Teatro Nacional De São Carlos Video
teatro di Lisbona
- Santa Maria Maior
- Portogallo
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2024-05-08
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Djordjevic Rossini Nobre Teatro Nacional São Carlos 2019
Lisbon, Salão nobre do Teatro Nacional de São Carlos, 15-3-2019
Freitas Branco Ralph Vaughan Williams Pedro Freitas Branco Pelo Sem Richard Strauss Maurice Ravel Sir Malcolm Sargent Neste Teatro Nacional São Carlos Royal Philharmonic Orchestra 1624 1958 2022
PEDRO DE FREITAS BRANCO | VAUGHAN WILLIAMS l SINFONIA NR. 9 (MI MENOR) Pedro de Freitas Branco, Conductor Orquestra Sinfónica Nacional Gravação de Sábado, dia 20 de Dezembro de 1958, efectuada pelos Serviços Técnicos da Emissora Nacional, no Teatro Nacional de São Carlos, em Lisboa, e transmitido às 18h15, no Programa B da Emissora Nacional, a seguir ao Noticiário das 18h e antes do Jornal Sonoro das 20h, com intervalo preenchido pelo Noticiário Regional de Raul Feio e Música de Tecla. Esta é a 2ª Parte do 10º e último concerto da Temporada de 1958 dos Concertos Sinfónicos da Emissora Nacional, onde colaborou o Coro do Teatro Nacional de São Carlos e a Orquestra Sinfónica Nacional da Emissora Nacional de Radiodifusão, dirigidos pelo maestro Pedro de Freitas Branco, na interpretação da fantasia sinfónica “A Mulher Sem Sombra” de Richard Strauss, das suites do bailado “Daphnis et Chloe” de Maurice Ravel, e nesta estreia absoluta em Portugal da Sinfonia Nº 9 em Mi Menor do compositor inglês Ralph Vaughan Williams. (I). Moderato Maestoso (00:00:00 - 08:49) (II). Andante Sostenuto (08:52) (III). Allegro Pesante (16:24) (IV). Andante Tranquilo (22:14) Esta estreia absoluta em Portugal ocorreu quatro meses depois da morte do compositor, e oito meses depois da estreia mundial, efectuada em 2 de Abril de 1958, em Londres, pela Royal Philharmonic Orchestra, dirigida por Sir Malcolm Sargent. Uma homenagem ao grande compositor inglês que este ano de 2022 celebra o seu 150º aniversário. / O registo sonoro e as notas explicativas foram gentilmente cedidos por Miguel Catarino, a partir do qual foi feito o vídeo e publicado neste canal.
Teatro Nacional São Carlos 1973
️Rainha dona Maria em 30 de junho de 1973 inaugurou este maravilhoso teatro e casa de ópera de Lisboa.
Bonini Francesco Maria Bonini Beniamino Carelli Carelli Mercadante Foggia Vargas Giuseppe Verdi Amilcare Ponchielli Jules Massenet Lina Cavalieri Cavalieri Francesco Cilea Solomiya Krushelnytska Umberto Giordano Ruggero Leoncavallo Leopoldo Mugnone Lorenzo Filiasi João Arroyo Arroyo Eschenbach Christoph Willibald Gluck Hans Sachs Costanzi Maschera Amazon Theatre Cairo Opera House Odessa Opera Ballet Theater Teatro Colón Teatro Massimo Scala Teatro Lirico Teatro San Carlo Teatro Nacional São Carlos Teatro Regio Teatro Regio Parma Teatro Real Madrid Teatro Costanzi Teatro Comunale Bologna Arena Verona Arena Verona Festival Fenice 1865 1896 1897 1898 1899 1900 1901 1902 1903 1905 1906 1907 1908 1909 1911 1912 1913 1918 1919 1922 1923 1927 1930
Francesco Bonini - Andrea Chenier - Son sessant'anni - Fonotipia 39740 enregistré le 30 juin 1906 Francesco Maria Bonini (1865 – 11 January 1930) was an Italian baritone who had a major international opera career from 1896 through 1927. He was one of the first wave of musicians to be recorded, having made a number of recordings with Fonotipia Records in Milan in 1905–1906. Born in Naples, Bonini studied singing with Beniamino Carelli at the Conservatory of San Pietro a Majella in his native city. He made his stage debut in 1896 at the Teatro Mercadante in Foggia as Don Carlo di Vargas in Giuseppe Verdi's La forza del destino. In 1897–1898 he made appearances at the Amazon Theatre in Brazil, the Valletta Royal Opera House in Malta and at the Cairo Opera House in Egypt. In 1899 Bonini returned to Italy to appear in operas in Brescia and Cremona. He sang at the Odessa Opera and Ballet Theater in 1900 and 1902 and in 1901 he was committed to the Teatro Colón in Buenos Aires. In 1903 he made his debuts at the Teatro Massimo in Palermo and at La Scala in Milan, the latter in the role of Arnoldo in Amilcare Ponchielli's I Lituani . On 17 October 1903 he portrayed the role of Athanaël in the Italian premiere of Jules Massenet's Thaïs at the Teatro Lirico Internazionale in Milan opposite Lina Cavalieri in the title role. On 19 December 1903, Bonini made his debut at the Teatro di San Carlo in Naples as Michonnet in that house's first staging of Francesco Cilea's Adriana Lecouvreur with Solomiya Krushelnytska in the title role. He remained committed to that theatre through 1905, portraying such roles as Walitzin/Commissario in Umberto Giordano's Siberia and Johannes Rathenow in the Italian premiere of Ruggero Leoncavallo's Der Roland von Berlin. He also made appearances in the world premiere of Leopoldo Mugnone's Vita Brettona and the Naples premiere of Lorenzo Filiasi's Manuel Menendez. From 1905–1907, Bonini was engaged at the Teatro Nacional de São Carlos in Lisbon. While there he appeared in the world of premiere of João Arroyo's Amor de Perdição. He sang at the Teatro Regio di Parma in 1907–1908, portraying such roles as Carlo Gérard in Andrea Chénier, David in L'amico Fritz, Kurwenal in Tristan und Isolde, and Rinaldo in Amica among others. From 1909–1911 he appeared mostly at the Teatro Regio in Turin in such roles as Kurwenal, Wolfram von Eschenbach in Tannhäuser, and the title roles in Boris Godunov, Falstaff, Hérodiade, and Rigoletto. In 1911–1912 Bonini returned to La Scala where he was seen as Hidraot in Christoph Willibald Gluck's Armide, King Raimondo in Isabeau, and Hans Sachs in Die Meistersinger von Nürnberg. He returned to the Teatro Regio in Turin in 1913 where he assailed the role of Friedrich of Telramund in Lohengrin for the first time. That same year he made a few appearances at the Teatro Real in Madrid. Bonini spent the latter part of his career working as a freelance artist, mainly in Italy. In 1918 he made his first appearance at the Teatro Costanzi in Rome as Falstaff. That same year he had a major success at the Teatro Comunale di Bologna as Germont in La traviata with Ester Mazzoleni as Violetta. He returned to Bologna numerous times through 1922 in such roles as Comte de Nevers in Les Huguenots, Rigoletto, and Wolfram. In 1919 he portrayed Amenofi in Amilcare Ponchielli's Il figliuol prodigo at the Arena di Verona Festival. In 1922 he sang Germont at La Fenice and in 1923 he sang Nevers and Germont at the Teatro Municipale Piacenza. He also made several appearances at the Teatro Regio di Parma in the 1920s. Bonini retired from the stage in 1927, after which he lived in Milan where he taught singing. Other roles which he performed during his career included Alfonso in La favorita, Amonasro in Aida, Barnaba in La Gioconda, Nélusko in L'Africaine, Renato in Un ballo in maschera, Scarpia in Tosca, and Valentin in Faust. He died in Milan at the age of 65. Source : wikipedia
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