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Mabel Garrison Siemonn Clement George Siemonn McDaniel Herbert Witherspoon Aborn Verdi Bizet Tales Hoffman Maschera Metropolitan Opera Aborn Opera Company Chicago Civic Opera Olympia Berlin State Opera Cologne Opera 1886 1903 1908 1912 1914 1917 1921 1925 1933 1963
Mabel Garrison sings 'Charmant oiseau,' with orchestra conducted by Josef Pasternack and flute obbligato by Clement Barone, recorded at Camden on 13 June 1917. Garrison is almost forgotten nowadays, but her records are well worth seeking out. Michael Scott referred to her as 'the admirable Mabel Garrison,' and it's a good description of this well-schooled singer with a pleasant soprano voice which she used well. From Wikipedia: Mabel Garrison Siemonn (April 24, 1886 – August 20, 1963), was an American coloratura soprano who sang at the Metropolitan Opera from 1914 to 1921. Garrison was born in Baltimore, Maryland on April 24, 1886. She graduated from Western Maryland College (now McDaniel College) in 1903. She went on to study singing at the Peabody Conservatory. In 1908 she married the professor of harmony, George Siemonn and then studied further with Oscar Saenger and Herbert Witherspoon in New York. She made her debut in 1912 with the Aborn Opera Company as Philine in Mignon. She made her Metropolitan Opera debut on February 15, 1914 in a Sunday afternoon concert singing arias from operas by Verdi and Mozart. Her first role at the Met was Frasquita in Bizet's Carmen. Other roles included Adina in L'Elisir d'Amore, Bertha in Euryanthe, Biancofiore in Francesca da Rimini, Crobyle in Thaïs, the Dew Fairy in Hansel and Gretel, Gilda in Rigoletto, Olympia in The Tales of Hoffman, Lady Harriet in Martha, Oscar in Un Ballo in Maschera, the Queen of the Night in The Magic Flute, the Queen of Shemakha in The Golden Cockerel, Rosina in Il Barbiere di Siviglia, and Urbain in Les Huguenots among others. Her last performance at the Met was as the title role in Lucia di Lammermoor on January 22, 1921. In 1921, Garrison made guest appearances at the Berlin State Opera in Hamburg and at the Cologne Opera. Later that year, she made a world concert tour. She was a member of the Chicago Civic Opera during the 1925-26 season. She was a teacher at Smith College after 1933. Garrison had an admirably trained coloratura soprano voice, as she demonstrated in both opera and concert and in several fine recordings she made for the Victor Talking Machine Company. She died in New York City on August 20, 1963.
Mabel Garrison Siemonn George Siemonn McDaniel Herbert Witherspoon Aborn Verdi Bizet Tales Hoffman Maschera Metropolitan Opera Aborn Opera Company Chicago Civic Opera Olympia Berlin State Opera Cologne Opera 1886 1903 1908 1912 1914 1916 1921 1925 1933 1963
Mabel Garrison sings the Polonaise from 'Mignon,' recorded at Camden on 15 June 1916 with orchestra conducted by her husband George Siemonn. Garrison is almost forgotten nowadays, but her records are well worth seeking out. Michael Scott referred to her as 'the admirable Mabel Garrison,' and it's a good description of this well-schooled singer with a pleasant soprano voice which she used with considerable artistry. From Wikipedia: Mabel Garrison Siemonn (April 24, 1886 – August 20, 1963), was an American coloratura soprano who sang at the Metropolitan Opera from 1914 to 1921. Garrison was born in Baltimore, Maryland on April 24, 1886. She graduated from Western Maryland College (now McDaniel College) in 1903. She went on to study singing at the Peabody Conservatory. In 1908 she married the professor of harmony, George Siemonn and then studied further with Oscar Saenger and Herbert Witherspoon in New York. She made her debut in 1912 with the Aborn Opera Company as Philine in Mignon. She made her Metropolitan Opera debut on February 15, 1914 in a Sunday afternoon concert singing arias from operas by Verdi and Mozart. Her first role at the Met was Frasquita in Bizet's Carmen. Other roles included Adina in L'Elisir d'Amore, Bertha in Euryanthe, Biancofiore in Francesca da Rimini, Crobyle in Thaïs, the Dew Fairy in Hansel and Gretel, Gilda in Rigoletto, Olympia in The Tales of Hoffman, Lady Harriet in Martha, Oscar in Un Ballo in Maschera, the Queen of the Night in The Magic Flute, the Queen of Shemakha in The Golden Cockerel, Rosina in Il Barbiere di Siviglia, and Urbain in Les Huguenots among others. Her last performance at the Met was as the title role in Lucia di Lammermoor on January 22, 1921. In 1921, Garrison made guest appearances at the Berlin State Opera in Hamburg and at the Cologne Opera. Later that year, she made a world concert tour. She was a member of the Chicago Civic Opera during the 1925-26 season. She was a teacher at Smith College after 1933. Garrison had an admirably trained coloratura soprano voice, as she demonstrated in both opera and concert and in several fine recordings she made for the Victor Talking Machine Company. She died in New York City on August 20, 1963.
Gabriella Besanzoni Brizzi Costanzi Verdi Maschera Torri Alberto Gasco Zandonai Enrico Caruso Marinuzzi Teatro Costanzi Teatro Regio Torino Teatro Colón Teatro Scala Terme Caracalla Metropolitan Opera 1888 1911 1913 1914 1918 1919 1920 1921 1922 1923 1924 1932 1935 1939 1962 2016
Gabriella Besanzoni - Il Trovatore - Stride la vampa - Victor 541 enregistré le 9 mars 1920 Gabriella Besanzoni (Mezzo-Soprano) (Roma, Italia 20. 9. 1888 † Roma, Italia 8. 7. 1962) She was trained at the Accademia di Santa Cecilia in Roma under Alessandro Maggi and Ibilda Brizzi. She made her debut as soprano in 1911 at Viterbo. Then she retrained and made her debut as mezzo-soprano in 1913 at the Teatro Costanzi in Roma as Ulrica in G. Verdi’s ‘’Un Ballo in maschera’’. The same year she appeared there in the premiere of the opera ‘’La Leggenda delle sette Torri’’ by Alberto Gasco. Now she had a successful career in Italy and Spain. In 1914 she sang at the Teatro Regio of Torino in the premiere of the opera ‘’Francesca da Rimini’’ by R. Zandonai. In the 1919-1920 season she appeared at the Metropolitan Opera in New York (debut: Amneris in ‘’Aida’’), where she also sang the part of Isabella in ‘’L'Italiana in Algeri’’. In 1920, during a guest performance in Havana, she sang the part of Amneris opposite Enrico Caruso and while she stood in the second act a bomb exploded in the auditorium. In the 1920-1921 season she performed with success at the Chicago Opera, in the 1921-1922 season at the Teatro Costanzi in Roma as Carmen and Dalila. Since 1918 almost annually she appeared as a guest at the Teatro Colón of Buenos Aires, where she was highly acclaimed, among other things as Carmen, Mignon, Amneris, Dalila in ’’Samson et Dalila’’ and as Glorianda in the premiere of the opera ‘’Jacquerie’’ of G. Marinuzzi +••.••(...)). She had similar success in other operatic theaters of South America, above all at the Opera House of Rio de Janeiro, where she appeared from 1922 to 1935. In the 1923-1924 season she performed at the Teatro alla Scala as Orpheus and Amneris, in 1932 as Carmen and Mignon. In 1939 she retired from the stage appearing for the last time during the festival of the Terme de Caracalla in Roma as Carmen. She lived temporarily in Rio de Janeiro. Later she taught singing in Roma. Source : (http•••)
Pyotr Ilyich Tchaikovsky Daniel Barenboim Mayer Scheibe Chicago Symphony Orchestra 1812 1982
Provided to YouTube by Universal Music Group Tchaikovsky: Ouverture solennelle "1812," Op. 49 · Chicago Symphony Orchestra · Daniel Barenboim Tchaikovsky: "1812" Overture; Capriccio italien; Romeo & Juliet; Francesca da Rimini ℗ 1982 Deutsche Grammophon GmbH, Berlin Released on: 1982-01-01 Producer: Dr. Steven Paul Producer, Recording Producer: Werner Mayer Studio Personnel, Balance Engineer: Klaus Scheibe Composer: Pyotr Ilyich Tchaikovsky Auto-generated by YouTube.
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- cronologia: Cantanti lirici (Europa).
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