Katie Moss Video
musicista britannica
- soprano
- Regno Unito, Regno Unito di Gran Bretagna e Irlanda
- compositore, violinista, pianista, cantante
Ultimo aggiornamento
2024-05-03
Aggiorna
Duncan Honeybourne Franz Schubert Moss Abbot Frederick Delius Bradford Bateman Flint 1998 2012
A huge thank you to our sponsors, Active Towns and the Ambache Charitable Trust. Franz Schubert: Sonata in A minor, D.784 Sadie Harrison: Portraits from the Place of the Yew-Trees (world premiere) Portraits from the place of the yew-trees invites its listeners on a musical journey through ancient and modern Yorkshire. The yew tree theme is heard throughout the piece as the walker travels from one town to the next, encountering the people and places upon which the work’s Portraits are based. The work is dedicated to Duncan Honeybourne with much affection.The movements are entitled: The Yew Trees Yorkshire Path Sir George Cayley: weight, lift, drag, thrust, gravity (engineer, inventor, and aviator: Scarborough) Blue Man-i-th’-Moss & Auld Wife’s Trod (prehistoric monuments: North York Moors) Aelred of Rievaulx (Cistercian abbot) Frederick Delius: The Last Cuckoo (composer: Bradford) Mary Bateman the Yorkshire Witch: Her Lullaby (murderess: Asenby) Flint Willy the Shirtless (archaeological forger: Sleights) Amy Johnson: The Lone Girl Flyer (aviator: Kingston upon Hull) / Duncan Honeybourne enjoys a colourful and diverse career as a pianist and in music education. Commended by International Piano magazine for his "glittering performances", he is best known for his interpretations of 20th and 21st century British piano music. Following concerto debuts in 1998 at Symphony Hall, Birmingham and the National Concert Hall, Dublin, he made recital debuts in London, Dublin, Paris, and at international festivals in Belgium and Switzerland. His 2012 debut recital disc was described by Gramophone magazine as “not to be missed by all lovers of English music”, whilst BBC Music Magazine reported: “There are gorgeous things here. Hard to imagine better performances.” Honeybourne has toured extensively in the UK, Ireland and Europe as solo and lecture recitalist, concerto soloist and chamber musician, appearing at many major venues and leading festivals. His solo performances have been frequently broadcast on BBC Radio 3 and more than 20 networks worldwide, including Irish, French, Swiss, Austrian, Belgian, Dutch, Finnish, Portuguese and German Radio, ABC (Australia) and Radio New Zealand #contemporarymusic #Feurich #pianosolo #Duncan Honeybourne #pianomusic #piano #grandpiano #schubert #worldpremiere kind
Paul Lincke Moss Johansson Werkmeister Waldmüller 1899 1904 1922 1941
Berliner Luft or Das ist die Berliner Luft is an operetta song written to march rhythm that Paul Lincke wrote in 1904 to a text by Heinrich Bolten-Baeckers . It was initially part of a two-act act of the same name that premiered in Berlin's Thalia Theater in 1904 and quickly disappeared from the schedule, but was soon heard as an independent piece of music in concert halls in and around Berlin. It was not until 1922 that Berliner Luft was included in the originally one-act operetta Frau Luna , which premiered in 1899 as part of a full-length. Lincke thus makes the Berlin air at a synonym of a free attitude to life in Berlin and a model for non-Berliners. Right at the beginning of the first verse, the song praises the city's inexpensive entertainment with the words: "Berlin! If I only hear the name, I have to laugh happily! How can you make fat Wilhelm for little moss! ", with which he referred to the lifestyle of King Friedrich Wilhelm II, which was portrayed as sexually dissolute and gourmet . With the success of the piece, the term “Berliner Luft” was spread in German-speaking countries . Lincke set the text to music in the form of a march . Sven-Åke Johansson has pointed out that this march is by no means martial. Rather, one hears “the beat of the early industrialization of Berlin” in its lively rhythm. The marching song for "Gassenhauer" and also independently of the operetta was performed by choirs and in salons relatively quickly . Lotte Werkmeister sang it on record. With the film adaptation of Frau Luna (1941), Lizzi Waldmüller's interpretation was also published on record. It also served as promenade brass music. I do not support Nazism and Fascism! This video has nothing to do with Nazism! Thank you!
Heiner Goebbels Moss Andrea Molino Molino Grünberg Fenice 2005
Heiner Goebbels Surrogate Cities_Venice David Moss, Jocelyn B. Smith, voices Orchestra del Teatro La Fenice di Venezia Andrea Molino, conductor stage direction: Heiner Goebbels stage and light design: Klaus Grünberg video, multimedia and sound direction: Fabrica Venice, Teatro La Fenice, September 28th, 2005 Opening of the Music Biennale a video by Giulio Tami
Håvard Gimse Jon Fylling Moss 2017
Piotr Tsjaikovskij: Klaverkonsert i b-moll klaver: Håvard Gimse Østfold Symfoniorkester dirigent: Jon Fylling live Jeløy Kirke Moss mars 2017
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- cronologia: Compositori (Europa). Cantanti lirici (Europa). Interpreti (Europa).
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