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Donizetti Amo Renato Bruson Chopin Verdi Giuseppina Ronzi Begnis Ronzi Antonio Tamburini Giuditta Pasta Bellini Donzelli Castil Blaze Blaze Notre Dame Paris Teatro San Carlo Fenice 1800 1831 1832 1833 1834 1841 1981
"T'amo ancora" is one of three baritone arias in Act 2, Scene 2 of Donizetti's opera 'Fausta', which was written in 1831, a year important in Romanticism---the year of 'Norma', 'Robert le diable', 'Marion Delorme', 'Notre Dame de Paris', Chopin's arrival in Paris, and preparations for 'La Sylphide'. Bruson is superb at expressing the tender paternal melancholy of the aria. "T'amo ancora" exhibits the DNA that Verdi would exploit so well in "Di Provenza". The opera premiered at the Teatro San Carlo, Naples, 12 January 1832 and was quite successful. The role of Fausta was the first of six great vehicles written for Giuseppina Ronzi de Begnis by Donizetti, whom the composer deeply admired, while Costantino was created by Antonio Tamburini, then soaring to his position as the major baritone of his time. In the grand tradition of Italian baritones, Renato Bruson is divine as the Emperor Costantino: ruler, husband, yet always a father: T'amo ancora, ancor dal ciglio per te, o figlio, il pianto scende, al perdono ancor mi rende per te pronta la pietà, ma mi svela i fatti tuoi. Solo sei, nessun t'ascolta: tutto il core aprir mi puoi, Costantin qui non ti udrà. This aria was written by Donizetti for Giovanni Orazio Cartagenova to replace "Se di regnar desio" in the 1834 Venice Carnival season revival with Giuditta Pasta at the Teatro La Fenice. Cartagenova +••.••(...)) also created the role of Filippo in Bellini's 'Beatrice di Tenda' in that same Venice season. Appropriately in the audience for this opera of forbidden attachments were George Sand and Alfred de Musset / those notorious Romantic exemplars of sexual transgression / then famously sojourning in Venice. Sand admiringly described the city in a letter of 16 March 1834: "...the murmurs of the sea breaking upon the ear; moonlights nowhere else to be seen; choruses of gondoliers, sometimes very correct, serenading under every window; cafes fall of Turks and Armenians; fine and spacious theatres where you can hear Pasta and Donzelli; gorgeous palaces..." Both arias were sung by Renato Bruson in the 1981 Rome Opera revival. The character is the conflicted Emperor Costantino, torn between loyalties to his wife and son, a role which was created by the great baritone Antonio Tamburini / he of the legendary 'Puritani Quartet' / in his youthful prime. The critic Castil-Blaze described Tamburini's voice in 'The Harmonicon' of May 1833: "His voice is a fine baritone, well defined, extending from A to F, occasionally reaching G#, and sometimes descending to Gb. I might have allotted to him the two full octaves without reserve, but I prefer to retrench the semitone, above and below, that I may give to his voice and tone the full praise it merits. It is round, rich, and clear, of wonderful flexibility, and such astonishing firmness, that it is impossible to suspect any note is passed over unperceived. He has the neatness and precision of execution that Ber and Barizel have acquired on the clarinet or bassoon. The tone is equal in its whole extent, taking and holding F# with as much ease as a tenor voice would do, or running over the notes with a vivacity unheard of till now." #Fausta #Donizetti #RenatoBruson
Bellando Castil Blaze Blaze Decourcelle Monako 1841 1848 1896 1897
Source : WikiPedia / ENGLISH / Théophile Bellando de Castro wrote the lyrics and composed the music of the 1st edition of Hymne Monégasque in 1841, later Castil-Blaze modified the melody and made several other minor changes. In 1848 the National Guard, created by Prince Charles III, adopted Bellando's song and it became the March of the National Loyalists. In 1896 Charles Albrecht composed a new arrangement for piano, published by Tihebaux in Paris and called Air National de Monaco; in 1897 Decourcelle of Nice, printed an edition called 429 Hymne National de Monaco for piano. / BAHASA INDONESIA / L'hymne monégasque adalah Lagu Kebangsaan Monako. Lagi ini ditulis dalam bahasa Perancis.
Henri Brod Castil Blaze Blaze Frédéric Chalon Alexandre Choron Antoine Reicha Hector Berlioz Jean Georges Kastner Maurice Raoulx Sellner Apollon Marie Rose Barret Vogt Verroust 1826 2003
Amazon-FR: (http•••) Tous les textes théoriques, méthodes, traités, articles, concernant le hautbois, sont reproduits en fac-similé, et regroupés en 3 volumes.volume 1 (réf. 5861) : Henri Brod François Joseph Castil-blaze Frédéric Chalon Alexandre Choron Antoine Reicha Gustave Vogt.volume 2 5862) : Hector Berlioz Jean Georges Kastner (1-2) Miller Maurice de Raoulx Sellner Louis-auguste Veny.volume 3 5863) : Apollon Marie Rose Barret Emile Corret Charles Dupart Stanislas Verroust.table matières :volume 1 :chalon : pour le anglais 1802choron : général voix et instruments 1813vogt : de c. 1813reicha : Cours de composition musicale 1816castil-blaze : Dictionnaire de musique moderne 1825brod : Grande de 1826/1835volume 2 :veny : abrégée le 1828sellner : le 1835kastner : d'instrumentation 1836choron : Manuel complet de 1836raoulx de : de 1841miller : de 1843kastner : élémentaire le 1844berlioz : 1844volume 3 :barret : complète de 1850corret : Tablature générale du 1854verroust : le 1857dupart : polyphonique 1859auteur : Giboureau Michelformat : 24 x 33nombre de pages : 904date de parution : 04/2003
Bellando Castil Blaze Blaze Decourcelle Bellini 1841 1848 1896 1897 1900 1914 1931
"Hymne Monégasque" (English: "Monégasque Anthem") is Monaco's national anthem. Théophile Bellando de Castro wrote the lyrics and composed the music of the 1st edition of "Hymne Monégasque" in 1841, later Castil-Blaze modified the melody and made several other minor changes. In 1848 the National Guard, created by Prince Florestan, adopted Bellando's song and it became the March of the National Loyalists. In 1896 Charles Albrecht composed a new arrangement for piano, published by Tihebaux in Paris and called Air National de Monaco; in 1897 Decourcelle of Nice, printed an edition called 429 Hymne National de Monaco for piano. Years later, François Bellini orchestrated the song by Albrecht; this new arrangement for a trio was judged to be too long for people in 1900 and ceased being played. The modern version was created by Léon Jehin in 1914 and was played for the first time during the 25th anniversary of the beginning Prince Albert's reign. Finally in 1931 Louis Notari wrote the lyrics in the Monegasque language. Only the Monegasque lyrics are official, reportedly dating back to a request from the Prince. The current official lyrics contain only one verse, sung at the start of the song and repeated again near the end after an instrumental interlude in the middle. The national anthem is rarely sung aloud at all in Monaco, except at official occasions. Don't forget to like, share and subscribe.
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