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Monica Groop Seele Johann Sebastian Bach Starker Ostrobothnian Chamber Orchestra 1430 1685 1750 1804 1998
Johann Sebastian Bach +••.••(...)) Cantata Bwv 35 "Geist und Seele wird verwirret" 00:00 1. Sinfonia 05:33 2. Aria "Geist und Seele wird verwirret" 13:03 3. Recitativo "Ich wundre mich" (with continuo) 14:30 4. Aria "Gott hat alles wohlgemacht" (with organ obbligato & continuo) 18:04 5. Sinfonia 21:41 6. Recitativo "Ach, starker Gott" (with continuo) 22:47 7.Aria "Ich wünsche nur, bei Gott zu leben" Monica Groop, mezzo-soprano Organ [Continuo] – Kai Alestalo Organ [Obligato] – Håkan Wikman Ostrobothnian Chamber Orchestra Conducted by Juha Kangas June 1998 _
Johann Sebastian Bach Moller Leib Arleen Auger Gabriele Schreckenbach Lutz Michael Harder Philippe Huttenlocher Helmuth Rilling Bach Collegium Stuttgart 1502 1587 1617 1725
Ach Gott, wie manches Herzeleid (Oh God, how much heartache), BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as Thomaskantor in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale. He scored the cantata for two oboes d'amore, strings and continuo, with an added trobone to support the bass in the first movement, and a horn to support the soprano in the last movement. It's set in six movements: 0:00 - No.1 Chorus: "Ach Gott, wie manches Herzeleid" 5:31 - No.2 Recitative/Chorale: "Wie schwerlich läßt sich Fleisch und Blut" 8:23 - No.3 Aria: "Empfind ich Höllenangst und Pein" 15:02 - No.4 Recitative: "Es mag mir Leib und Geist verschmachten" 16:17 - No.5 Duetto: "Wenn Sorgen auf mich dringen" 24:06 - No.6 Chorale: "Erhalt mein Herz im Glauben rein" Performer(s): Arleen Auger (soprano), Gabriele Schreckenbach (contralto), Lutz-Michael Harder (tenor), Philippe Huttenlocher (bass); Gachinger Kanteroi, Bach-Collegium Stuttgart, conducted by Helmuth Rilling
Diese Affirmationen helfen dir, Dankbarkeit und Lebensfreude in deinen Alltag zu tragen. Höre dazu diese Affirmationen mindestens 30 Tage am Stück an. Du kannst diese am Morgen, am Abend oder einfach unter dem Tag anhören und beobachten, was sich in deinem Leben verändert. Hier kannst du kostenfrei beim Meditations-Experiment dabei sein ► (http•••)o/ Dein Peter / ►Alles Infos zur Achtsamkeitsakademie findest du hier: (http•••) / ► Folge mir auf … Instagram: (http•••) Facebook: (http•••) Internet-Seite: (http•••)
Last week I had the chance to play my Easter Toccata on the incredible Kuhn-Organ of the 'Jesuitenkirche Heidelberg' (Pfarrkirche Heiliger Geist und St. Ignatius). I hope you enjoy this recording! You can find the score here: (http•••)re/p/easter-toccata/ If you like the content on my channel, you might like to make a more regular contribution in support of my work by becoming a patron and donating through Patreon: ► Patreon: (http•••) Any help you are able to offer - no matter how small - will be most gratefully accepted: thank you! - - - Timestamps: 00:00 | Easter Toccata on 'Christ ist erstanden' on the Kuhn-Organ Thank you for watching! Paul #toccata #easter #paulfey
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