Stephen Humbert Video
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Peter Schickele Roy Harris Darius Milhaud Jorge Mester Bach Humbert Handel Bax Britten Paul Freeman Freeman Czech National Symphony Orchestra National Symphony Orchestra 1900 1935 1957 1960 1965 1968 1972 1980 1984 1995 2000
Score Maker/Music Chat Discord Server: (http•••) Composer: Peter Schickele ( b. 1935 ) The son of immigrants, Schickele was born in Ames Iowa and raised in Washington D.C. and Fargo, North Dakota. His family was musical and played much chamber music, a practice to which Schickele has attributed his early knowledge of string quartets. Although he played the bassoon—he claimed to have been the only bassoonist in Fargo, North Dakota—he gravitated early to composition. After graduating from Swarthmore in 1957, Schickele studied composition with Roy Harris and Darius Milhaud, both of whom were notable influences, before attending the Juilliard School, where he studied with Vincent Persichetti. Schickele’s parodistic tendencies were apparent early: he performed a humorous concert with conductor Jorge Mester while still a Juilliard student, and in 1965 he performed a similar concert at Town Hall, New York, that introduced the public to P.D.Q Bach. Two years later he formed a “chamber-rock-jazz” trio called Open Window that performed his chamber works. This blending of styles has often resulted in the juxtaposition of seemingly incongruous musical resources, such as the amplified keyboards (piano, organ, and harpsichord) and orchestra for The Fantastic Garden (1968), “rock group” and orchestra for Requiem Mantras (1972), or bluegrass band and orchestra for Far Away from Here (1984). But his grasp on these resources is generally firm and has resulted in Schickele’s receiving honorary doctorates (Swarthmore, 1980; North Dakota State University, 1995), several GRAMMY awards, and ongoing commissions for new works. Oboe Concerto ( 1995 ) The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you’ve got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I’m very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I’ve always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960’s, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane’s “sheets of sound” did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother?s wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe?s uniquely soulful singing. I had not heard Pamela Woods Pecha?s solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B’s (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn’t end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. / Peter Schickele Movements 0:00 I. Aria 4:25 II. Scherzo 9:11 III. Chant 15:10 IV. Dances 19:21 V. Epilogue Instrumentation Oboe & Orchestra Performer: Artist: Pamela Pecha Conductor: Paul Freeman Orchestra: Czech National Symphony Orchestra The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900 & 2000's (& some Baroque/Before) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to remove immediately the video accordingly. Your collaboration will be appreciated. Score Cropping By: (http•••)
Jean Sébastien Bach Jörg Dürmüller Lisandro Abadie Facundo Agudin Yoo Pérez Navarro Keren Gafner Lefèbvre Weiss Humbert Musique Lumières 1685 1750
Jean Sébastien Bach +••.••(...)) Suite Orchestrale No 3 en ré majeur BWV 1068 Oratorio de Noël BWV 248 Partie V : « Ehre sei dir Gott » Partie VI : « Herr, wenn die stolzen Feinde schnauben » Musique des Lumières Marion Grange, soprano Eléonore Gagey, alto Jörg Dürmüller, ténor Lisandro Abadie, basse Facundo Agudin, direction Orchestre Musique des Lumières Violons Joel Bardolet (premier violon solo) Miri Yoo Coline Ormond Antonio Viñuales Pérez Séverine Cozette Jaume Guri Battle Anna Morozkina Jacek Swica Olivier Piguet Luis Montes Anna Srodecka Jean-Baptiste Navarro Janina Müller Philomène Michel Altos Jonathan Keren Mila Gafner Maria Kropotkina Violoncelles Alma Hernán Gaëlle Lefèbvre Contrebasses Federico Abraham (solo) Darija Andelic Andzakovic Hautbois Nathalie Gullung (solo) Clothilde Ramond Basson Nicolas Michel (solo) Trompettes Jochen Weiss (solo) Jean-Claude André Sara Meier Timbales Laurent de Ceunink Orgue Simon Peguiron Direction musicale Facundo Agudin Production artistique Musique des Lumières Administration Nathalie Gullung Mariella Bachmann Régie plateau Jonathan Héritier Webmaster Nicolas Michel Graphisme Aurélie Monnier Production Dider Humbert Image & Son SA Images Hervin Geney Benoît Grandclément Melvin Ory Technicien Regie Dimitri Mahon Ingénieur du son Carryl Montini Lumière Sébastien Bergot
Jean Sébastien Bach Jörg Dürmüller Lisandro Abadie Facundo Agudin Yoo Navarro Gafner Lefèbvre Weiss Humbert Musique Lumières 1685 1750
Jean Sébastien Bach +••.••(...)) Suite Orchestrale No 3 en ré majeur BWV 1068 Oratorio de Noël BWV 248 Partie V : « Ehre sei dir Gott » Partie VI : « Herr, wenn die stolzen Feinde schnauben » Musique des Lumières Marion Grange, soprano Eléonore Gagey, alto Jörg Dürmüller, ténor Lisandro Abadie, basse Facundo Agudin, direction Orchestre Musique des Lumières Violons Joel Bardolet (premier violon solo) Miri Yoo Coline Ormond Antonio Viñuales Pérez Séverine Cozette Jaume Guri Battle Anna Morozkina Jacek Swica Olivier Piguet Luis Montes Anna Srodecka Jean-Baptiste Navarro Janina Müller Philomène Michel Altos Jonathan Keren Mila Gafner Maria Kropotkina Violoncelles Alma Hernán Gaëlle Lefèbvre Contrebasses Federico Abraham (solo) Darija Andelic Andzakovic Hautbois Nathalie Gullung (solo) Clothilde Ramond Basson Nicolas Michel (solo) Trompettes Jochen Weiss (solo) Jean-Claude André Sara Meier Timbales Laurent de Ceunink Orgue Simon Peguiron Direction musicale Facundo Agudin Production artistique Musique des Lumières Administration Nathalie Gullung Mariella Bachmann Régie plateau Jonathan Héritier Webmaster Nicolas Michel Graphisme Aurélie Monnier Production Dider Humbert Image & Son SA Images Hervin Geney Benoît Grandclément Melvin Ory Technicien Regie Dimitri Mahon Ingénieur du son Carryl Montini Lumière Sébastien Bergot
Meet the BARITONES and BASS-BARITONES! The final installment of our Apprentice Spotlight series features the 12 talented baritones and bass-baritones of the 2021 Frank R. Brownell III Apprentice Artist Program. Tune in tonight at 6pm (CDT) to hear some beautiful music! #dmmo49 Meet the baritones and bass-baritones: Brandon Bell Antonio Cruz Thaddeus Ennen Andrew Gilstrap Dylan Gregg Nathaniel Hill Christopher Humbert, Jr. Craig Juricka Jordan Krack Kellen Schrimper Ryan Wolfe Jason Zacher Stay in touch with DMMO! Subscribe to our YouTube channel (click the red "Subscribe" button to the right) Like us on Facebook→ (http•••) Follow us on Twitter→ (http•••) Follow us on Instagram→ (http•••) If you would like to receive our e-newsletter→ (http•••) If you would like to make a gift of support→ (http•••)
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): H...