Thomas G. Glenn Video
cantante lirico canadese
- tenore
- Canada
- cantante lirico
Ultimo aggiornamento
2024-05-05
Aggiorna
Zappa Pak Vincent Derosa Estes Estrada Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1550 1967 1968
Frank Zappa and the Abnuceals Emuukha Electric Symphony Orchestra Lumpy Gravy is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Musicians - Abnuceals Emuukha Electric Symphony Orchestra : Arnold Belnick – strings Harold Bemko – strings Chuck Berghofer – bass Jimmy Carl Black – chorus Jimmy Bond – bass Monica Boscia – chorus Dennis Budimir – guitar Frank Capp – drums Donald Christlieb – woodwind Gene Cipriano – woodwind Vincent DeRosa – french horn Joseph DiFiore – strings Jesse Ehrlich – strings Alan Estes – percussion, drums Gene Estes – percussion Louis "Louie the Turkey" Cuneo – chorus Roy Estrada – bass, chorus Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Don Randi – piano Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet 1968 version, part one No. Title Length 1. "The Way I See It, Barry" 0:06 2. "Duodenum" 1:32 3. "Oh No" 2:03 4. "Bit of Nostalgia" 1:35 5. "It's from Kansas" 0:30 6. "Bored Out 90 Over" 0:31 7. "Almost Chinese" 0:25 8. "Switching Girls" 0:29 9. "Oh No Again" 1:13 10. "At the Gas Station" 2:41 11. "Another Pickup" 0:54 12. "I Don't Know If I Can Go Through This Again" 3:49 Total length: 15:50 1968 version, part two No. Title Length 1. "Very Distraughtening" 1:33 2. "White Ugliness" 2:22 3. "Amen" 1:33 4. "Just One More Time" 0:58 5. "A Vicious Circle" 1:12 6. "King Kong" 0:43 7. "Drums Are Too Noisy" 0:58 8. "Kangaroos" 0:57 9. "Envelops the Bath Tub" 3:42 10. "Take Your Clothes Off"
Bach Ewa Pobłocka Fryderyk Chopin Hansen Martha Argerich Viotti Glenn Gould Kazimierz Kord Antoni Wit Rappe Olga Pasichnyk Ewa Podleś Andrzej Panufnik Witold Lutosławski Szymański Paweł Mykietyn Grieg Brahms Schumann Pleyel Rameau Couperin Scarlatti Soler Castaldi Liszt Auditorio Nacional Madrid Barbican Centre Wigmore Hall Musikverein Lincoln Center Maggio Musicale Fiorentino London Symphony Orchestra English Chamber Orchestra Orchestra Maggio Musicale Fiorentino Sinfonia Varsovia Polish National Radio Symphony Orchestra 1848 1977 1979 1980 1981 1982 2004 2007 2009 2010
Ewa Pobłocka - piano, rec. 08.12.1981 A prize-winner of the Tenth International Fryderyk Chopin Piano Competition in Warsaw, Ewa Pobłocka also received the prize for the best performance of Chopin mazurkas (1980). She began taking piano lessons when she was five. She pursued her studies at Gdańsk Music Academy under Zbigniew Śliwiński and Jerzy Sulikowski, and received her diploma with distinction in 1981. She completed post-graduate studies in Hamburg under Conrad Hansen (1982) and has benefitted from artistic consultation with Jadwiga Sukiennicka, Rudolf Kerer, Tatiana Nikolaieva and Martha Argerich. In 1977, she won First Prize in the International Viotti Music Competition in Vercelli, and in 1979 the gold medal at the International Festival of Young Laureates in Bordeaux. She has performed throughout Europe and the Americas, as well as in the Far East and Australia, in such venues as the Herkules-Saal in Munich, Musikhalle in Hamburg, Auditorio Nacional in Madrid, Barbican Centre and Wigmore Hall in London, Musikverein in Vienna, Lincoln Center in New York and Glenn Gould Studio in Toronto. She has played as a soloist with the London Symphony Orchestra, English Chamber Orchestra, Orchestra del Maggio Musicale Fiorentino, Bayerischers Rundfunkorchester, Sinfonia Varsovia and Polish National Radio Symphony Orchestra and has repeatedly toured as a Warsaw Philharmonic Orchestra soloist under the baton of Kazimierz Kord and Antoni Wit. Ewa Pobłocka is a passionate chamber musician and has regularly performed with the Silesian Quartet, as well as singers like Jadwiga Rappe, Olga Pasichnyk and Ewa Podleś. She has given numerous premieres and made world premiere recordings of works by Polish contemporary composers, including piano concertos by Andrzej Panufnik, Witold Lutosławski, Paweł Szymański and Paweł Mykietyn. She has performed for many European radio stations and recorded for such labels as Polskie Nagrania ‘Muza’, Deutsche Grammophon, Pony Canyon, Victor JVC, CD Accord and BeArTon. Many of her recordings have won prizes and critical acclaim. Her most recent CDs have featured Grieg’s complete piano works, solo works by Brahms and Schumann and the complete songs of Chopin. In 2010, the Fryderyk Chopin Institute released her CD with Chopin’s Mazurkas and Sonata in C minor on period piano (Pleyel, 1848). Pobłocka is also a distinguished teacher. As well as teaching piano at Bydgoszcz Music Academy and the Fryderyk Chopin University of Music in Warsaw, she is also a guest professor at the National University of Fine Arts and Music in Tokyo and Nagoya. She has sat on the jury of many international piano competitions and received the annual Ministry of Culture and National Heritage Award and the Cavalier’s Cross of the Polonia Restituta Order from the Polish President (2004). Ewa Pobłocka performed in the ‘Chopin and his Europe’ festival in 2007, 2009, 2010. (chopin.nifc.pl) NA MOIM KANALE (ON MY CHANNEL): (playlisty z przesłanych filmów, sent films in playlists) Polska muzyka ludowa (Polish Folk Traditional Music) (http•••) Tradycyjna muzyka góralska (Polish Gorals’ Music) (http•••) Polska muzyka renesansowa i barokowa (Polish Renaissance and Baroque Music) (http•••) Polska muzyka XVIII i XIX wieku (Polish Music of 18 and 19 century) (http•••) Pan Wołodyjowski Potop muzyka (http•••) Polskie pieśni patriotyczne (Polish Patriotic Songs) (http•••) Polska muzyka symfoniczna okresu klasycyzmu (Polish Symphony Music of Classical Period) (http•••) Rameau Couperin Scarlatti Soler Castaldi (http•••) Polska muzyka średniowieczna (Polish Medieval Music) (http•••) Chopin (http•••) Liszt (http•••) Polska muzyka XX wieku (Polish Music of 20 c.) (http•••) Polski folk (http•••) Góry polskie zdjęcia (http•••) Polska muzyka filmowa (Polish Film Music) (http•••) Polskie organy Leżajsk Oliwa Kamień Pomorski (Polish Organs) (http•••)
Beethoven Handel Haydn Alvarez Groves Karpov Carey Dutoit Tengblad McNamara Olsen Oliveira Sullivan Caldicott Woodrow Jacob Cooper Bradford David McFerrin McFerrin
Featuring: H+H Chorus Ian Watson, organ Text: Hallelujah! to the Father and the Son of God! Praise the Lord, ye everlasting choir, in holy songs of joy! Worlds unborn shall sing his glory the exalted Son of God! HANDEL AND HAYDN SOCIETY CHORUS SOPRANO Elissa Alvarez, Sarah Brailey, Maggie Finnegan, Elise Groves, Monica Hatch, Christine Jay, Suzanne Karpov, Rose Lewis, MaryRuth Lown, Elisabeth Marshall, Olivia Miller, Nacole Palmer, Margot Rood, Janet Ross, Carey Shunskis, Sonja DuToit Tengblad, Sarah Yanovitch ALTO Cody Bowers, Margaret Bridge, Doug Dodson, Katherine Growdon, Catherine Hedberg, Kim Leeds, Emily Marvosh, Clare McNamara, Caroline Olsen, Lindsay Pope TENOR Jonas Budris, Colin Campbell, Marcio de Oliveira, Ethan DePuy, Sullivan Hart, Eric Christopher Perry, Stefan Reed, Gene Stenger, Patrick T. Waters, Steven Caldicott Wilson, Gregory Zavracky BASS Glenn Billingsley, Woodrow Bynum, Jacob Cooper, Bradford Gleim, Harrison Hintzsche, Craig Juricka, David McFerrin, Peter Walker This program is made possible in part by the generous support of Carolyn and Dana Pope.
Sensation yields to scandal: Gould’s feisty and headstrong treatment of the final triptych in Beethoven’s pianistic “New Testament” outraged the critics no less than his sleeve notes, in which he claimed of op. 111 that “the piece is weak in spots; it needs greater speed. Especially the first movement is such a bad piece that I wanted to get on to the finale.” I've created this aggregate of the Glenn Gould recording selection of most of the Beethoven's piano sonatas for my personal use and I'm more than happy to share it with people that appreciate Glenn Gould's estatic interpretation of these ingenious pieces as much as I do. I've gathered 77 movements into one video just so I don't have to download all of them one by one on my phone for everyday listening. No. 1 in F minor, Op. 2, No. 1 - 0:00 No. 2 in A Major, Op. 2, No. 2 - 18:16 No. 3 in C Major, Op. 2, No. 3 - 45:09 No. 5 in C minor, Op. 10, No. 1 - 1:14:25 No. 6 in F Major, Op. 10, No. 2 - 1:25:57 No. 7 in D Major, Op. 10, No. 3 - 1:36:36 No. 8 in C minor for Piano, Op. 13 "Pathétique" - 1:56:45 No. 9 in E Major, Op. 14, No. 1 - 2:11:23 No. 10 in G Major, Op. 14, No. 2 - 2:21:52 No. 12 in A-flat Major, Op. 26 - 2:39:00 No. 13 in E-flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" - 3:01:48 No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight" - 3:22:54 No. 15 in D Major, Op. 28 "Pastorale" - 3:33:42 No. 16 in G Major, Op. 31, No. 1 - 3:55:28 No. 17 in D minor, Op. 31, No. 2 "The Tempest" - 4:15:28 No. 18 in E-Flat Major, Op. 31, No. 3 - 4:36:13 No. 23 in F minor, Op. 57, "Appassionata" - 4:53:22 No. 24 in F-sharp major Op. 78, "A Therese" - 5:24:56 No. 28 in A major Op. 101 - 5:32:01 No. 29 in B-flat major, Op. 106 - 5:48:22 No. 30 in E Major, Op. 109 - 6:37:28 No. 31 in A-flat Major, Op. 110 - 6:50:33 No. 32 in C minor, Op. 111 - 7:14:48
o
- cronologia: Cantanti lirici (Nord America).
- Indici (per ordine alfabetico): G...