Frances Mason Video
insegnante di musica britannica
- violino
- musica classica
- Regno Unito
- insegnante di musica
Ultimo aggiornamento
2024-05-11
Aggiorna
Mesa redonda: Agencia y recepción artística. Intercambio de obras y promoción de artistas En castellano: (http•••) Sheila ffolliott, George Mason University; The Medici Archive Project Almudena Pérez de Tudela, Patrimonio Nacional Modera: Vanessa de Cruz Medina, Universidad de Castilla la Mancha Esta mesa forma parte del Simposio "Protagonistas femeninas en la formación de las colecciones del Prado. De Isabel I de Castilla a Isabel Clara Eugenia", celebrado los días 7 y 8 de marzo de 2022 en el Museo del Prado. Más información sobre el simposio: (http•••) La formación de las colecciones del Museo del Prado está estrechamente ligada a la labor de promoción artística que desarrollaron algunas de las mujeres más representativas de las casas reales, desde Isabel I de Castilla a Isabel II. Sin embargo, a menudo, paseamos por las salas del Museo sin reparar en ello, sin advertir que algunas de sus obras maestras son fruto de un patronazgo en femenino. Con motivo de la celebración del Día Internacional de la Mujer, el Museo del Prado reúne a destacados especialistas internacionales en un simposio que pretende dirigir nuestra mirada hacia aquellas mujeres que promocionaron, coleccionaron e inspiraron algunas de las obras de arte más emblemáticas de esta institución. Mujeres cuyas actuaciones, enmarcadas entre 1451 y 1633, coinciden con los años comprendidos entre el nacimiento de Isabel la Católica y la muerte de Isabel Clara Eugenia. Reinas, princesas, regentes y gobernadoras que desempeñaron un papel fundamental no sólo en el ámbito de la promoción de obras de arte, sino en los principales escenarios del poder, siendo responsables, en gran medida, de la internacionalización de la Monarquía Hispánica. / More information: (http•••) The creation of the collections of the Museo del Prado is closely linked to the artistic patronage undertaken by some of the most prominent female figures of the Spanish monarchy, from Isabella I of Castile to Isabel II. Nonetheless, it is easy to pass through the Museum’s galleries without observing this fact and without appreciating that some of its masterpieces are the result of women’s support for the arts. To mark International Women’s Day, the Museo del Prado is bringing together leading international specialists for a symposium which will aim to draw attention to the women who promoted, collected and inspired some of the Museum’s most iconic works: women whose activities, dating between 1451 and 1633, coincide with the period between the birth of Isabella the Catholic and the death of Isabel Clara Eugenia. These queens, princesses, regents and governors played a key role not just with regard to the promotion of works of art but also in the principal settings of power and were largely responsible for the internationalisation of the Spanish monarchy.
Richard Wagner Daniel Barenboim Cary Janes Gallardo Bayreuth Kupfer Hohlfeld John Tomlinson Kannen Graham Clark Linda Finnie Eva Johansson Brinkmann Kurt Schreibmayer Birgitta Svendén Matthias Hölle Kang Helmut Pampuch Turner Bayreuth Festspielhaus 1992 2001
Part 1 of "Das Rheingold", from "The Ring Of The Nibelung" series of graphic novels by P. Craig Russell. These graphic novels are an adaptation of the tetralogy of operas "Der Ring des Nibelungen" by Richard Wagner. These videos present a whole new way to experience and enjoy both P. Craig Russell's beautiful work and Richard Wagner's precious music: now you can read the graphic novels while listening to the operas they are based on! An extremely careful process was done while making these videos: the timing, illumination and presentation of the images was adjusted to the dialogues, music and arrangements on the operas. An intensive investigation about leitmotives, their significance and their many variants was done to better understand the moments and subtle overtones the images from the graphic novels are invoking from the operas. Lastly, it was meant that these videos had the recordings of the Ring production with the best cast of all time, and so the 1992 Barenboim production was chosen. All in all, in this way, by treating both P. Craig Russell's graphic novels and Richard Wagner's operas with the utmost respect and fidelity, one can enjoy their exquisite works at the same time and with the highest quality! Credits: Graphic novel: Author: P. Craig Russell Publisher: Dark Horse Comics Year: 2001 Translation & Text: Patrick Mason Colors: Lovern Kindzierski Letters: Galen Showman Design: Cary Grazzini Edited by: Peet Janes & Scott Allie Assistant Editors: Adam Gallardo & Mike Carriglitto Published by: Mike Richardson Opera: Author: Richard Wagner Orchestra: Orchester der Bayreuth Festspiele Recorded in: Bayreuth Festspielhaus Conductor: Daniel Barenboim Stage director: Harry Kupfer Producer: Horant H. Hohlfeld Year: 1992 Cast: Wotan: John Tomlinson Alberich: Günter von Kannen Loge: Graham Clark Fricka: Linda Finnie Freia: Eva Johansson Donner: Bodo Brinkmann Froh: Kurt Schreibmayer Erda: Birgitta Svendén Fasolt: Matthias Hölle Fafner: Philip Kang Mime: Helmut Pampuch Woglinde: Hilde Leidland Wellgunde: Annette Küttenbaum Flosshilde: Jane Turner
Seth Bingham Lowell Mason Daniel Gregory Mason 1882 1972
Work for the Night is Coming--Seth Bingham +••.••(...)) Today's music comes from Binghan's opus 42, "Seven Preludes or Postludes on Lowell Mason Hymns". Mason was a prodigious writer of hymns in the 19th and 20th centuries. This last piece of opus 42, "Work Song", was fittingly dedicated to Lowell Mason's grandson, Daniel Gregory Mason, who became close friends with Bingham and hired him to teach at Columbia. After an introduction, the melody is presented as a trumpet tune. This is followed by a transition featuring fragments of the melody, which leads to a pompous march.
Langa Kreuz Heil Höhn Sonn Lowell Mason 1792 1805 1848 1872
1. Näher, mein Gott, zu dir, näher zu dir. Drückt mich auch Kummer hier, drohet man mir, soll doch trotz Kreuz und Pein dies meine Losung sein: Näher, mein Gott, zu dir, näher zu dir. 2. Geht auch die schmale Bahn aufwärts gar steil, führt sie doch himmelan zu unserm Heil. Engel, so licht und schön, winken aus selgen Höhn. Näher, mein Gott, zu dir, näher zu dir. 3. Ist dann die Nacht vorbei, leuchtet die Sonn, weih ich mich dir aufs neu vor deinem Thron; baue mein Bethel dir und jauchz mit Freuden hier: Näher, mein Gott, zu dir, näher zu dir. 4. Ist mir auch noch verhüllt ein Weg allhier, wird nur mein Wunsch erfüllt: näher zu dir. Schließt dann mein Pilgerlauf, schwing ich mich freudig auf: Näher, mein Gott, zu dir, näher zu dir. Text: Sarah F. Adams (1805–1848) Musik: Lowell Mason (1792–1872)
o
- cronologia: Interpreti (Europa).
- Indici (per ordine alfabetico): M...