Omar Vladimir Marcano Video
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2024-05-01
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Polly Ferman Marcano Cosentino 2019
Premier Women Weekend took place on Mar 16-17, 2019. Arts of Tolerance collaborated with Foundation for Modern Music and Flamart in presenting an event that honored Women's History Month. Here is a performance from that weekend with Polly Ferman and Eddy Marcano interpreting Saul Cosentino's Himno Buenos Aires.
Antonio Emilio Paoli Marcano Marcano Ponce Boxer Costanzi Verdi Leoncavallo Meyerbeer Teatro Costanzi 1871 1897 1899 1907 1911 1915 1917 1928 1938 1942 1946
Antonio Paoli +••.••(...)) was a gigantic voiced dramatic tenor who enjoyed an impressive, albeit complicated, career in the early days of the 20th century. Born Antonio Emilio Paoli y Marcano in Ponce, Puerto Rico, the future tenor’s parents introduced him to opera as a young child and he began to study voice before he reached his teens. The youngster’s parents were very supportive of Antonio’s singing ambitions but, sadly, they both passed away when the boy was only 12 years old. Orphaned, Paoli was sent to Spain to live with his older sister Amalia, who was already building a career as a singer. It was Amalia who took charge of her younger brother’s support and schooling. After completing his education at Monastery of El Escorial and the Military Academy at Toledo, Paoli was assigned to the Royal Guard of Spain’s Queen Maria Cristina. His ambition to be a singer had never dimmed, however, and the young man left his position in 1897 to continue his vocal studies in Milan. After two years of intense training, he made his way to Paris, where he made his operatic debut as Arnoldo in Guillaume Tell in 1899. The critics and public were unanimous in their praise, and Paoli was soon on his way to an international career. Over the course of the next decade and a half, Paoli made numerous appearances in Milan, Rome, Naples, Venice, Florence, Genoa, Turin, Bologna, Madrid, Valencia, Barcelona, Lisbon, London, Graz, Vienna, Brussels, St. Petersburg, Moscow, Warsaw, Budapest, Buenos Aires, Santiago, Rio, Havana, Boston, Philadelphia, Chicago and New York. The tenor was most at home in the dramatic tenor repertoire, including such operas as Il Trovatore, Aïda, Pagliacci, Carmen, Samson et Dalila, Lohengrin and his greatest triumph, Otello. Although he was never invited to the Met, Paoli enjoyed a lucrative career that kept him busy until the outbreak of WWI. It was around that time that the tenor suffered a most unfortunate reversal of fortunes. He began suffering from vocal issues and soon found himself unemployable, even in minor theaters. Bad investments stripped him of his fortune and he was compelled to seek out other means of employment to make ends meet. In 1915, 44-year-old singer made his debut in a very unlikely profession…a prizefighter. The strapping six-footer fought a half dozen bouts as a heavyweight before retiring due to a fractured wrist. Following his ill-fated career as a boxer, Paoli underwent surgery on his vocal cords and, after several months of recuperation, re-emerged in early 1917 as Samson at the Teatro Costanzi in Rome. Amazingly, his voice was better than ever and he was able to resume his career on the stage. The 1920s found the tenor singing mainly in the Americas. He settled in San Juan, where he gave his final operatic performance as Verdi’s Otello at the Teatro Municipal in 1928. The 57-year-old Paoli then concentrated on teaching at the music school his sister had founded. A 1938 stroke left him temporarily speechless and paralyzed, but he regained his health and voice. His final public performance was at a 1942 service commemorating the one year anniversary of the death of his sister, Amalia. The tenor’s voice was remarkably well preserved, despite his advanced age. Following a long battle with cancer, Antonio Paoli died on August 24, 1946 at the age of 75. Antonio Paoli made dozens of recordings (including the very first complete recording of Leoncavallo’s Pagliacci) for the Gramophone Company between 1907 and 1911. In these recordings, we hear a bright, robust dramatic tenor with a very powerful upper range. Paoli was also an effective vocal actor, sometimes short on subtlety but always thrilling. In this recording, Paoli sings Jean of Leyden's triumphal hymn, "Roi du ciel" (sung in Italian as "Re del cielo") from Meyerbeer's Le Prophète. This was recorded in Milan for the Gramophone and Typewriter Company in 1907.
Johann Sebastian Bach Núñez Montero Marcano Salazar Camacho Edward Pulgar Rubio Mazzocchi Hernández Ugarte Becerra Mendoza Iván Garmendia Cordero Sánchez Cárdenas
La “Giga a 46”, una versión en forma de joropo de la Giga de la Partita para violín solo Nº 2 en re menor de Johann Sebastian Bach, convertida en un "concerto grosso" por el compositor David Núñez e interpretada por 46 músicos venezolanos residenciados en varios países. El proyecto, comandado por María Fernanda Montero, concertino de la Orquesta Sinfónica Municipal de Caracas, reúne en un mismo video a un grupo representativo de artistas venezolanos que quieren transmitir un mensaje de esperanza en medio de la pandemia. Solistas, profesores, concertinos, estudiantes destacados e integrantes de orquestas dentro y fuera de Venezuela, resaltan lo que la pandemia no se llevó: la solidaridad, la amistad y el talento. ¡Aquí están los 46! Estados Unidos: Eddy Marcano (Houston, TX. Estados Unidos) Brenda Rengel (Houston, TX. Estados Unidos) Francisco Salazar (Queens, NY. Estados Unidos) Francisco Díaz (Tampa, FL. Estados Unidos) Marión Peraza (Cincinnati, OH. Estados Unidos) Rubén Camacho (Mount Pleasant, NC. Estados Unidos) Simón Gollo (Las Cruces, NM. Estados Unidos) Zamira Briceño (River Edge, NJ. Estados Unidos) Edward Pulgar (Knoxville, TN. Estados Unidos) Carlos Rubio (Philadelphia, PA. Estados Unidos) Evelyn Estava (Bound Book, NJ. Estados Unidos) Luigi Mazzocchi (Philadelphia, PA. Estados Unidos) Daniela Padrón (Miami, FL. Estados Unidos) Canadá: Victor Vivas (Fredicton, Canadá) Mercedes Salazar (Fredicton, Canadá) Europa: Giovanni Guzzo (Londres, Inglaterra) Igor García (Madrid, España) Ana Beatriz Manzanilla (Lisboa, Portugal) Jorman Hernández (Porto, Portugal) Dalina Ugarte (Viena, Austria) Beatriz Saglimbeni (Lisboa, Portugal) Lila Vivas (Alicante, España) Daniela Becerra (Bruselas, Bélgica) Fabiola Saglimbeni (Madrid, España) Latinoamérica: Pablo Stredel (Guadalajara, Jal. México) Angélica Olivo (Guadalajara, Jal. México) Igor Lara (Mendoza, Argentina) Susana Salas (Ciudad de Panamá, Ciudad de Panamá) Carolina Bermúdez (Cusco, Perú) Carla Rincón (Río de Janeiro, Brasil) Iván Pérez (Guadalajara, Jal. México) Williams Naranjo (Medellín, Colombia) Naumarys Martínez (Lima. Perú) Santiago Garmendia (Punta Cana, Rep. Dominicana) Efraín Lara (Santo Domingo, Rep. Dominicana) Elda Pineda (Mendoza, Argentina) Eddie Cordero (Medellín, Colombia) Venezuela: Alfonso López (Caracas, Venezuela) Ramón Román (Caracas, Venezuela) Rosana Sánchez (Caracas, Venezuela) Trabuco: Elvis Martínez (Miami, FL. Estados Unidos) [Bajo] Juan Ernesto Laya (Miami, FL. Estados Unidos) [Maracas] Jorge Glem (Bronx, NY. Estados Unidos) [Cuatro venezolano] La mentes maestras detrás de la Giga: María Fernanda Montero (Caracas, Venezuela) Creadora y productora David Nuñez (Santiago, Chile) Compositor y arreglista Alexis Cárdenas (París, Francia) Productor Fernanda Cegarra (Caracas, Venezuela) Diseño de título Constanza Cegarra (Caracas, Venezuela) Edición de video y animación de título Tomás Cardona Rodríguez (Caracas, Venezuela) Edición, mezcla y máster Esta Giga a 46 fue lanzada a beneficio de los niños y niñas del hospital J.M. De Los Ríos ubicado en Caracas, Venezuela a través de la fundación Prepara Familia. Si quieres aportar y ayudar a los #ChamosDelJM puedes donar a través de: www.paypal.me/PreparaFamilia Banesco: 0134 0380 51 3801038446 A.C Prepara Familia J 406725439
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- cronologia: Compositori (Sud America).
- Indici (per ordine alfabetico): M...