
Elgar's song cycle 'Sea Pictures' premiered in October 1899. This version was recorded by Gladys Ripley, with the Philharmonia Orchestra conducted by George Weldon, in No. 1 Studio, Abbey Road, London, on 28 May 1946. The songs are: 00:00 Slumber Song 04:59 In Haven 06:46 Sabbath Morning at Sea 13:27 Where Corals Lie 16:26 The Swimmer From Wikipedia: Gladys Ripley (9 July 1908 – 21 December 1955) was an English contralto. She was born in Forest Gate, Essex, England, the daughter of Alfred and Amy Ripley, and was educated at St. Edmund Roman Catholic School, East Ham, and at Clark's Business College. In 1925, she gave her first important concert, singing Elijah at the Royal Albert Hall conducted by Albert Coates). Ripley broadcast continually from 1926 in a variety of programmes: opera, oratorio, musical plays, and light music. She sang with all the leading orchestras, under conductors including Adrian Boult, Malcolm Sargent, Thomas Beecham, Charles Thornton Lofthouse, Serge Koussevitzky, Wilhelm Furtwängler, and Victor de Sabata. Ripley appeared with the Royal Choral Society and other principal societies. She also performed at major festivals: Three Choirs Festival, Three Valleys Festival, Norwich Festival, and Leeds Festival. Before the Second World War, she sang for six seasons at the Royal Opera House. In 1940, she toured New Zealand as a guest artist for the New Zealand Centennial celebrations. During the war she sang for the troops frequently, visiting France in 1940, West Africa in 1942, and Belgium and Netherlands in 1945. In the 1942 film The Great Mr. Handel, Ripley was the singing voice of the character Mrs. Cibber, played by Elizabeth Allan. In 1949, she toured New Zealand and Australia. In 1950, she toured the Netherlands. Ripley married three times: 1928 Harry W. Gilbert giving one daughter, Shirley Anne 1945 Squadron Leader John Price (died 1952) Flight-Lieutenant E. A. Dick Her recreations were swimming, gardening, knitting, and ballroom dancing. After the war, she lived in London and Pagham, Sussex. Ripley died in Chichester of breast cancer on 21 December 1955. I transferred 'Sea Pictures' from Australian laminated pressings of HMV EB 398-400. Thanks to Fan of Heddle Nash for assisting by supplying and processing several photos of Ripley.
Somerville Johnston 1703 1812 1850 1900 1939 1940 1944
00:00:00 - Intro 00:00:25 - American heavy cruiser turrets? 00:02:45 - How did the 1st London Naval Treaty handle limitations on seaplane tenders? 00:05:26 - USN in the War of 1812 Resources? 00:10:55 - Rat Guards, origins? 00:12:45 - You've mentioned in several dry docks and other videos That Germany and the United States both struggled with building turbine engines in the 1900's what is it about turbine engines that made them so difficult to make? 00:16:32 - How cross compatible were torpedoes? 00:19:57 - Target ships and their engines? 00:21:59 - Cutting the Essex class to accelerate Midway/Kentucky? 00:24:55 - Can you give a rundown of the Marines invading Korea in the 1800s? 00:28:14 - What are the limiting factors for the Dreadnought through WW2 period when it comes to deployed fleet size? 00:32:17 - Was it true that USS Laffey was opened up to the public after the Kamikaze attack on April 16th so the public could view the damage done to the ship? 00:33:33 - The loss of the destroyer HMS Rockingham in 1944 00:35:41 - What did the French Navy do between September 1939 and June 1940? 00:39:29 - USS Wyoming AA refit? 00:42:47 - How does history rate Admiral James Somerville? 00:48:30 - Cases of a ship or person becoming the embodiment of an idea or doctrine? 00:50:58 - Degassing fuel oil? 00:53:45 - How were the fleets of the 18th century/napoleonic royal navy organized? Where there fixed squadrons and divisions with their own commanders or where just single ships assigned to fleet commanders? Also, how do the red/white/blue ensign squadrons come in to it? 00:59:00 - What types and numbers of small arms would various types of Royal Navy ships (battleships, cruisers, sloops, etc) carry in the great war? 01:01:54 - As a naval historian, which aspects of your research, be they ship, battle, figure, or broader topic, most tend to make you tear out your hair or scream into throw pillows? 01:10:41 - WRENS 01:14:15 - When the Allies occupied Iceland what significance did it have in the Battle of the Atlantic? 01:19:11 - The Great Storm of 1703 01:22:31 - What changes pre-WW2 would improve the fighting capability of the Italian Navy? 01:27:38 - How were the tasks of running out, aiming, and absorbing recoil which involved muscle, ropes, levers, and friction in 1850 accomplished in 1900? 01:34:50 - During the age of sail, what was the practice about lighting aboard ship while at sea at night? 01:37:38 - How did officers view inter-navy trade? 01:46:03 - What in you opinion would be the most successful lopsided ships with excessive speed, protection and firepower respectively? 01:52:20 - Can you explain the stability issues experienced by USS Midway class carriers as they were significantly enlarged over their service life. Did they lose any speed from the addition of roughly 20 000 tons? 01:55:43 - Just how far back in history does naval mine warfare go? 01:58:32 - Just how much would it cost to raise the Johnston? 02:01:16 - Other navies fleet problems? 02:05:03 - Mobile drydock's in WW2? 02:08:22 - Just how much pride did 19th century Naval officers have in their near-monopoly on navigation?
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