Henryk Jarecki Video
compositore e direttore d'orchestra polacco
- contrabbasso
- opera, Forma Lied
- Impero russo, Regno di Galizia e Lodomeria, Seconda Repubblica di Polonia
- direttore d'orchestra, compositore, insegnante di musica, pedagogista, contrabbassista
Ultimo aggiornamento
2024-05-21
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Ernest Chausson Jarecki Lemaire César Franck Debussy Vincent Indy Indy Jules Massenet Albéniz Alfred Cortot Eugène Ysaÿe 1855 1877 1879 1882 1886 1889 1890 1891 1896 1897 1899 1932
1. Animé Recorded in 1932 Yvonne Levy, piano, Edmond Bastide, Violin Sigismond Jarecki, Viola, Fernand Lemaire, Cello Thanks to Neal for allowing me to use his excellent transfers. You can find this and many other wonderful selections and information at his website: (http•••) Ernest Chausson +••.••(...)) If Marcel Proust had written music, it might have sounded something like Ernest Chausson's: intensely passionate, yet rarely given to grand gestures. The effectiveness of Chausson's ardent, even erotic, musical language derives largely from the slithery chromatic style the composer inherited from his most important teacher, César Franck. Not a prolific composer, Chausson died in 1899, at the age of 44, from injuries sustained in a bicycle accident. Chausson's death silenced the most distinctive voice in French music in the generation immediately preceding Debussy's; indeed, Chausson's music forms an elegant, if swaying, bridge between Franck's lush, Wagnerian Romanticism and the sensuous Impressionist language of Debussy. Chausson came from a well-to-do family; in fact, comfortable circumstances throughout his entire life made it unnecessary for him to pursue a living as a musician. Although interested in music from a young age, Chausson pursued law studies at his father's behest. In 1877, he was sworn in as a lawyer in Paris; in the same year, he wrote his first work, the unpublished song Lilas. The impulse to devote himself to composition was sparked in 1879, when he attended a performance of Wagner's Tristan und Isolde in Munich and met there the sometime Wagner disciple Vincent d'Indy. Chausson entered the Paris Conservatory in the following year and began studies with Jules Massenet; his formal musical education was rounded out by private study with Franck. Chausson's talent flowered in short order; a number of even his earliest published works / especially the song set Seven Melodies, Op. 2 +••.••(...)) / have long been regarded as small masterpieces. As secretary of the Société Nationale de Musique (an organization founded by Saint-Saëns and others to promote the performance of French instrumental music) from 1886, Chausson became a full-fledged member of the Parisian musical community. His salon became a regular meeting place for literary and musical notables includeing Mallarmé, Debussy, Albéniz, pianist Alfred Cortot, and violinist/composer Eugène Ysaÿe. A prolific composer of songs, Chausson also composed works for voice and orchestra, choral music, and several operas. He is best known, however, for his chamber music / especially the Concerto for piano, violin, and string quartet, Op. 21 +••.••(...)), and the Piano Quartet, Op. 30 (1897) / and for imaginative orchestral works like the Symphony in B flat major, Op. 20 +••.••(...)), and the Poème for violin and orchestra, Op. 25 (1896).
Ernest Chausson Jarecki Lemaire César Franck Debussy Vincent Indy Indy Jules Massenet Albéniz Alfred Cortot Eugène Ysaÿe 1855 1877 1879 1882 1886 1889 1890 1891 1896 1897 1899 1932
2. Très calme Recorded in 1932 Yvonne Levy, piano, Edmond Bastide, Violin Sigismond Jarecki, Viola, Fernand Lemaire, Cello Thanks to Neal for allowing me to use his excellent transfers. You can find this and many other wonderful selections and information at his website: (http•••) Ernest Chausson +••.••(...)) If Marcel Proust had written music, it might have sounded something like Ernest Chausson's: intensely passionate, yet rarely given to grand gestures. The effectiveness of Chausson's ardent, even erotic, musical language derives largely from the slithery chromatic style the composer inherited from his most important teacher, César Franck. Not a prolific composer, Chausson died in 1899, at the age of 44, from injuries sustained in a bicycle accident. Chausson's death silenced the most distinctive voice in French music in the generation immediately preceding Debussy's; indeed, Chausson's music forms an elegant, if swaying, bridge between Franck's lush, Wagnerian Romanticism and the sensuous Impressionist language of Debussy. Chausson came from a well-to-do family; in fact, comfortable circumstances throughout his entire life made it unnecessary for him to pursue a living as a musician. Although interested in music from a young age, Chausson pursued law studies at his father's behest. In 1877, he was sworn in as a lawyer in Paris; in the same year, he wrote his first work, the unpublished song Lilas. The impulse to devote himself to composition was sparked in 1879, when he attended a performance of Wagner's Tristan und Isolde in Munich and met there the sometime Wagner disciple Vincent d'Indy. Chausson entered the Paris Conservatory in the following year and began studies with Jules Massenet; his formal musical education was rounded out by private study with Franck. Chausson's talent flowered in short order; a number of even his earliest published works / especially the song set Seven Melodies, Op. 2 +••.••(...)) / have long been regarded as small masterpieces. As secretary of the Société Nationale de Musique (an organization founded by Saint-Saëns and others to promote the performance of French instrumental music) from 1886, Chausson became a full-fledged member of the Parisian musical community. His salon became a regular meeting place for literary and musical notables includeing Mallarmé, Debussy, Albéniz, pianist Alfred Cortot, and violinist/composer Eugène Ysaÿe. A prolific composer of songs, Chausson also composed works for voice and orchestra, choral music, and several operas. He is best known, however, for his chamber music / especially the Concerto for piano, violin, and string quartet, Op. 21 +••.••(...)), and the Piano Quartet, Op. 30 (1897) / and for imaginative orchestral works like the Symphony in B flat major, Op. 20 +••.••(...)), and the Poème for violin and orchestra, Op. 25 (1896).
(http•••) (http•••) Po oficjalnym zakończeniu pogody, która nie sprzyja jeździe na dworze prezentujemy nasz montage z nowego skateparku Kamuflage. music: WZRD (Dot Da Genius & Kid Cudi) - Love Hard Jak zapewne zobaczycie w filmie pojawiają się produkty odzieżowe SH STORE, które można nabyć jedynie w naszym sklepie (stacjonarnym jak i internetowym). Występują (zachowana kolejność): Panorama Limited team: Michał Przybyłowicz, Andrzej "JEJEK" Rogala, Michał Mucha, Jakub Suwiński, Michał "MISIEK" Trzeciakowski. DC team: Tomek "GUNZI" Ziółkowski, Michał "MAZI" Mazur, Tadeusz "GUTEK" Szymański, Tomasz Kotrych Nike team: Krzysztof Poskrobko SH STORE TEAM: Jarek "JARECKI" RUSZCZAK, Michał Juraś.
Jarecki Reeves Cutler 2000 2012
EPISODE SYNOPSIS The holidays are over... But Sundance Film Festival is right around the corner! We have one of the festival's Senior Programmers David Courier with us to preview and talk about some of the amazing documentaries they have screening this year. Together David, Ondi and Vlad discuss what to look forward to and what to watch out for. So get ready for all things Sundance by tuning in and getting the scoop on this insider episode of B.Y.O.D.! GUEST BIO David Courier is the senior programmer for the Sundance Film festival as well as the writer and producer of the Sundance Awards Ceremony. David has been with the festival for 12 years, since 2000, and focuses on US and World Documentaries. ADDITIONAL LINKS, ETC. (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) EPISODE BREAKDOWN 00:00 Intro 03:40 How long have you been involved with Sundance? 04:35 How many films are submitted now compared to when you started? 08:20 What is the process like for determining what films get chosen out of the huge amount that are submitted? 13:00 Eugene Jarecki's film "The House I Live In" 24:50 Lauren Greenfield's film "The Queen of Versailles" 29:05 "Escape Fire: The Fight to Rescue American Healthcare" 35:40 David France's film "How to Survive a Plague" 41:54 Emad Burnat's "Five Broken Camera's" 46:32 Jeff Orlowski's "Chasing Ice" 51:30 Malik Bendjelloul's film "Searching for Sugar Man" 54:52 The Daily Digdown and The Doc Side Segments. 55:00 What do you think about The Academy Awards not giving documentary a fair shake? 58:05 Do you have any interest in seeing a new Cannon Films documentary? 59:07 Keanu Reeves is making a new documentary film about digital vs. film. 1:00:03 What do you think about Newt Gingrich pushing a Mit Romney documentary? 1:02:20 RJ Cutler is making a documentary about Cheney. 1:03:22 A list of documentaries opening theatrically in January. 1:05:30 3D Documentaries. 1:06:00 Wrap Up and David's closing thoughts.
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): J...