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Beethoven Mozarthaus Vienna Musikverein 1784 1787 1802 1804 1814
Musical Sites in Vienna Mozarthaus, Vienna Domgasse 5 - Mozart's home from 1784 - 1787 Here he composed "The Marriage of Figaro" and many other works. It's now a museum of Mozart's life and music. The Beethoven Museum in Heiligenstadt Beethoven lived and worked here in 1802. Now it is an extensive museum of Beethoven's life and music. The Beethoven Pasqualati Museum Beethoven lived in the Pasqualati House between 1804 and 1814 and here composed many of his great works. The Beethoven Monument in Central Vienna at Beethovenplatz Musikverein Concert Hall An historic concert hall with Mozart Concerts and other musical events
Mozarthaus Vienna Wolfgang Amadeus Mozart Basset Stump Brunner 2011 2012
Wolfgang Amadeus Mozart erschienen 2012 bei Gramola (98941) Live recorded November 2, 2011 at Mozarthaus Vienna Die Zauberflöte Divertimento KV 439b Le nozze di Figaro Adagio Heinz-Peter Linshalm basset horn Petra Stump basset horn Reinhold Brunner basset horn Milan Turkovic bassoon www.stump-linshalm.com
Dora Deliyska Mozart Volodos Weissman Mozarthaus Vienna 2010
DORA DELIYSKA, Piano Live recording from Bösendorfer Hall / Mozarthaus Vienna, 28 October 2010 an ELLA TON & VIDEO STUDIO Production c 2010 Camera & Steadicam Michael Croitoru-Weissman Sound & Video recording / editing / mastering Michael Croitoru-Weissman Executive Producer Dora Deliyska DVD available for sale contact: •••@••• ELLA STUDIO VIENNA Sound & Video Productions c2011 All rights reserved to ELLA STUDIO & DORA DELIYSKA DO NOT DOWNLOAD, DO NOT UPLOAD, DO NOT DUPLICATE!
Rummel Stark Nanny Bray Moore Merk Dimitri Ashkenazy Ashkenazy Krüger Jörg Demus Eduard Brunner Alfred Schnittke Sofia Gubaidulina Matthias Pintscher Jörn Jörn Arnecke Mozarthaus Vienna Bösendorfer Saal 1990 1992 2013
In 4 minutes Maestro Rummel uses a Baroque period cello to teach you a 5 minute weekly practice that will improve your performance. For a 15 minute private feedback with comprehensive notes go to: (http•••) Für ein 15 Minuten Video gehen zu: (http•••) Learn More about Focus Lessons: (http•••) 'As a point of moderation, composers are now sometimes asking for something called poco vibrato which strikes a medium between obvious oscillating pitch and stark, straight pitch. Poco vibrato is a discreet oscillation of the most narrow distance and of a not overly rapid speed. Of course, gradual changes from nonvibrato to poco vibrato to espressivo, sometimes called molto vibrato, and in the reverse order can be executed over the course of a passage or even within one note. When oscillations are pushed beyond molto vibrato, string playing enters a radical land of instrumental techniques. All of these so-called extended vibrato techniques when they are used in a piece need a concise explanation of their execution in the work's performance notes. The term hypervibrato might well describe what happens when pitch oscillations become extraordinarily fast or wide. A super fast oscillation creates a tone reminiscent of a nanny goat's bray. Shaking the finger and hand an overly wide distance of a half step or even a whole step makes for a tone similar to the wah-wah effects in Jimi Hendrix's guitar playing. " from (http•••) " ... with warmth and taste, clearly enjoying the idiom and putting forth an unstated but tempting concept to present Rummel as the latest candidate for most distinguished Viennese cellist of today. And perhaps he is." David W Moore, American Record Guide, 2013 (review of Naxos 8.572759 - Merk, "Fleurs d'Italie") Since around 1992 I have received invitations from all over the world to play at great places and with some of the most astonishing musicians around. I am happy to call some of the greatest musicians of my generation not only "partners in crime" but also friends: first and foremost clarinetist Dimitri Ashkenazy, but also pianists Christopher Hinterhuber and Roland Krüger, violinist Lena Neudauer, violist Firmian Lermer and cellist Alexander Hülshoff. Besides working with people like them, I seem to have collected quite a number of elderly legends over the years: musicians like Jörg Demus, Dénes Zsigmondy or Eduard Brunner. It is this richness of life experience that I feel makes my life so exciting. In 1990 I got the chance to work with Alfred Schnittke for a week, and this experience initiated my fascination for a direct dialogue with composers. Sofia Gubaidulina, Howard Blake, Graham Whettam, Matthias Pintscher, Jörn Arnecke and many others were to follow, resulting in premieres of five cello concertos so far and countless world or national premieres of solo, duo and chamber music pieces. Like us on facebook: www.facebook.com/viennavirtuoso Follow us on twitter: www.twitter.com/viennavirtuoso More about Martin Rummel: (http•••) More about the cello: (http•••) Internet Cello Society: (http•••) Visit Mozarthaus, Vienna or rent the Bösendorfer Saal for your own event: www.mozarthausvienna.at
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