Wilhelm Drechsler Video
compositore
- Germania
Ultimo aggiornamento
2024-04-28
Aggiorna
Staatsschauspiel Dresden Makarenko Cary Gebel Aschenbrenner Séjourné Ackermann Bär Brümmer Drechsler Feldmann Frenzel Jacobs Klose Melzer Roth Stein Weber Winkler 2017
nach Zeitzeugenberichten und unter Verwendung von Dokumenten sowie Texten von Anton Makarenko u. a. | Spielfassung von Jörg Bochow und Volker Lösch | URAUFFÜHRUNG am 23.09.2017 im Schauspielhaus | REGIE Volker Lösch | BÜHNE Cary Gayler | KOSTÜME Carola Reuther |MUSIK FM Einheit | DRAMATURGIE Jörg Bochow | LICHT Michael Gööck | MIT Ilona Enskat, Anette Gebel-Kozian, Stefan Lauter, Andreas Richter, Detlev Sadrinna (Zeitzeugen), Luise Aschenbrenner, Jannik Hinsch, Malte Homfeldt, Hannah Jaitner, Moritz Kienemann, Deleila Piasko, Daniel Séjourné, Nadja Stübiger, Yassin Trabelsi, Viktor Tremmel sowie Inge Ackermann, Yuna Anders, Tom Arnold, Eduard Bär, Emely Beck, Fritz Bergert, Ireen Bernhard, Lennart Brümmer, Fynn R. Drechsler, Friederike Feldmann, Vanessa Frenzel, Tabea Günther, Clara Haines, Lissy Jacobs, Dominic Jarmer, Clara Koschine, Wieland König, Miriam Kaden, Leticia Klose, Georg Kurze, Dorothee Linßner, Liselotte Maune, Vincent Melzer, Sarah Muschalek, Clemens Müller, Eric Netzschwitz, Ronja Oehler, Elias Ose, Sara Paulisch, Philipp Rahn, Franz Rölz, Jannis Roth, Kim-Elia Samaga, Sophie Scholta, Elisabeth Helene Sperfeld, Leonore Sperfeld, Marek Anton Stein, Anton Stock, Melissa Stock, Theresa Tippmann, Maxima Walthes, Fee Weber, Arthur Leo Weinhold, Maria Winkler | KARTEN 0351.49 13-555 | INTERNET www.staatsschauspiel-dresden.de | Ein Theatertrailer von artgenossen.tv
Beethoven Douglas Bostock Drechsler 2018
argovia philharmonic Douglas Bostock, conductor Live recording, Baden (CH), 22.09.2018, TRAFO Video, audio and postproduction: Wolfgang Drechsler, Spring & Fall Music
Antonio Vivaldi Souza Gilson Becker Mello Oliveira Kothe Buratto Schmidt Pereira Drechsler Carvalho Neto 1678 1741 2021
Concerto Alla Rustica em Sol Maior, RV 151 - Presto, Adagio, Allegro, Antonio Vivaldi +••.••(...)) Gravado na Vila Fátima em Florianópolis no dia 06/02/2021. Camerata Florianópolis Regência: Maestro Jeferson Della Rocca PRIMEIROS VIOLINOS - Iva Giracca (spalla), Elias Vicente Souza, Bruno Jacomel, Talita Limas e Débora Remor SEGUNDOS VIOLINOS - Mario Marçal Jr, Elias Zanom, Gilson Becker, Debora Flemming Bohn, Lis Maria de Mello Oliveira VIOLAS - Mariana Barardi, Fausto Kothe, Fernanda Buratto VIOLONCELLOS - Ernesto Guimarães Medolla, Daniel Galvão, Erico Schmidt CONTRABAIXO - Gabriel Bohn Produção Executiva da Camerata: Maria Elita Pereira Coordenação técnica: Leonardo Boechat Assistentes de produção: Pablo Assi e Bárbara Caetano Equipe técnica : Rodrigo de Freitas e Taro Löcherbach Audio: The Magic Place Estudios Engenheiro responsável: Renato Pimentel Equipe 30 Por Segundo Produção executiva e Direção geral: Fernando Pereira Oliveira Direção de cena: Alexandre de Assis Corrêa Assistente de direção: Jonas Costa Imagens: Vitória Drechsler, Carlos Alberto Cabral, César Carvalho, Lúcio Xavier e Jorge Daux Neto Drone: César Carvalho, Leandro do Amaral Maquinista: Nicole Michele Maquinaria e Acessórios: Cinesupport Imagens Making Of: Taiguara Luciano e Fernando Pereira Oliveira Edição Making of: Vitória Drechsler Edição: Alexandre de Assis Corrêa, Carlos Alberto Cabral e Vitória Drechsler Colorização: Carlos Alberto Cabral e Rodrigo de Freitas Finalização: Fernando Pereira Oliveira Produção de Video: 30 Por Segundo Viabilizado através da Lei Municipal de Incentivo à Cultura, Fundação Cultural Franklin Cascaes, Prefeitura de Florianópolis, com apoio do Grupo Angeloni, Shopping Iguatemi Florianópolis, Clube 12 de Agosto.
Johann Strauss II Joseph Drechsler Johannes Brahms Richard Wagner Giuseppe Verdi Jetty Treffz Offenbach Dittrich Herbert Karajan Wiener Philharmoniker 1825 1844 1845 1847 1849 1853 1862 1870 1871 1872 1874 1878 1883 1885 1887 1899 2001
With music by Johann Strauss II, Die Fledermaus is the most popular of the Viennese operettas. Opening in April 1874 at the Theater an der Wein (The Theatre on the Wien River), the show quickly became a runaway hit. Since its debut, it has been performed countless times in theaters all over the world, and there have been at least 17 film adaptations, most recently (2001) in a French production. In contrast to the Grand Operas of the period, the operettas were light musical entertainments, the nineteenth-century equivalent of our contemporary Broadway musicals. The Composer: Johann Strauss II, +••.••(...)), was an Austrian composer known especially for his waltzes. He showed remarkable skills early in his childhood, despite his father's opposition to any career in music. He wanted him to become a banker, but the younger Strauss had his own ideas, taking violin lessons in secret from a player in his father's orchestra. When Strauss was 17 his father left the family, thus allowing him to begin serious study without encumbrance. His mother, a good amateur violinist who had always encouraged him, remained supportive. He then started to study theory with Joseph Drechsler and took violin lessons from Anton Kohlmann. In 1844 he led his first concert and a year later formed his own ensemble, thereby competing with his father's orchestra. He was also writing his own quadrilles, mazurkas, polkas, and waltzes for performance by his ensemble, even conducting works by his father, and receiving praise from the press. He was given the honorary position of Bandmaster of the 2nd Vienna Citizens' Regiment (his father was bandmaster of the 1st regiment) in 1845, and in 1847 began composing for the Vienna Men's Choral Association. His real success began in 1849 after the death of his father Johann Strauss. He then merged his father's orchestra with his own and took up his father's contracts. His career moved along smoothly for the next several years, but in 1853 he became seriously ill and turned over conducting duties to his younger brother, Josef, for six months. After his recovery he resumed fully both his conducting and his composing activities, eventually gaining the respect of such composers as Johannes Brahms, Richard Wagner, and Giuseppe Verdi for his seemingly unlimited imagination for using melodies. Strauss married singer Henriette "Jetty" Treffz in August 1862, and they settled in Hietzing, a suburb of Vienna. Thereafter, she became his business manager and apparently a great inspiration, drawing him toward operetta, just as Viennese theater operators were becoming tired of the works of Offenbach. His first, Indigo und die vierzig Räuber, came in 1871, and his most famous, Die Fledermaus, was staged three years later with great success. Eine Nacht in Venedig (1883) and Der Zigeunerbaron (1885) were his only other international operetta well-known works. In 1872, he traveled to the United States and led highly successful concerts in Boston and New York. For all the success that came in the 1870, there was also much grief: his mother and brother Josef died in 1870, and his wife died suddenly of a heart attack in 1878. Her death devastated him, and the suddenly helpless composer unwisely married the much-younger actress Angelika Dittrich, six weeks later. The marriage lasted only four years, though it may have saved the composer from personal disaster in the months following his wife's death. Strauss, a Roman Catholic, left the church and had to give up his Austrian citizenship to marry Adele Deutsch in 1887, owing to the Church's unwillingness to recognize his divorce. His new wife, with whom he had lived for a long period before their marriage, seemed to inspire him much like his first wife. In his last years, Johann Strauss remained quite productive and active. He was working on a ballet, Cinderella, when he developed a respiratory ailment which grew into pneumonia. He died on June 3, 1899. Die Fledermaus Overture Performed by the Wiener Philharmoniker Orchestra Herbert von Karajan, Conductor
o
- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): D...