Henri Marteau Video
compositore, insegnante di musica, violinista
Commemorazioni 2024 (Nascita: Henri Marteau)
- violino
- musica classica
- Francia, Germania, Svezia
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2024-04-28
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This set of pieces is a great introduction to modern music and extended techniques for advancing students!! (Or for anyone, really!) 00:00 1.Réverbération 00:46 2.Les oiseaux (The Birds) 01:58 3.La danse 02:26 4.La divine indifférence 04:03 5.Les gros traits et le marteau ou le pître (The Big Lines of the Hammer and the Clown) 05:01 6.Vers la dépersonnalisation (Towards Depersonalization) 05:48 7.La dématerialisation [for prepared piano] 08:36 8.La disparition (The Disappearance)/ I am a former professional pianist, educator, collaborator, and composer forced into early retirement due to chronic and unpredictable health issues. Now I spend my time researching and recording modern classical piano music that hasn't yet been recorded, and I also enjoy making the best out of "easier" pieces from the canon. I will present showy pieces as my health allows, but my current health and endurance typically limits me to early-advanced literature. I record for YouTube simply as an excuse to keep learning music until it's polished and presentable, and if people want to listen and watch, then that is icing on the cake! Outside of YouTube, I teach intermediate/advanced adult hobbyists at the piano. Played on my 1998 PETROF Model IV Chippendale (P-IV-C) Recorded with the Zoom H2n Handy Recorder in 2ch surround
Anton Webern Pierre Boulez Arnold Schoenberg Alban Berg Luigi Nono
"How to Listen" series introduces curious music enthusiasts to major creative styles, aesthetics and approaches in the classical music of the 20th and 21st century. In this episode we will discuss Serialism! Please LIKE, COMMENT and SUBSCRIBE to be notified of my future uploads! Links discussed/viewed in the video: Anton Webern, Five pieces for orchestra, Op.10: (http•••) Pierre Boulez, Structures I,II: (http•••) Pierre Boulez, Le marteau sans maître: (http•••) Arnold Schoenberg, Variations for Orchestra, Op.31: (http•••) Alban Berg, Violin Concerto: (http•••) Luigi Nono, Il canto sospeso: (http•••) Follow me on: Instagram: (http•••) Facebook: (http•••) SoundCloud: (http•••) DISCLAIMER: The use of all copyrighted material in this video fall under the fair use in accordance with the U.S.C Section 107 for copyright law for purposes such as criticism, comment, teaching and research, and is not an infringement of copyright.
Chopin Bauer Harold Bauer Paderewski Gorski August Manns Saint Saens Vieuxtemps Kreisler 1873 1900 1920 1925 1940 1942
Bauer describes Chopin as a "composer of extraordinary genius." Unfortunately, Bauer left only four recordings of Chopin's music. Harold Bauer was born in London in 1873.Coming from a musical family,his aunt gave him his first piano lessons and his father became his first violin teacher. Thus it was that the violin became the instrument upon which Bauer concentrated his musical studies. His teachers were Adolf Politzer and later at Paderewski's suggestion, Gorski. He made his debut as a violinist at the age of ten amd by the age of twenty, his repertoire included the Mendelssohn,Beethoven and Mozart violin concertos. In his autobiography,"Harold Bauer:My Book," Bauer describes a program where he and his sister, who was the pianist of the family,presented a joint concert under the direction of the conductor August Manns at the Crystal Palace in London. She played the Saint Saens G minor concerto while her brother was asked to play the Vieuxtemps'Fantasia Appassionata which was considered to be an important composition for violin in those days. (Interestingly, the Saint Saens concerto became part of Bauer's repertoire after he switched instruments from violin to piano.He made a piano roll of the first movement in th 1920's,first recording the solo part and then recording the orchestral reduction on the ssme roll.) There is no doubt that Harold Bauer was a very fine violinist. But by the age of twenty, he realized that he would never be able to match the the playing of such violinists as Thibaud,Henri Marteau and the young Kreisler. He writes,"the truth,as far as my career was concerned,is that I could not hold a candle to to any of these great violinists,and I knew it--nevertheless. my ambitionn was by no means dampened ,although I was bitterly disappointed." It was about this time that Bauer was introduced to Paderewski. Bauer writes,"The great pianist expressed interest,inviting me to go and play for him the following day.I did so and also played something on the piano. He pulled my hair,saying 'You must become a pianist--you have such beautiful hair.'He ought to know,I thought,contemplating his yellow mane with respectful awe." But by this time,Bauer had already made up his mind that he would never have a great career as a violinist.While continuing to give violin recitals he began to concentrate more and more upon upon the piano as his chosen instrument. Paderewski would,when his busy schedule permitted.listen to Bauer as a pianist. And when Paderewski was preparing a concerto for performance, Bauer often played the orchestral reduction on a second piano.Paderewski gave Bauer advise and perhaps coached him,but he never gave Bauer lessons in the traditional sense of the word. It seems that Bauer was pretty much self taught as far as the piano was concerned. By 1900 ,Bauer had established as a pianist and as they say, the rest is history. Bauer retired from the concert stage in the mid 1940's.(He made his last recordings in 1942). Bauer writes in the Coda of his book,"Peace is over my soul. I have retired from public life. I am never going to practice the piano anymore. Gone is the searing ambition to succeed,gone the qualms of stage fright, gone the resentment against critics who failed to discover genius in everything I did and whose writings could not be used for propaganda;gone also the tedium of travel. the hideous fatique of submitting to journalistic interviews--and finally,God be praised,gone the feeling that I must pile up enough money to live in idle luxury whenever I chose to quit. The wars and taxes have taken care of the last item and I am still working,my interests being now entirely bound up by with matters of musical education." After retiring, Bauer taught at the Manhattan School of Music in New York and the Julius Hartt School of Music. He died on March 12,1951 at the age of 77 in Miami, Florida. Harold Bauer-- a great pianist, a superb musician and a sincere human being.
Provided to YouTube by The Orchard Enterprises Clarinet Quintet in G Major, Op. 34: I. Poco moderato · Stephan Siegenthaler · Stamic Quartet Prague · Ewald Strässer · Stamic Quartet Praque Strässer & Marteau: Romantic Quintets for Clarinet and String Quartet, Vol. 2 ℗ 2013 Sterling Records Released on: 2014-06-03 Auto-generated by YouTube.
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): M...