Camille Saint-Saëns Quartetto d'archi n. 1 in Mi minore, Op. 112 Video
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2024-05-01
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Quatuor Tchalik Camille Saint Saëns Beethoven Palazzetto Bru Zane 1899 1918 2020
QUATUOR TCHALIK Gabriel Tchalik & Louise Tchalik, violins Sarah Tchalik, viola Marc Tchalik, cello Concert programme Camille SAINT-SAËNS: Quatuor à cordes n° 1 en mi mineur, op. 112 Quatuor à cordes n° 2 en sol majeur, op. 153 Saint-Saëns’s two quartets appeared late in his oeuvre: he only tackled the genre when he was over sixty (1899), and then returned to it at the end of his life (1918). Such an attitude was typical of a generation raised in the respect for Beethoven’s works, considering the genre as a summit that could only be attained in full possession of one’s means. However, confronting classicism did not mean imitating its forms, and Saint-Saëns thwarted expectations by banking on unpredictability, simplicity and rich harmony. 'Until this necessary task was accomplished, I was afraid of leaving this world too soon, my mind was not at ease. Now everything is indifferent to me', he wrote to his publisher upon completing his Quartet No. 1. Programme notes: (http•••) CAMILLE SAINT-SAËNS, THE ONE-MAN BAND Festival Live from Venice, Palazzetto Bru Zane, 22 October 2020 video: Oxymore Productions #CamilleSaintSaëns
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