Karlheinz Stockhausen Klang. Die 24 Stunden des Tages, Op. 87 n. 7, « Balance » Video
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Berliner Philharmoniker Claudio Abbado Stockhausen Alder György Kurtág 1996 2012
Provided to YouTube by Universal Music Group Kurtág: Stele, Op. 33 - I. Adagio (Live) · Berliner Philharmoniker · Claudio Abbado Kurtág: Grabstein für Stephan, Op. 15; Stele, Op. 33; Stockhausen: Gruppen ℗ 1996 Deutsche Grammophon GmbH, Berlin Released on: 2012-01-01 Producer, Recording Producer: Christopher Alder Studio Personnel, Balance Engineer: Gernot Von Schultzendorff Studio Personnel, Recording Engineer: Jürgen Bulgrin Studio Personnel, Recording Engineer: Reinhard Lagemann Studio Personnel, Editor: Martin Derner Studio Personnel, Editor: Ingmar Haas Composer: György Kurtág Auto-generated by YouTube.
Jean Sibelius Hans Rosbaud Pierre Boulez Karlheinz Stockhausen Järnefelt David Oistrakh Eugene Ormandy Berliner Philharmoniker 1541 1865 1903 1954 1957 2004 2021 2022
Jean Sibelius +••.••(...)) Orchestral Works by Hans Rosbaud / Remastered. Qobuz (http•••) Tidal (http•••) Spotify (http•••) Youtube Music (http•••) Apple Music — Amazon Music (http•••) Deezer (http•••) Amazon Store (http•••) Napster (http•••) Soundcloud (http•••) LineMusic日本 (http•••) Awa日本 (http•••) Click to activate the English subtitles for the presentation (00:00-02:51) 00:00 Karelia Suite, Op. 11 - I. Intermezzo, Moderato (Remastered 2021) 03:18 Karelia Suite, Op. 11 - II. Ballade, Tempo di menuetto (Remastered 2021) 10:04 Karelia Suite, Op. 11 - III. Alla marcia, Moderato (Remastered 2021) 15:41 Valse triste, Op. 44 No. 1 (Remastered 2021) 20:04 Finlandia, Op. 26 No. 7 (Remastered 2021) 27:59 Tapiola, Op. 112 (Remastered 2021) 46:24 The Swan of Tuonela, Op. 22 No. 2 (Remastered 2021) 54:14 Scènes Historiques No. 1, Op. 25 - III. Festivo (Remastered 2021) Berliner Philharmoniker Conductor: Hans Rosbaud Recorded in 1954, 1957 New mastering in 2022 by AB for CMRR FOLLOW US on SPOTIFY (Profil: CMRR) : (http•••) Download CMRR's recordings in High fidelity audio (QOBUZ) : (http•••) ️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) (http•••) That there was a connection between Jean Sibelius and Hans Rosbaud may seem more than strange. The result clearly showed that transparency and solid construction, essential characteristics of his modern interpretation, did not only determine his meticulous approach to the works of Pierre Boulez or Karlheinz Stockhausen. One need only listen to the martial chords of the brass at the beginning of Finlandia or the cantilena of the woodwinds in the middle section to be convinced of this. It is precisely in this program music, animated by a Nordic romanticism and exalting the will of Finnish independence, that the contrast between Rosbaud's lucid approach, his concern for clarity of contours, balance and differentiation of sound levels, and those trivial and heavy interpretations that undoubtedly contributed greatly to the criticism of Sibelius by Rosbaud's colleagues, is most clearly apparent. The respect of the score, as much for the dynamic indications as for the accentuation, the renunciation of any The respect for the score, as much for the dynamic indications as for the accentuation, the renunciation of any exaggeration, trivialization or equalization of each character and of the different parts, make the music here much more interesting than in the megalomaniac or sentimental interpretations that one is used to hearing. In Tuonela's Swan, the sound planes swirl, but they are often almost motionless, exuding a peace in which every detail remains perceptible, though they are constantly interwoven in different ways. Under Rosbaud's baton, even the Valse triste - composed in 1903 and based on the incidental music for Arvid Järnefelt's play Kuolema ("Death") - escapes the thick "romantic haze". Rosbaud's purification of this piece, by renouncing all theatrical effects, really brings out the refinement of the work's musical language. It is only when the syncopated rhythm of the waltz is rendered accurately and distinctly that the subject of the piece, the birth of a hesitant memory, takes its proper form. In contrast, Rosbaud makes the climax, where the strings are concentrated with extreme density, the evocation of a past passion. Click to activate the English subtitles for the presentation (00:00-02:51) Sibelius - Violin Concerto in D minor, Op. 47 / Remastered (rf.rc.: David Oistrakh, Eugene Ormandy): (http•••) Johan Sibelius PLAYLIST (reference recordings): (http•••)
Karlheinz Stockhausen Musikfabrik Kölner Philharmonie 2010
Karlheinz Stockhausen | KLANG, die 24 Stunden des Tages | Probenaufnahmen GLANZ Uraufführung des kompletten Zyklus am 8. und 9. Mai 2010 Kölner Philharmonie, Klaus-von-Bismarck-Saal und Kleiner Sendesaal - WDR Funkhaus, Praetorium, Domforum, KOMED-Saal im Mediapark 7, Studio des Ensemble Musikfabrik (Im Mediapark 7), St. Andreas, Christuskirche Mehr KLANG | www.youtube.com/musikFabrikKLANG MusikTriennale Köln | www.musiktriennale.de/klang Videoschnitt | Valerij Lisac | www.klanghafen.de
Karlheinz Stockhausen Wade Kathinka Pasveer Hanke Bowles London Contemporary Orchestra
Karlheinz Stockhausen KLANG / 7th Hour BALANCE for flute, cor Anglais, bass clarinet Performed live at the Roundhouse by London Contemporary Orchestra Part of Conrad Shawcross' Timepiece A co-production with the Roundouse London Contemporary Orchestra; Flute - Zinajda Kodrič Cor Anglais - Mea Wade Bass Clarinet - Rumi Sota-Klemm Kathinka Pasveer, sound projection The score of BALANCE can be ordered directly at www.stockhausen-verlag.com Roundhouse Digital Productions; Director - Will Hanke Producer - Marta Sala Font Camera Operators - Tom Bowles, Leo Fawkes, Mark Gee and Paria Kamyab Sound Recordist - Colin Pink Special thanks to; Stockhausen Foundation of Music, Kürten www.stockhausen.org Mr. Moco www.mrmoco.co.uk
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