Guy Cutting Video
Ultimo aggiornamento
2024-05-08
Aggiorna
Louis Joseph Andriessen Bach Brahms Nederlands Blazers Ensemble 1425 1505 1514 1857 1939 1976 2021
Composer: Louis Joseph Andriessen (June 6, 1939 – July 1, 2021) Ensemble: Nederlands Blazers Ensemble conducted by Lucas Vis 00:00 Oboes in hypnotic polyphony (01:59) Brash trombones and horns 02:53 Chorus Entry 1 over a cool mixolydian drive 04:31 A harder drive as the oboes and violas take the melody in a distant calling manner 05:52 The ostinato takes on a more menacing sound below biting clusters growing in intensity 07:52 ...climaxing into a tight funky unison 09:51 An extremely violent and thick texture (10:52) 12:28 ...resolves into warm waves of sound 15:05 The intensity and violence returns 18:57 Choir Entry 2, strict and authoritarian (21:20 great explosive power) (23:19) 26:14 Amazingly sinister texture of different mute sounds coming in and out building to 27:03 29:44 Choir Entry 3, cutting tutti chords 31:05 ...break down into a manic quasi-hocket Score available from Boosey and Hawkes: (http•••) Composer's Note: I wrote De Staat (The Republic) as a contribution to the debate about the relation of music to politics. Many composers view the act of composing as, somehow, above social conditioning. I contest that. How you arrange your musical material, the techniques you use, and the instruments you score for, are largely determined by your own social circumstances and listening experience, and the availability of financial support. I do agree, though, that abstract musical material - pitch, duration, and rhythm - are beyond social conditioning: it is found in nature. However, the moment the musical material is ordered it becomes culture and hence a social entity. I have used passages from Plato to illustrate these points. His text is politically controversial, if not downright negative: Everyone can see the absurdity of Plato's statement that the Mixolydian mode should be banned as it would have a damaging influence on the development of character. My second reason for writing De Staat is a direct contradiction of the first: I deplore the fact that Plato was wrong. If only it were true that musical innovation could change the laws of the State! I could write beautiful symphonic music, but then I'm not doing what I want to do, which is to develop a musical language which has other roots. In De Staat, you will recognize scales and pitches from Indonesian music, for example. Early bop and cool jazz have also influenced me very strongly, much more than Mozart, Bach, and Brahms. De Staat has nothing to do with Greek music, except perhaps for the use of oboes and harps and for the fact that the entire work is based on tetrachords, groups of four notes, which also explains the scoring for groups of four. ((http•••) How I make my videos: (http•••) Program I develop for this channel: (http•••)
Hiho, es ist Taschennähzeit ;) Ich sag zu dieser Art von Taschen immer Ellebogen Taschen deswegen hab ich ihr auch den Namen Elly verpasst und das ist mal wieder eine super anfängerfreundliche Tasche mit Eyecatcher Effekt. Kostenloses Schnittmuster: A 40cm Breit x 30cm Hoch Außenstoff (Outerfabric) 2mal (mit Vlieseline H630 o. H640 verstärken) B 40cm Breit x 30cm Hoch Innenstoff (Lining) 2mal C 16cm x 16cm Deckel (Cover) 2mal (1Seite mit Vlieseline H630 o. H640 verstärken) 2mal Gurtband (Belt Strap) je 3cm x 50cm 1 Verschluss (Closure) An beiden Stoffteilen A und B muss an den unteren beiden Ecken ein 5x5cm großes Quadrat ausgeschnitten werden Die Innentasche darf max. 18cm breit sein 1cm NAHTZUGABE IST IN DEN MAßEN ENTHALTEN 1cm Seam allowance is included in the dimensions Folgt mir auch auf Instagram: (http•••) Facebook: (http•••) Ihr möchtet meine Arbeit kostenlos unterstützen? Das könnt ihr gerne tun, indem ihr euren Adblock ausschaltet, meine Videos teilt, kommentiert, bewertet und eure Einkäufe über die so genannten "Affiliate-Links" tätigt. Bei einem Kauf über den Link bekomme ich eine kleine Provision. Für euch kostet das keinen Cent mehr, mir ermöglicht das jedoch, weiterhin regelmäßig Videos für euch zu produzieren. Hier könnt ihr mich auch unterstützen: PayPal •••@••• Werbung: (Affiliate Link = AL) Nähmaschine/Sewing Machine: (http•••) (AL) Nählampe/Lamp: (http•••) (AL) Kreidestift/Chalk Pen: (http•••) (AL) Rollmaßband/Roller Type Measure: (http•••) (AL) Rollschneider/Rotary Cutter: (http•••) (AL) Kantenformer/Edge Former: (http•••) (AL) Stylefix: (http•••) (AL) Patchworklineal 60cm/Patchworkruler 60cm: (http•••) (AL) Patchworklineal 30cm/Patchworkruler 30cm: (http•••) (AL) Patchworklineal 15cm/Patchworkruler 15cm: (http•••) (AL) Bügellineale: (http•••) (AL) Schneidematte klein/Cutting Mat small: (http•••) (AL) Schneidematte groß/Cutting Map big: (http•••) (AL) Sprühkleber/Sprayglue: (http•••) (AL) Wonderclipse: (http•••) (AL) Zick Zack Schere/Zig Zag Scissors: (http•••) (AL) Stoffschere groß/Scissors big: (http•••) (AL) Viel Spaß beim Sehen und Nähen eure Sandra #Nähen #DIY #MitMir
Cameron Carpenter Carpenter Greene Johann Sebastian Bach McKnight Charles Ives Percy Grainger George Gershwin 2012
Cameron Carpenter performs J. S. Bach's "The Great Fugue in G Minor" live on Q2 Music in The Greene Space. 4/20/2012 / The virtuosic composer-organist Cameron Carpenter joins host Terrance McKnight for a kaleidoscopic tour through the beautiful and diverse repertoire for organ, from legendary works by Johann Sebastian Bach to adaptations of Charles Ives and Percy Grainger to Carpenter's original compositions and arrangements of songs by George Gershwin and Leonard Cohen. In his exclusive New York recital this season, Carpenter provides a high-octane embarrassment of riches, all performed on a new cutting-edge digital organ by a commanding musician dubbed a "force of nature" by Alex Ross of The New Yorker and an "ambitious radical who plays with unrelenting scope, vigor and imagination" by The Advocate. To watch video form the full show visit: (http•••) www.TheGreeneSpace.org www.WQXR.org
Nils Larsen Krogh Halvorsen 2015
Provided to YouTube by The Orchard Enterprises Hymne · Kringkastningsorkestret · Anita Skorgan · Nils Larsen Jul på orkesterplass ℗ 2015 Kirkelig Kulturverksted Released on: 2015-11-13 Producer, Mixing Engineer: Halldor Krogh Recording Engineer: Arne Dypvik Recording Engineer: Jan Erik Tørmoen Mixing Engineer: Øystein Halvorsen Mastering Engineer: Cutting Room, Stockholm Auto-generated by YouTube.
o
- cronologia: Cantanti lirici.
- Indici (per ordine alfabetico): C...