Guillaume Dufay Flos florum Video
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2024-04-27
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Pro Musica Antiqua Fenice Antonio Squarcialupi Landini Jacopo Bologna Giovanni Cascia Gram Guillaume Dufay Regis
(from the Codex of Antonio Squarcialupi) Landini-Caro Signor Jacopo da Bologna-Fenice fu Landini-Nessun ponga Giovanni da Cascia-Nascoso el viso Landini-La pescha Landini-El mie dolce sospir Gherardello-Caccia: Tosto che l'alba Landini-Gram piant'agl occhi GUILLAUME DUFAY Cazone sacre: Vergine bella Hymne: Vexilla regis Motet: Flos florum Hymne: Veni creator Antienne: Alma redemptoris mater This recording is to the best of my knowledge only available on an LP long out of print. While I have carefully removed clicks, pops, static and surface noise wherever possible, I have NOT used any radical equalization adjustments to do so.
Guillaume Dufay Fay Brahms Stiff 1397 1430 1474 1974
- Composer: Guillaume Dufay (Du Fay, Du Fayt) (5 August 1397(?) / 27 November 1474) - Ensemble: Vokalensemble Pro Musica, and Instrumental Ensemble - Conductor: Johannes Hömberg - Soloist: Ursula Lambert-Brahms (alto) - Year of recording: 1974 Flos Florum, cantilena motet for 3 voices, written c. 1430. With its bright, uplifting opening chord, Flos florum is a relentlessly optimistic motet for three voices that demonstrates good feeling articulated without a hint of reservation. A learned and well-respected man, Dufay's sacred motets rarely demonstrate a somber or meditative restriction of feeling toward life or the divine. Nor are his constructions rigid-sounding or otherwise stiff in outlook. Just as the text emphasizes good will, pardoning the guilty, and ennobling nature and innocence, this music demonstrates the most positive aspects of faith. The score and its text emote well-articulated cheer; featuring grounded priority that does not grind down the listener with demonstrably pious cant. Bound up in this motet is an explication of a timeless model of goodness in operation; the craft is delivered with an easy-going grace that is especially communicative and inviting. Dufay was clearly a natural composer. His internalized, extensive education shines through with an effortless clarity that does not prove itself with its complexity, though this motet can be enjoyed many times by the pickiest listeners. Ultimately, barriers of faith will not deter anyone from enjoying this calm, life-affirming work.
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