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Johann Sebastian Bach Capelle Christian Ferdinand Abel Collegium Musicum 1720 1723 1740
Sonata No. 1 in G major, BWV 1027, Sonata No.2 in D major, BWV 1028, and Sonata No.3 in G minor, BWV 1029, respectively, are three sonatas that Johann Sebastian Bach wrote for viola da gamba and harpsichord. There is no certainty as to when Bach wrote his three viola da gamba sonatas. Various musicologists suggest that they were composed as early as 1720, during Bach's Köthen period, at the court of Prince Leopold, where the Court Capelle included the well-known gamba player Christian Ferdinand Abel. Other evidence suggests that the sonatas were composed in Leipzig around 1740, where Bach was cantor at the St. Thomas Church, as well as director of the Collegium Musicum from 1723 onwards. The Sonata in G Minor (BWV 1029) consists of three movements: Vivace, Adagio & Allegro. Baroque scholar Ulrich Siegele has suggested that Bach's last viola da gamba sonata began as a full concerto, possibly for two traverso flutes. The historian Philipp Spitta has called it "of the greatest beauty and most striking originality." The sonata begins with a theme by the viola da gamba, which is soon joined by the harpsichord. This is driven forward with lively figuration. The middle movement, in B flat major, allows the parts to intertwine even more, ending with the allegro, which begins with repeated notes in the gamba part soon to be taken up by the lower harpsichord part. Source: Wikipedia ((http•••) Although originally written for viola da gamba and harpsichord, I created this arrangement for String trio (Violin, Viola & Cello). Sheet music made with MuseScore - (http•••)
G. Rossini - Mosè - dal tuo stellato soglio - soloists Vlad Shulman, Gia Beshitaishvily, Mikhail Chesnokov, RIGA September, 2009. Youth Choir "B A L S I S" conducted by Ints Teterovskis & Valdis Tomsons (http•••) The Moscow Male Jewish Cappella Artistic leader and Conductor Alexander Tsaliuk Piano part Alexander Velikovsky www.hasidic-cappella.com Soloists: Cantor Vlad Shulman Leonid Bomshteyn Gia Beshitaishvily Valentin Gutov Mikhail Rubanov Mikhail Chesnokov Andrey Skenderov Liepaya Academic Symphony Orchestra
Johann Sebastian Bach Takako Nishizaki Dohnányi Collegium Musicum Capella Istropolitana 1717 1723
Johann Sebastian Bach belonged to a dynasty of musicians. In following inevitable family tradition, he excelled his forebears and contemporaries, although he did not always receive in his own lifetime the respect he deserved. He spent his earlier career principally as an organist, latterly at the court of one of the two ruling Grand Dukes of Weimar. In 1717 he moved to Cöthen as Court Kapellmeister to the young Prince Leopold and in 1723 made his final move to Leipzig, where he was employed as Cantor at the Choir School of St Thomas, with responsibility for music in the five principal city churches. In Leipzig he also eventually took charge of the University Collegium musicum and occupied himself with the collection and publication of many of his earlier compositions. Despite widespread neglect for almost a century after his death, Bach is now regarded as one of the greatest of all composers. Bach-Werke-Verzeichnis numbers, abbreviated to BWV, are generally accepted for convenience of reference. Violin Concerto in A minor, BWV 1041 (Allegro assai) [running time : 3:46] Courtesy to Takako Nishizaki violin, Capella Istropolitana / Oliver von Dohnányi / Three of Bach's violin concertos, written at Cöthen between 1717 and 1723, survive in their original form, with others existing now only in later harpsichord transcriptions. The works in original form are the Concertos in A minor and in E major, BWV 1041 and BWV 1042, and the Double Concerto in D minor, for two violins, BWV 1043.
Gedaliah Rabinowitz KIDDUSH Seymour Schwartzman, cantor-baritone with organ Published by Tikva , matr. T-91 Please visit: (http•••)o/schwartzmanseymour/index.html and more singers at the index: (http•••)o/ I own no copyright For cultural purposes only, not copyright infringement intended Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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