Nelson Goerner Video
pianista argentino
- pianoforte, fortepiano
- Argentina
- pianista classico
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2024-04-27
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Fryderyk Franciszek Chopin Nelson Goerner 1510 1810 1849
I hope you relax, reminisce about good, happy memories. And happiness will come to you. Tracklist: 01. Ballade No. 1 in G minor, Op. 23 (0:02) 02. Nocturne No. 14 in F sharp minor, Op. 48 no. 2 (08:39) 03. Ballade No. 2 in F major, Op. 38 (15:10) 04. Nocturne No. 7 in C sharp minor, Op. 27 no. 1 (22:07) 05. Ballade No. 3 in A flat major, Op. 47 (27:43) 06. Nocturne No. 8 in D flat major, Op. 27 no. 2 (34:52) 07. Ballade No. 4 in F minor, Op. 52 (40:49) Thank you for watching! PERFORMER: Nelson Goerner. Frédéric François Chopin[n 1] (born Fryderyk Franciszek Chopin; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation. (Wikipedia)
Józef Władysław Krogulski Krogulski Krzeszowiec Soroka Marcin Zdunik Nelson Goerner 1454 1830 1831 1832 1905
0:00 - Adagio - Allegro 9:28 - Adagio 14:54 - Menuetto - Trio Allegretto 19:05 - Finale (A la Bohemienne) Flute - Jan Krzeszowiec Clarinet - Radoslaw Soroka Violin I - Lena Neudauer Violin II - Erzhan Kulibaev Viola - Artur Rozmyslowicz Cello - Marcin Zdunik Double Bass - Slawomir Rozlach Piano - Nelson Goerner In November, 1830, the Poles rose up against their Russian occupiers. This act of bravery did, however, leave Poland in a dire economic position. This economic pressure affected Poles of all walks of life, but it hit a young pianist named Józef Krogulski particularly hard. In 1831, Krogulski's everyday financial frustrations and hardships were compounded by the death of his mother, causing him to take a serious step back from his career as a performer. Krogulski took up some work as a private piano teacher to pay the bills. Over the course of the uprising, he began to focus more on his duties as a member of a church choir and on composing. Throughout these difficult years, he almost exclusively performed at home (in part because of health problems), focusing much of his attention on his new creations. When he finally arose from his seclusion in 1832, he premiered his 2nd Piano Concerto, and two years later, he premiered this work - the Octet in D-Minor. Krogulski has a reputation as a "Polish Mozart." We can see some of that influence here, but the work certainly stands on its own. The piece begins with the foreboding pulsation of the strings giving way to slow woodwind descent. The lighter tone of the first movement cuts through the dense atmosphere of the opening to recite the first theme. This first movement is a microcosm of the Octet as a whole. The adagio moves between a beautiful, glowing theme and creepy tremolos that interrupt the serenity. The rondo is lively and the finale is joyously vibrant. You can detect that hint of conflict in each of the movements. The work as a whole is well balanced and varied. As I was dissecting it, I encountered a lot that surprised me given the time period. Note: There are a lot of repeats in this octet. Where it started getting hard to follow, I started inverting sections that were not being played on that page because of the repeats. That is why several passages have those black sections. (http•••)
Józef Władysław Krogulski Krogulski Krzeszowiec Soroka Marcin Zdunik Nelson Goerner 1815 1832 1842
Józef Władysław Krogulski +••.••(...)) – Klavieroktett für Flöte, Klarinette, zwei Violinen, Bratsche, Violoncello, Kontrabaß und Klavier in D-Moll, op. 6 (1832) Flöte – Jan Krzeszowiec Klarinette – Radoslaw Soroka Violine 1 – Lena Neudauer Violine 2 – Erzhan Kulibaev Bratsche – Artur Rozmyslowicz Violoncello – Marcin Zdunik Kontrabaß – Slawomir Rozlach Klavier – Nelson Goerner
Martha Argerich Nelson Goerner Tchaikovsky Goldsmith Dmitri Bashkirov Hindemith Albéniz András Schiff Colón Theater National Auditorium Teatro Real 2010 2016 2020 2021 2022
Mozart: Piano Concerto No. 17 in G major, KV. 453 by Tomás Alegre I. Allegro 00:51 II. Andante 12:49 III. Allegretto - Presto 22:50 Conductor: Andrés Salado Freixenet Chamber Orchestra Recorded at the SONY Auditorium of Madrid on 27 June, 2022 Tomás Alegre (Argentina / Italy) (http•••) Thanks to the pianist Martha Argerich, Tomás, who was then a young Argentine promise throughout his childhood, was able to fulfill the dream of studying in Europe and begin to develop as a musician with Nelson Goerner. From then on, the most important performances began: his appearance at the prestigious international stage of the Colón Theater as a soloist of Tchaikovsky's Concerto No. 1 and solo piano recitals at the Symphonic Hall of the National Auditorium and the Gran Rex Theater. During his studies in Switzerland he won the Gian Andrea Lodovici Prize, managing to record his first CD at the famous Fazioli Concert Hall for the German record label ARTS. Since his public debut at the age of twelve as a soloist of Mozart's Concerto K. 415, Tomás has appeared on radio and television and his performances are recognized and published by the press in the main newspapers and magazines of his country. In his recent reappearance at the Colón Theater with Mozart's Concerto K. 414, the wide repercussion and the praise from the press described: “A direct expressiveness contoured with the subtlety of a goldsmith (...) Owner of an expressiveness that reveals the true essence of what he interprets”. Tomás began his musical studies at the age of eight and during his adolescence, at the recommendation of Martha Argerich, he received a scholarship to perfect himself with Nelson Goerner at the Haute École de Musique de Genève, Switzerland. Subsequently, he entered the Chair of Dmitri Bashkirov at the Reina Sofía School obtaining a Bachelor's degree and a Master's degree in Musical Interpretation. Among many awards, he has received the Honourable Mention at the XXXIII International Ferrol Piano Competition, Golden Medal at the IV Manhattan International Competition, Mónica Lavino Mariani International Award (II edition), 2nd Prize at the Muse Competition 2021, and he obtained, from the hands of Queen Sofía, the awards for the Most Outstanding Student and the Most Outstanding Chamber Group at the Reina Sofía School. With the Aurora Piano Quartet he is laureate at the Orpheus Swiss Chamber Music Competition 2016. In addition to being awarded in different competitions in his country such as First Prize at the XI Bienal Juvenil Shell Competition and First Prize at the 2010 Chopiniana Competition, he was honored by the Association of Music Performers and the Association of Music Critics. He has received scholarships from Hindemith Music Center, Martha Argerich Presents Project, Rotary Genève Sud, Hans Wilsdorf Foundation, MAEC-AECID, Carolina Foundation, BSI Talent Program, Albéniz Foundation, AIE, Mozarteum Argentino, FNA Argentina and he was invited to perform at important International Festivals such as the Martha Argerich Festival in Lugano. He has been presented, among others, at the Temple de la Fusterie and Auditorium Radiotelevisione Svizzera; Teatro Real, National Auditorium, Juan March Foundation, Sony Auditorium, Spain. Tomás is currently finishing his last specialization course at the Reina Sofía School and he will be conducted by András Schiff in the closing concert of the academic year with the Freixenet Orchestra. Since 2020 his recitals are broadcast on Eurochannel's Allegro HD for Latin America.
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- cronologia: Interpreti (Sud America).
- Indici (per ordine alfabetico): G...