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Carl Bergmann Rhode Germania Musical Society
Composed by H.C. Lumbye and arranged for piano by Carl Bergmann. The Germania Musical Society performed this during their summer seasons in Newport, Rhode Island. Carl Bergmann was the conductor of the Germania Band and also a cellist with the ensemble. The photos are of life in Newport For more information about Newport's rich musical history: (http•••)
Charles Theodore Pachelbel Johann Pachelbel Rhode Salter 1690 1692 1695 1706 1720 1732 1733 1735 1736 1737 1739 1740 1749 1750 1769
Charles Theodore Pachelbel (baptized Carl Theodorus, also spelled Karl Theodor, on November 24, 1690; buried September 15, 1750) was a German composer, organist and harpsichordist of the late Baroque era. He was the son of the more famous Johann Pachelbel, composer of the popular Canon in D. He was one of the first European composers to take up residence in the American colonies, and was the most famous musical figure in early Charleston, South Carolina. Please support my channel: (http•••) Magnificat (c. 1720's written before his emigration to the colonies, unclear if in Germany or England) The Columbus Consort He was born in Stuttgart and baptized in the Evangelische Kirchengemeinde (Protestant parish) there on 24 November 1690, son of Johann Pachelbel and his second wife Judith Drommer. The family moved to Gotha in 1692, then to Nuremberg in 1695. Nothing is known about Charles Theodore's life for 25 years after 1706, when his father died, except the fact that he probably lived in England for some time (his name appears in a 1732 list of subscribers to a volume of harpsichord music published in London. The circumstances of his emigration to the colonies are unknown. Pachelbel was living in Boston, Massachusetts by spring 1733, when he was asked to assist in the installation of the new organ of Trinity Church in Newport, Rhode Island. The instrument was donated to Trinity by George Berkeley, the famous philosopher. Pachelbel was subsequently hired as organist of the church and held the post until approximately mid-1735. In 1736 Pachelbel gave two public concerts in New York: on 21 January and on 9 March. Both took place in Robert Todd's house, an important tavern. Pachelbel played the harpsichord, accompanied by local musicians and singers. Pachelbel soon left for Charleston, South Carolina, where he spent the rest of his life. On 16 February 1737 he married Hanna Poitevin in St. Philip's Church in Charleston. The couple had at least one child, Charles, born on 10 September 1739. This could have been Pachelbel's second marriage, because traces of an older daughter have been found. He actively participated in the musical life of the city: on 22 November 1737 he organized a concert of vocal and instrumental music, apparently the first public concert in the Charleston area; in February 1740 he succeeded John Salter as organist of St. Philip's Church; and in 1749, one year before he died, he opened a singing school. Pachelbel's death in 1750 was apparently caused by some sort of illness, referred to as a "lameness in the hands" in the documents. His wife outlived him by 19 years and died on 6 September 1769. There is no further record of Pachelbel's children.
George Frideric Handel Nicholson Belov Bedford Haydn Suzuki Bach Malatesta George London Rhode Orpheus Chamber Orchestra Chamber Orchestra New York Boston Baroque Emmanuel Music Oratorio Society New York Metropolitan Opera National Symphony Orchestra Walt Disney Concert Hall Tanglewood Boston Symphony Hall 1902 1912 2010
Classical III Handel's Messiah, Part I Sunday, November 28, 2010 / 3pm St. Anthony of Padua Parish Mastersingers by the Sea University of Massachusetts / Dartmouth University Chorus Sine Nomine Kristen A. Watson, Soprano Hillary Nicholson, Mezzo-Soprano Matthew Anderson, Tenor Anton Belov, Baritone The New Bedford Symphony Orchestra will join forces with the vocal talents of several local choruses as well as four distinguished soloists to bring you one of the most sacred oratorios of all time, George Frideric Handel's Messiah. If one were to measure success for a musical composition in terms of frequency of performance, Messiah must be considered one of the most successful of all time. Fortunately there are other, more profound measures to consider, such as richness and variety of the music, insightful matching of word and sound, and the consistently inspired evocations of pathos, serenity and joy that Handel's masterpiece brings us in full force. Soprano Kristen Watson has made solo debuts with the Orpheus Chamber Orchestra of New York City, Boston Baroque, the Handel & Haydn Society, and Emmanuel Music, at such venues as the Walt Disney Concert Hall, Metropolitan Museum of Art, Tanglewood, and Boston's Symphony Hall. Mezzo soprano Hillary Nicholson has sung over fifty operatic roles, including Carmen, Dorabella, Cherubino, Maddalena, Dame Quickly, Emilia, Hansel, Suzuki and Orfeo with such noted companies as Cleveland Opera, Sacramento Opera and the Metropolitan in New York City. Tenor Matthew Anderson has been praised for the polished musicality he brings to the repertoire of oratorio, opera, and musical theater. He was the second prize winner in the Oratorio Society of New York Solo Competition, and sings regularly as a soloist in the renowned Emmanuel Music Bach Cantata Series in Boston, as well as other local New England chorales and ensembles. Baritone Anton Belov's voice has been called "rich and mellifluous" by the New York Times, and the Philadelphia Inquirer calls it "that of an emerging star." He has earned critical acclaim for his portrayals of Don Giovanni, Count Almaviva, Doctor Malatesta and Eugene Onegin. Mr. Belov is First Place winner of eight vocal competitions including the George London Competition, the Young Concert Artists International Competition and the Metropolitan Opera National Council Auditions. Mastersingers by the Sea is an auditioned chamber chorus based in Falmouth that champions the rich and diverse repertoire for chamber chorus from the Renaissance through the present. The University of Massachusetts-Dartmouth University Chorus is comprised of over fifty student and community members with a repertoire ranging from contemporary works to major choral works of the classical idiom. Tianxu Zhou has been director of the UMD University Chorus for two years and has appeared as a baritone soloist on many occasions in New England and with the Washington, D.C. Opera Company and the National Symphony Orchestra. He is also a member of the Rhode Island College music faculty, where he teaches voice and directs the Men's Chorus. About St. Anthony's One of the largest and most beautiful Catholic Churches in New England, St. Anthony of Padua Parish was built between 1902-1912. Designed by the Montreal architect Joseph Venne (the architect of the famous St. Joseph's Oratory in Montreal) and decorated by two famous Italian artists, Giovanni Castagnoli and Guido Nincheri, the Church would be fitting as the cathedral of any major European City. Among its many features are its renowned 1912 Casavant Frères Organ, its 5,500 decorative lights and its 256-foot steeple. Originally built by French Canadian immigrants to New Bedford, it now serves both English-speaking and Portuguese-speaking Catholics. A full history of the parish is found at www.saintanthonynewbedford.com. Please note that St. Anthony's is not handicap accessible. Video by: 3 Thirteen Productions.com www.3thirteenproductions.com
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