Sandra Belling Video
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2024-05-04
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Gerolamo Gambling Mitchell Sheldon Fraser Andrew Goodwin Rowan Schack Arnott Cox Maas Belling Sydney Chamber Opera 2017
SYNOPSIS Biographica is an odyssey of maverick Renaissance genius Gerolamo Cardano, whose lust for gambling propelled him on to a precarious path between risk and calculated madness in a quest for fame, wealth and the ultimate prize – immortality. Cardano was a magnificent and eccentric Renaissance mind who wrote the first texts on the mathematics of gambling and cheating, was a world-renowned surgeon, revolutionised complex numbers and was a pioneer of sign language. Prolific inventor, flawed father, solitary, aggressive and peculiar, he was a man who listened to guardian angels, swore by science and dreamed of defeating time. Interspersed with the music are monologues spoken by Cardano, where he addresses the audience with accompanying music. These are the lessons and aphorisms he wrote in an attempt to secure his place in history. They capture the beginning of individualism, a time when the world was taking a terrifying ascent in thought and complexity. They reveal to us a soul deeply human and magnificent in imagination. Biographica traces a febrile moment in time; a moment in history when the world of fact and the world of the soul were intermeshed; when science meant leaps of faith, and leaps of faith held great terrors for the soul. CREDITS 2017 Sydney Festival, Carriageworks Bay 20 Presented Sydney Chamber Opera in association with Ensemble Offspring Music & Concept: Mary Finsterer Libretto: Tom Wright Conductor: Jack Symonds Director: Janice Muller Gerolamo Cardano: Mitchell Butel Soprano 1 (Chiara – mother): Jane Sheldon Soprano 2 (Chiara – daughter): Jessica O’Donoghue Mezzo Soprano (Caterina) Anna Fraser Tenor (Aldo/Cassante): Andrew Goodwin Baritone (Archbishop/Giambattista): Simon Lobelson Flutes: Lamorna Nightingale Clarinets: Jason Noble Saxophones: Christina Leonard Piano/Celesta: Zubin Kanga Harp: Rowan Phemister Percussion: Claire Edwardes Violins: Anna McMichael, Miki Tsunoda Viola: James Wannan Cello: Freya Schack-Arnott Double Bass: Kirsty McCahon Production Manager: Damion Holling Set and Costume Design: Charles Davis Lighting Design: Matt Cox Assistant Director: Danielle Maas Assistant Conductor: Huw Belling Stage Management: Georgiane Deal, Cheng Tang Surtitles: Rhys Little Audio recording: Australian Broadcasting Corporation Video recording: Hospital Hill
Belling Arthur Rubenstein Boulez Stockhausen 1932 1952
Etude No.1 by Walid Al Hajjar, performed by Gaswan Zerikly. Interpretation edited and corrected by the composer. Walid Al Hajjar: Born in Damascus, Syria in 1932, he was initiated into the magical Russian classical music world at a very early age, by Tsarist Baron Belling; later, in Istanbul, while studying engineering,he continued studying the piano with D.fuller. In 1952, he left for Paris where he joined both the Conservatoire National de Musique, and the Ecole Normale de Musique, where he benefited from the guidance of A.Cortot, and the excellent teaching in Composition of both Mm. Honnegger, and Edmond Marc. In Paris, he also pursued his twin artistic vocation, that of Painting. He joined the Ecole des Beaux Arts, where he studied under the supervision of the renowned Russian sculptor Zadkin. When asked for his opinion about the conflicting different tendencies in music of the last century, he answered:"Music is the language of the heart, not of a deranged psych!" ... He also added:"The great Arthur Rubenstein once said: What Boulez and Stockhausen produce is mere sound, not Music!" It is only when Sound touches the Heart that it can be called Music!" He obtained his Masters in Art from the US; he is also an established Novelist. ايتود رقم 2 للمؤلف وليد الحجار وعزف زكوان زركلي، نبذة عن حياة المؤلف وليد الحجار: ولد في دمشق عام 1932 وترعرع في وسط عائلي متميز في دار تواجد فيها البيانو والكمان وعشرات الاسطوانات الكلاسيكية. تعرف على سحر الموسيقى الكلاسيكية الروسية عبر جار العائلة البارون "بيلينغ" القيصري. الذي تولى تلقينه العزف وهضم لغة الموسيقى الكلاسيكية منذ حداثته واصل وليد الحجار دراسته الموسيقية في معهد برمانا العالي الداخلي في أجواء انكليزية صرفة، ثم في اسطنبول. إلى أن قصد باريس. والتحق بكل من الكونسرفاتوار والايكول نورمال حيث درس جميع فروع علوم التأليف الموسيقي بإشراف السيدة هونيغر ومارك ايدموند. هذا، وقد التحق بمعهد الفنون الجميلة في باريس حيث ثابر على دراسة الرسم الزيتي بإشراف النحات العالمي زادكين لمدة أربع سنوات. وليد الحجار أديب روائي أغنى المكتبة العربية برواياته المتميزة
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- cronologia: Cantanti lirici.
- Indici (per ordine alfabetico): B...