John Barnett Video
compositore britannico
- violino
- opera
- Regno Unito di Gran Bretagna e Irlanda
- compositore
Ultimo aggiornamento
2024-05-17
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Easley Blackwood Charles Munch Barnett Boston Symphony Orchestra 1900 1933 1954 1955
Easley Blackwood (*1933): Symphony No.1 (1954/1955). I. Andante maestoso II. Andante comodo [08:56] III. Scherzo. Allegro grottesco (molto rigoroso il tempo) [14:44] IV. Andante sostenuto [21:45] Boston Symphony Orchestra diretta da Charles Munch. Cover image: painting by Barnett Newman./ The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Rté Concert Orchestra Mannion O Neill McCullough Costello Casey John Rutter Mykola Leontovych Erich Wolfgang Korngold George Frideric Handel Watts Byrne Ethelbert Nevin Felix Mendelssohn Charles Wesley Whitefield Franz Xaver Gruber Mohr George Ratcliffe Woodward Woodward Adolphe Adam Sullivan Barnett 1754 1937 2007
Tracklist: (tracks marked with * feature an orchestra only) 1. In Dulci Jubilo [0:00]* 2. O Come All Ye Faithful [1:46] 3. Candlelight Carol [5:04] 4. Gaudete (Piae Cantiones) [8:50] 5. Carol of the Bells [10:57]* 6. Der Schneemann [13:57]* 7. Joy to the World [17:54] 8. Don oíche úd i mBeithill [19:37] 9. The Rosary [22:10] 10. Hark! The Herald Angels Sing [24:15] 11. Christmas Fantasy [26:34]* 12. The First Noel [29:42]* 13. God Rest Ye Merry Gentlemen [32:28] 14. Silent Night [35:05] 15. Ding Dong Merrily on High [39:18]* 16. O Holy Night [42:12] An orchestral/choral album performed by the RTÉ Concert Orchestra and the RTÉ Cór na nÓg, featuring Christmas standards and traditional carols. It was recorded exclusively for the RTÉ Guide and RTÉ Radio 1. Ripped and scanned by me. / Conductor: David Brophy Tenor: Paul Byrom Recorded in Studio 1, RTÉ Radio Centre, Dublin 4, June 2007 Choral Director: Máire Mannion Backing vocals: Fidelma Kelly, Olivia Nestor, Trish O'Neill, Paul McGeogh, Vincent Lynch Recording Producer: Gary Cole Recording Engineer: Richard McCullough Editing and Mastering: Regent Records Editorial Management: Anthony Long, General Manager, RTÉ Concert Orchestra Executive Producer: Gareth Costello, Project Manager, RTÉ Concert Orchestra / Track 1 is a traditional piece, arranged by Casey (first name unknown) Track 2 and 13 are traditional pieces, arranged by Thomas Quigley Track 3 composed and written by John Rutter Track 4 is a piece of anonymous origin Track 5 is composed by Mykola Leontovych, and arranged by Richard Hayman Track 6 is composed and arranged by Erich Wolfgang Korngold Track 7 is composed by George Frideric Handel with lyrics by Isaac Watts, and arranged by Byrne (first name unknown) Tracks 8 and 12 are traditional pieces, arranged by Byrne (first name unknown) Track 9 is composed by Ethelbert Nevin with lyrics by Robert Cameron Rogers, and arranged by Thomas Quigley Track 10 is composed by Felix Mendelssohn with lyrics by Charles Wesley & George Whitefield, and arranged by Byrne (first name unknown) Track 11 is composed and arranged by Noel Kelehan Track 14 is composed by Franz Xaver Gruber with lyrics by Joseph Mohr, and arranged by Byrne (first name unknown) Track 15 is a traditional piece with lyrics by George Ratcliffe Woodward, and arranged by John Tate Track 16 is composed by Adolphe Adam with lyrics by John Sullivan Dwight, and arranged by Barnett (first name unknown)
Další vpomínka z roku 2021 z vystoupení v Horním Holetíně na oslavě narozenin které si oslavenci moc užily a já taky děkuji jim moc za pozvání Dobrý den, jmenuji se Zdeněk Barnett nabízím imitátorská vystoupení se spoustou vtipných scének pro každou příležitost od veřejných produkcí až po soukromé akce, např. městské slavnosti, plesy, výročí, narozeniny, svatby, firemní večírky atd. Uslyšíte známé osobnosti jako např. pana Prezidenta Zemana, Andreje Babiše, Luďka Sobotu, Karla Gotta, Hanu Zagorovou a jejich hlášky či hity písní. Při výstupu udržuji kontakt s diváky a zapojuji je do vystoupení v případě zájmu pište na email •••@••• Více zde: (http•••) ► Facebook : (http•••) ► Instagram: (http•••) ► Youtube: (http•••) S pozdravem Zdeněk B.
Joseph Holbrooke Vaughan Williams Ornstein Schoenberg Heymann Seaman Shakespeare Beethoven Barnett 1878 1920 1925 1958
Joseph Holbrooke (1878 – 1958) was an English composer, conductor, and pianist. Joseph Holbrooke belongs to the generation of composers at the core of the twentieth century British musical renaissance. He died in 1958, the same year as Vaughan Williams, and in almost total obscurity. His neglect began after the Great War and the gradient of descent increased dramatically from 1925 onwards. However he had a heyday and one with considerable celebrity. He wrote a considerable amount of light music and not once did he veer in the direction of atonalism although the four dances for solo piano may be taken as lampooning the trendiness of people like Ornstein and Schoenberg. Jazzy moments find their way into some of the music of the Twenties. For example he wrote music for the big society balls of the day and also went dancing with his wife Dorothy, better known as 'Dot'. Holbrooke has a strong handle on melody and perhaps his apprenticeship in the music halls accounts for the fact that he retained an unfeigned and unashamed admiration for real whistleable tunes. These found their way into his concert music which (with a few exceptions), contrary to popular myth, are not for monster-sized orchestras. Klaus Heymann's adventurous recording company Marco Polo have already recorded a number of his orchestral works but what we desperately need now are recordings of the symphony (No. 2) Apollo and the Seaman and the impressionistic tone poem Queen Mab (after Shakespeare). The three music-dramas are a natural for cinema or TV. In fact Holbrooke used film as part of the scenery in the premieres of all three works. The late works based on Poe short stories also appear to be worth exploring and are at the very least intriguing. These include the overture Amontillado, and the two 1930s tone poems The Pit and the Pendulum and The Maelstrom. All are in urgent need of exploratory performances. A full score of the overture and The Pit and The Pendulum exist; however the full score of The Maelstrom, which may also be entitled Descent Into the Maelstrom appears to be missing. At a less ambitious level we need recordings of his two titled piano sonatas of the 1930s/40s. There is so much which remains an unknown quantity with Holbrooke. His eight symphonies are each scored completely differently from the other seven. We can look at the later symphonies (5-8) and wonder particularly about the eighth symphony (Dance Symphony) which is scored for piano and orchestra. This work may well trace its origins back to the popular music he wrote during the 1920s but it could just as easily point towards new directions and experiments. Throughout his life Holbrooke was an experimenter but one who chose the language of romance in which to express himself. Like Beethoven, Holbrooke was afflicted with deafness. This set in relatively early from 1920 onwards. Visitors to the family home often had to contend with Holbrooke struggling with a massive old-fashioned hearing aid. Composition and re-composition continued. He revised earlier works and quarried discarded works for thematic material. There are also a few cases of the same work emerging under a different title. He occupied himself during the late 1930s and through into the 1940s with an autobiography. (Robert Barnett) / - A method to find scores: (http•••) - My donation link to keep the channel growing: (http•••) Thanks for listening :-)
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): B...