Victoria Symphony Videos
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2024-05-05
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Lambroula Maria Pappas Pappas Gauthier Bern Alice Tully Notre Dame Pacific Opera Victoria Stadttheater Bern Alice Tully Hall Victoria Symphony Pacific Opera Orquesta Sinfonica Madrid 2003
The Song of the Nations by Panayoti Karousos Musique Divine: lyrics by Kahlil Gibran Lambroula Maria Pappas, soprano OSJL-L Symphony Orchestra conducted by André Gauthier Montreal Notre Dame Basilica Canada 23 February 2003 Lambroula Maria Pappas has impressed and delighted audiences around the world. As a soloist, Ms. Pappas has sung with across the country with the Vancouver, Montreal and Victoria Symphony Orchestras, the London, Quebec and Saskatoon Symphonies, Pacific Opera Victoria, Montreal Opera, Saskatoon Opera and numerous festivals. Internationally, she has appeared with Switzerland's Stadttheater Bern, Germany's East West Symphony, Belgium's Opera de Wallonie, France's Opera d'Avignon, Spain's Delegada Orquesta Sinfonica de Madrid, Northwest Sinfonetta, Spokane Opera and New York's Lincoln Centre at Alice Tully Hall. Ms. Pappas has made several CD recordings and has appeared on many television and radio programs.
Gary Kulesha Auckland Philharmonia Orchestra Philharmonia Orchestra Victoria Symphony Saskatoon Symphony Orchestra 1990 2002 2011 2015 2019
Program note by the composer: My Concerto for Oboe and Orchestra was composed in 2019. It was commissioned by oboe soloist Bede Hanley for premiere with the Auckland Philharmonia Orchestra, with support from the Victoria Symphony and the Saskatoon Symphony Orchestra. The commission was generously supported by the Canada Council for the Arts. I have a long history with the oboe. I played oboe as a student, although I did not continue on it. I wrote an earlier concerto, my Fifth Chamber Concerto, for solo oboe and large chamber ensemble, in 1990-91. My Sixth Chamber Concerto, from 2002, was for double reed quartet (oboe, English Horn, bassoon, and contra-bassoon), string quartet, and double bass, and I composed a trio for 2 oboes and English Horn in 2011. In 2015, I composed a Sonata for Oboe and Piano. This Concerto came about as a natural extension of those works. Indeed, Bede Hanley became acquainted with my writing through my oboe trio, Zephyrs, as part of the Canadian Oboe Trio. When Bede asked me for a Concerto, I was immediately taken with the idea. The oboe is an extraordinary instrument, lyrical and plaintive, but also athletic and ebullient. My Concerto is nearly epic, a journey through many moods and atmospheres. It is almost symphonic in concept. Cast in three movements, there are actually four distinct sections. The first movement is turbulent and dramatic, with angular melodies soaring over surging accompaniments. The second movement starts as a meditative slow movement, but, after an orchestral climax, switches into a playful scherzo. The oboe cadenza leads back to the slow music, which dwindles out. The finale starts boisterously, and sustains the most optimistic mood of the entire work, with a playful main subject followed by a more pensive second idea. The ending of the work is positive and dynamic. Instrumentation: 2.1.2.2./4.2.3.1./ timp 2 perc harp strings Dur: 24 min. The solo oboe and piano reduction are on sale through the publisher at this link: (http•••) The full score and orchestral parts are on rental from the publisher.
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