Mimi László-Doria Video
attore, cantante lirico
Commemorazioni 2025 (Nascita: Mimi László-Doria)
- soprano di coloratura
- opera, dramma
- Ungheria
Ultimo aggiornamento
2024-05-03
Aggiorna
Frieda Hempel Puccini Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1912 1913 1914 1916 1917 1919 1955
Hempel sings Mimi's aria from 'La Boheme,' recorded in Berlin on 18 September 1913. This side is a little more 'well-loved' than those I have previously uploaded, but still quite acceptable. From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Gianna Galli Galli Bellini Anna Moffo Kurt Weill Puccini Maria Callas Joan Sutherland Beverly Sills Gruberova New York City Opera Scala 1835 1935 1952 1956 1958 1960 1962 2010
THE SONGBIRD: Gianna Galli +••.••(...)) was lyric soprano, but sang a few florid roles early in her career. She was born in Modena where she made her stage debut in 1952, the same year she won the Spoleto voice competition at age 17. She appeared as Lisa in a 1956 television production of "La sonnambula" starring Anna Moffo (available elsewhere on YouTube). Galli's career grew rapidly with appearances in Italy and a debut in the U.S. in 1958 at the New York City Opera as Mimi, a role she performed frequently. Her La scala debut was in 1962 in Kurt Weill's one-act farce "Der Zar lässt sich photographieren." She sang Oscar in Venice, Violetta in Rome, Puccini's Manon in Monte Carlo, Minnie in Florence, Tosca in Parma, and Sonia in Torino. She also sang several world premieres of contemporary Italian operas. When she retired from singing, she became an artist's manager. THE MUSIC: "I puritani" was Bellini's last opera. It premiered in Paris in January 1835, and Bellini died in September 1835 at the age of 33. It was tremendously successful and the opera was performed regularly throughout Europe and in New York until the early 1900s. It went mostly dormant until it caught the public's attention during the bel canto revival ignited by Maria Callas and carried forward by Joan Sutherland, Beverly Sills, Edita Gruberova, and others. Elvira is one of Bellini's most mentally delicate creatures and her mad scene is an elegant depiction of her fragile emotional state. The entire mad scene is very long (almost 20 minutes with no cuts); it has several sections and interludes and frequent interjections by other characters, so it is always abridged when performed by a solo soprano in concert or recital.
Benji & Fede - Tutto per una Ragione feat. Annalisa (http•••) Attrice: Yahmina Kesner Attore: Juan Pedro Checa Noguera Director: The Astronauts Line Producer / 1st AD: Francesca Nale DOP: Piermaria Agostini 1st AC: Mirko Saydo Mimi Drone Operator: Michele Santoro Gaffer: Karim Marcucci Stylist: Rujana Cantoni Make Up: Beatrice Borgonovo Editor: Maja Durdov Color Correction: Gabriele Cipolla Backstage: Victoria Ng Driver: Fabrizio Bottini Driver VW: Nick Fisher Ringraziamenti: Pigro Ibiza 202 Hamburger & Delicious Sup Ibiza Thanks to dsquared2 for making Benji&Fede and Annalisa beautiful
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- cronologia: Cantanti lirici (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): L...