Raymond Pech Video
compositore francese
- Francia
- compositore
Ultimo aggiornamento
2024-04-28
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Diana Syrse Silvestre Revueltas Darius Milhaud Pech Cuevas Cob Barrière Guillén Clément Mao Takacs Axelle Fanyo Lebègue Polignac 1892 1899 1921 1926 1938 1940 1974 1984 2017 2020 2021
Concert filmed live from the Claude-Lévi Strauss Theater, Sunday, April 18, 2021 at 5:00 pm. (Fragment of the part I of Connected Identities) This concert-spectacle that combines voice and orchestra is built around a diptych by the Mexican singer and composer Diana Syrse, Identités Connectées, presented today for the first time in its entirety at the Musée du quai Branly - Jacques Chirac. The composer has chosen to write for her own soprano voice, and to situate this voice in a shifting landscape. Cultural landscape in the first part, which features a female character who, like Diana herself, tears herself away from her culture of origin to confront the violent identity games of our globalized world. The second part is a natural landscape that absorbs the first part into the great chain of life. Together these two parts remind us of the etymology of the word exist: to come out of oneself. Program : 1. Silvestre Revueltas +••.••(...)) Batik (1926) 2. Darius Milhaud +••.••(...)) Man and his desire (1921) based on an argument by Paul Claudel 3. Diana Syrse (*1984) Connected Identities (2017) texts from the Lacandon tradition, by Jorge Miguel Cocom Pech, Enriqueta Lunez, Briceida Cuevas Cob, Diana Syrse and Aleksi Barrière 4. Diana Syrse Part 1: Connected Identities Part 2: The Invention of Sex (2020, world premiere) Text by Aleksi Barrière 5. Silvestre Revueltas Sensemayá (1938) based on a poem by Nicolás Guillén (arrangement by Vincent Buffin) A production of the Cie La Chambre aux Echos directed by Aleksi Barrière and performed by the Secession Orchestra under the baton of conductor Clément Mao-Takacs. With the participation of Axelle Fanyo (soprano), Marion Lebègue (mezzo-soprano), Benjamin Alunni (tenor), Edwin Fardini (baritone). Secession Orchestra is in residence at the Fondation Singer Polignac. It is supported by the DRAC Ile-de-France/Ministry of Culture for structuring and by the Caisse des dépôts. La Chambre aux Echos has received the support of the Karolina Blaberg Stiftung More information on (http•••)
Kantorei Barmen Gemarke Siegfried Landau Gerlach Reuter Engelmann Friese Pech Duisburg 2021
Aufnahme vom 07.06.21 im Auftrag der Kantorei Barmen-Gemarke e.V. MITWIRKENDE: Pfarrer Siegfried Landau (Predigt & Liturgie) im Gespräch mit Ruweyda Hassan-Ali Lektor*Innen: Jutta Brückelmann, Arno Gerlach, Alexander Lüken Fürbitten: Ulrike Reuter, Annette Engelmann, Matthias Brust, Reinhard Friese MUSIK: Sängerinnen und Sänger der Kantorei Barmen-Gemarke Leitung: Alexander Lüken An der Orgel: Thorsten Pech Herzlichen Dank für Ihre Spende! Psychosoziales Zentrum für Flüchtlinge Düsseldorf e.V. Infos unter: www.psz-duesseldorf.de Spendenkonto: KD-Bank Duisburg IBAN: DE54 3506 0190 1011 7420 13 BIC: GENODEDIDKO Kantorei Barmen-Gemarke e.V. Stadtsparkasse Wuppertal IBAN: DE42 3305 0000 0000 2494 90 BIC: WUPSDE33XXX AUFNAHME & PRODUKTION: Timo Platte | www.photoplatte.de
Teatro Alfieri Scala Alfieri Vincenzo Bellini Pech Carbone
Produzione VIDEOMIX di Guidi e Muccini snc, Castelnuovo di Garfagnana (LU) tel. 0583644264 •••@••• 150 anni fa, con le note de "La Straniera" di Vincenzo Bellini, veniva inaugurato il Teatro di Castelnuovo di Garfagnana. Ora, dopo importanti lavori di restauro l'Alfieri viene riconsegnato ai cittadini del ventunesimo secolo, con lo splendore e la magnificenza di allora. Eleonora Abbagnato ha incantato la platea dell'Alfieri nel gala di inaugurazione per festeggiare i 150 anni del teatro di Castelnuovo. Oltre alla Abbagnato, dell'etoile dell'Opera de Paris, era presente il suo "compagno" in Francia, Benjamin Pech, il primo ballerino del San Carlo di Napoli, Alessio Carbone, altri tre interpreti del teatro napoletano e gli Italian Harmostis della Scala di Milano
Diana Syrse Silvestre Revueltas Darius Milhaud Pech Cuevas Cob Barrière Guillén Clément Mao Takacs Axelle Fanyo Lebègue Polignac 1892 1899 1921 1926 1938 1940 1974 1984 2017 2020 2021
Concert filmed live from the Claude-Lévi Strauss Theater, Sunday, April 18, 2021 at 5:00 pm. (Part II of Connected Identities). This concert-spectacle that combines voice and orchestra is built around a diptych by the Mexican singer and composer Diana Syrse, Identités Connectées, presented today for the first time in its entirety at the Musée du quai Branly - Jacques Chirac. The composer has chosen to write for her own soprano voice, and to situate this voice in a shifting landscape. Cultural landscape in the first part, which features a female character who, like Diana herself, tears herself away from her culture of origin to confront the violent identity games of our globalized world. The second part is a natural landscape that absorbs the first part into the great chain of life. Together these two parts remind us of the etymology of the word exist: to come out of oneself. Program : 1. Silvestre Revueltas +••.••(...)) Batik (1926) 2. Darius Milhaud +••.••(...)) Man and his desire (1921) based on an argument by Paul Claudel 3. Diana Syrse (*1984) Connected Identities (2017) texts from the Lacandon tradition, by Jorge Miguel Cocom Pech, Enriqueta Lunez, Briceida Cuevas Cob, Diana Syrse and Aleksi Barrière 4. Diana Syrse Part 1: Connected Identities Part 2: The Invention of Sex (2020, world premiere) Text by Aleksi Barrière 5. Silvestre Revueltas Sensemayá (1938) based on a poem by Nicolás Guillén (arrangement by Vincent Buffin) A production of the Cie La Chambre aux Echos directed by Aleksi Barrière and performed by the Secession Orchestra under the baton of conductor Clément Mao-Takacs. With the participation of Axelle Fanyo (soprano), Marion Lebègue (mezzo-soprano), Benjamin Alunni (tenor), Edwin Fardini (baritone). Secession Orchestra is in residence at the Fondation Singer Polignac. It is supported by the DRAC Ile-de-France/Ministry of Culture for structuring and by the Caisse des dépôts. La Chambre aux Echos has received the support of the Karolina Blaberg Stiftung More information on (http•••)
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