John Moulds Video
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2024-05-04
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Sir Simon Rattle Jon Villars Beethoven Moulds Kirkby Clements Stephen Johns Sonnleithner Berliner Philharmoniker 2003
Provided to YouTube by Warner Classics Fidelio, Op. 72, Act 2: "Gott! Welch' Dunkel hier!" (Florestan) · Sir Simon Rattle · Jon Villars Simon Rattle Edition: Beethoven ℗ 2003 Parlophone Records Limited, a Warner Music Group Company Technician: Andy Beer Orchestra: Berliner Philharmoniker Assistant: Chris Moulds Technician: Graham Kirkby Language Supervision: Hanns Zischler Tenor Vocals: Jon Villars Tonmeister: Mike Clements Conductor: Sir Simon Rattle Producer: Stephen Johns Poet: Georg Friedrich Treitschke Poet: Jean-Nicolas Bouilly Poet: Joseph Sonnleithner Composer: Ludwig van Beethoven Poet: Stephan von Breuning Auto-generated by YouTube.
Cappella Coloniensis Moulds Christoph Willibald Gluck Andreas Karasiak Liso 2004
Provided to YouTube by deutsche harmonia mundi L'innocenza giustificata: Part I: Qual presagi funesti minaccian questo dì! (Scena 2) · Cappella Coloniensis · Christopher Moulds · Christoph Willibald Gluck Gluck: L'Innocenza giustificata ℗ 2004 BMG Ariola Classics GmbH Released on: 2004-02-27 Tenor: Andreas Karasiak Recording Engineer: Barbara Valentin Librettist: Giacomo Durazzo Mezzo- Soprano: Marina De Liso Unknown: Ingrid Waldeck Lyricist: Pietro Metastasio Recording Engineer: Georg Litzinger Auto-generated by YouTube.
Part 2 - explainer video is here: (http•••) LEDs and solar panels are both made of diodes. A diode is just designed to allow electricity to flow in one direction but because we make them out of semiconductors they can do all these other things. Video produced in cooperation with Merck ((http•••) Merck is known as Merck KGaA, Darmstadt, Germany in the United States. Here's the link to the curiosity report (interactive): (http•••) And here it is as a PDF: (http•••) Animations by Dom Burgess. His brilliant channel, Every Think, is here: (http•••) Thanks to these amazing patrons on Patreon for supporting my channel: Glenn Watson Joël van der Loo Patreon: (http•••) Twitter: (http•••) Instagram: (http•••) Facebook: (http•••) Buy nerdy maths things: (http•••)
Pierre Boulez Yvonne Loriod Moulds 1547 1743 1947
Second Piano Sonata, written in 1947–48, marked a major step forward in terms of both expressivity and sophistication of compositional technique. (This gap can, in part, be explained by the fact that, in the interim, Boulez wrote a piece, later lost, titled Symphonie concertante, that he considered very important in terms of his development.) The Second Sonata, roughly a half hour in duration, frequently features complex, dense three- and four-part counterpoint. It is extremely demanding of the performer (pianist Yvonne Loriod "is said to have burst into tears when faced with the prospect" of performing it) and much of the piece is characterized by aggressive, violent, highly energetic writing that some writers have seen as a reflection of the composer's desire for a music that "should be collective hysteria and spells, violently of the present time". The Second Sonata consists of four movements: Extrêmement rapide (extremely fast) - 00:00 Lent (slow) - 05:05 Modéré, presque vif (moderate, almost lively) - 15:47 Vif (lively) - 17:43 Pierre Boulez on Piano Sonata No. 2: "I tried to destroy the first-movement sonata form, to disintegrate slow movement form by the use of the trope, and repetitive scherzo form by the use of variation form, and finally, in the fourth movement, to demolish fugal and canonic form. Perhaps I am using too many negative terms, but the Second Sonata does have this explosive, disintegrating and dispersive character, and in spite of it own very restricting form the destruction of all these classical moulds was quite deliberate." Midi was taken from (http•••)
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- cronologia: Compositori (Europa).
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