Noel Coward Video
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2024-05-02
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Amy Burton Burton John Musto Coward 2014
Provided to YouTube by NAXOS of America I'll Follow My Secret Heart (From "Conversation Piece") · Amy Burton · Amy Burton · John Musto · John Musto Souvenir de printemps ℗ 2014 Harbinger Records Released on: 2014-08-01 Artist: Amy Burton Artist: John Musto Composer: Noel Coward Auto-generated by YouTube.
Yvonne Printemps André Messager Reynaldo Hahn Hahn Noël Coward Francis Poulenc 1438 1759 1894 1919 1932 1975 1977
FOLLOW US ON SPOTIFY (http•••) PLAYLIST FRENCH MUSIC: Chanson Française (http•••) ► BUY NOW Halidon: (http•••) SPECIAL OFFERT NOW 2,99 € 1. Je t'aime 00:00 2. C'est la saison d'amour 03:08 3. Vertige d'un soir 06:26 4. Je ne suis pas ce que l'on pense 09:36 5. J'ai deux amants 12:15 6. Mon rêve s'acheve 14:38 7. L'amour masqué 17:59 8. Je chante la nuit 21:03 9. Oui, je t'aime, o paris 24:25 10. Le chemin de l'amour 27:29 11. Depuis trois ans passes 30:59 12. Dites-lui qu'on l'a remarqué 35:07 13. Air de la lettre 37:47 14. Plaisir d'amour 40:56 Yvonne Printemps (French: [pʁɛ̃tɑ̃]; 25 July 1894 – 19 January 1977) was a French singer and actress who achieved stardom on stage and screen in France and internationally. Printemps went on the stage in Paris at the age of 12, and at 21 she was singled out by the actor, director and playwright Sacha Guitry as a leading lady. In 1919 they were married, and worked closely together until 1932, when they divorced. Printemps never remarried, but had a personal and professional partnership with the actor Pierre Fresnay which lasted until his death in 1975. As a performer, Printemps was famed for the quality of her singing voice and for her personal charm. Among those who composed for her were André Messager, Reynaldo Hahn, Noël Coward and Francis Poulenc. Her voice could have led her to an operatic career, but guided by Guitry she concentrated on operette and other types of musical show, along with non-musical plays and films. In addition to her many successes in Paris she appeared to great acclaim in the West End of London, and on Broadway in New York. Yvonne Wigniolle, dite Yvonne Printemps, née à Ermont le 25 juillet 1894 et morte à son domicile 8 bis rue Saint-James, Neuilly-sur-Seine, le 18 janvier 1977, est une soprano lyrique et une actrice dramatique française de l'entre-deux-guerres.
Coward Manna Sheffield Barrett Bourdon Claribel 1784 1849 1889 1898 1900 1912 1944 1993 2016
The hymn "Lamp of our feet, whereby we trace", to the tune "Brocco Bank" by Henry Coward +••.••(...)), played by Peter Tylor on the pipe organ at All Saints Church, St Ewe, Cornwall, 03/08/2016. Lamp of our feet, whereby we trace Our path when wont to stray; Stream from the fount of heavenly grace, Brook by the traveller's way: Bread of our souls, whereon we feed, True manna from on high; Our guide and chart, wherein we read Of realms beyond the sky: Pillar of fire through watches dark, And radiant cloud by day; When waves would whelm our tossing bark, Our anchor and our stay: Word of the ever-living God, Will of his glorious Son; Without thee how could earth be trod, Or heaven itself be won? Lord, grant us all aright to learn The wisdom it imparts; And to its heavenly teaching turn With simple, childlike hearts. (Words by Bernard Barton, 1784-1849) This tune - which, like its composer's better-known melody "Norfolk Park" ("Saviour, blessed Saviour"), bears the name of a Sheffield locale - appeared with other words in the "Primitive Methodist Hymnal" of 1889, and is one of four tunes associated with this text - and three other Common Metre hymns on the theme of the Word of God - in the "Baptist Church Hymnal" of 1900. It has, I think, a delightful quality of freshness about it, and is in my personal list of Victorian hymn tunes that deserve to be better known. Having assumed that it had dropped almost completely out of use, I was surprised and delighted yesterday (2 August 2016) to hear it sung to these words by a large congregation at a well-known London church, on the following newly-uploaded video: (http•••) St Ewe - a small village near Mevagissey and the Lost Gardens of Heligan - is in the same benefice as St Mewan where I play on Sundays; I played for a funeral here last year, but this is the first time I have recorded here. Thanks to Rev. Marion Barrett for allowing me to do so, and also to Hilary Elliott, the regular organist. For more information about the church, see: (http•••) This instrument - probably late 19th or early 20th century, tracker action with two manuals and pedals, straight pedalboard and old-style lever swell pedal - is not currently listed on the National Pipe Organ Register, and there is no information about it on display in the church. It would appear to have been moved from its original location (whether this was in the same building or elsewhere), as, tucked away on the right hand side, there is a set of display pipes which are not on display, and from which some are missing due to insufficient roof height! The original builder is unknown; however, it was restored by George Osmond & Co. of Taunton, probably in the 1950s, and again by W. N. Hosken of Plymouth in 1993. The stop specification is as follows: Pedal: Ped Bourdon 16ft Great: Open Diapason 8ft; Claribel 8ft; Dulciana 8ft; Principal 4ft; Flute 4ft Swell: Violin Diapason 8ft; Gedact 8ft; Gamba 8ft; Gambette 4ft; Piccolo 2ft Couplers: Swell to Great; Swell to Pedals; Great to Pedals Two combination pedals to Great N.B. Since uploading this, I have discovered that the organ was built in 1898 by Messrs. Hele & Co. of Plymouth, incorporating portions of the church's previous instrument (date and builder unknown), at a cost of £185; it was originally sited at the east end of the south aisle, and was afterwards moved to the current organ chamber - built in 1912 - on the opposite side of the chancel. This would account for the hidden display pipes, which (presuming the instrument was turned around 180 degrees at that time) would originally have faced the congregation in the south aisle.
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