Daniel Bacheler Videos
englischer Barockkomponist und Lautenist
- Laute
- Königreich England
- Komponist, Lautenist
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2024-05-01
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"Ja Nus Hons Pris" is a song lamenting the return of the crusader king Richard I the Lionhearted and his later imprisonment by Duke Leopold V of Austria and the Holy Roman Emperor Henry VI. It is speculated whether or not this song was truly written by Richard the Lionhearted. Some sources claim he did, while other attribute it to a minstrel known as Blondel de Nesle. Blondel was indeed a contemporary trouvère of Richard, perhaps better known for his chanson L’amours dont sui espris. It is possible that Blondel and Richard knew each other well and wrote multiple songs together, but it is also possible that the two never met. No copyright infringment intended, all rights reserved to Kontor New Media Music on behalf of Brilliant Classics all of their affiliates. Lyrics: Original Old French (langue d’oil) I Ja nus hons pris ne dira sa raison Adroitement, se dolantement non; Mais par effort puet il faire chançon. Mout ai amis, mais povre sont li don; Honte i avront se por ma reançon— Sui ça deus yvers pris. II Ce sevent bien mi home et mi baron– Ynglois, Normant, Poitevin et Gascon– Que je n’ai nul si povre compaignon Que je lessaisse por avoir en prison; Je nou di mie por nule retraçon,— Mais encor sui [je] pris. III Or sai je bien de voir certeinnement Que morz ne pris n’a ami ne parent, Quant on me faut por or ne por argent. Mout m’est de moi, mes plus m’est de ma gent, Qu’aprés ma mort avront reprochement— Se longuement sui pris. IV N’est pas mervoille se j’ai le cuer dolant, Quant mes sires met ma terre en torment. S’il li membrast de nostre soirement Quo nos feïsmes andui communement, Je sai de voir que ja trop longuement— Ne seroie ça pris. V Ce sevent bien Angevin et Torain– Cil bacheler qui or sont riche et sain– Qu’encombrez sui loing d’aus en autre main. Forment m’amoient, mais or ne m’ainment grain. De beles armes sont ore vuit li plain,— Por ce que je sui pris English: I No prisoner can tell his honest thought Unless he speaks as one who suffers wrong; But for his comfort as he may make a song. My friends are many, but their gifts are naught. Shame will be theirs, if, for my ransom, here— I lie another year. II They know this well, my barons and my men, Normandy, England, Gascony, Poitou, That I had never follower so low Whom I would leave in prison to my gain. I say it not for a reproach to them,— But prisoner I am! III The ancient proverb now I know for sure; Death and a prison know nor kind nor tie, Since for mere lack of gold they let me lie. Much for myself I grieve; for them still more. After my death they will have grievous wrong— If I am a prisoner long. IV What marvel that my heart is sad and sore When my own lord torments my helpless lands! Well do I know that, if he held his hands, Remembering the common oath we swore, I should not here imprisoned with my song,— Remain a prisoner long. V They know this well who now are rich and strong Young gentlemen of Anjou and Touraine, That far from them, on hostile bonds I strain. They loved me much, but have not loved me long. Their plans will see no more fair lists arrayed— While I lie here betrayed.
Elway Bevin Adrian Willaert Thomas Weelkes Orlando Gibbons Thomas Lupo John Wilbye Thomas Campian John Bennett Bennett Anthony Holborne William White Robert Johnson John Bedyngham Daniel Bacheler Thomas Ford Thomas Ravenscroft Giles Farnaby Robert White Richard Allison Thomas Tallis John Dunstable John Johnson Peter Phillips Orlando Lasso William Cornish Cornish Robyn Francis Pilkington William Brade Thomas Bateson Blackburn 1390 1400 1453 1460 1465 1490 1505 1523 1532 1538 1545 1554 1560 1562 1563 1567 1570 1571 1572 1574 1575 1580 1582 1583 1585 1594 1600 1610 1614 1619 1620 1623 1625 1627 1628 1629 1630 1634 1635 1638 1639 1640 1648
Renaissance music is music written in Europe during the Renaissance. Consensus among music historians with notable dissent has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as understood in other disciplines. 【Tunes】 ■Elway Bevin +••.••(...).Browning ■Adrian Willaert +••.••(...).Ricercare (3:02~) 3.Mirabile Mysterium (4:53~) 4.Vecchie Letrose (7:32~) 5.Ricercare 1 (9:09~) 6.Virgo Gloriosa (12:24~) ■Thomas Weelkes +••.••(...).Four hands, two necks, one wreathing (14:41~) 8.The Nightengale (15:37~) 9.Shoot False Love I Care Not (17:10~) 10.Though My Carriage be But Careless (19:06~) 11.Tan Ta Ra Cries Mars (20:04~) 12.Lord when I think (21:15~) 13.All at once we met fair ladies (22:28~) 14.We sing at pleasure (23:57~) 15.In pride of may (26:00~) ■Orlando Gibbons +••.••(...).The Silver Swan (27:44~) 17.Fantasia (29:53~) ■Thomas Lupo +••.••(...).Pavanne in 3 Parts (31:49~) 19.Fantasia+••.••(...):20~) 20.Fantasia+••.••(...):39~) 21.Fantasia+••.••(...):57~) ■John Wilbye +••.••(...).Fly not so fast my dear (42:34~) 23.As Matchless Beauty (44:54~) 24.All Pleasure is of this Condition (47:41~) 25.Alas what hope of speeding (50:39~) 26.Sweet was the song the virgin sang (52:20~) ■Thomas Campian +••.••(...).Never Weather Beaten Saile (53:26~) ■John Bennett +••.••(...).Weep O Mine Eyes (54:35~) 29.My Mistress is as Fine as Faire (56:01~) ■Anthony Holborne +••.••(...).The Nite Watch (56:34~) 31.Funeral (57:50~) 32.The Faerie Round (1:00:14~) 33.As It Fell on a Holie Eve (1:01:25~) 34.Heigh Ho Holiday (1:02:29~) 35.Infernum(1:03:32~) 36.Spero (1:05:53~) ■William White +••.••(...).Pavane (1:08:15~) ■Robert Johnson +••.••(...).Where the Bee Sucks (1:10:52~) 39.Full Fathom Five (1:11:33~) ■ John Bedyngham (died circa 1460) 40.So ys emprentid (1:13:25~) ■Daniel Bacheler +••.••(...).Lady Walsinghams Conceite (1:14:33~) 42.Almaine (1:17:41~) ■Thomas Ford +••.••(...).Mr. Southcoate's Pavin (1:20:50~) 44.Galliard (1:24:20~) 45.Monsieur Lullere His Choice (1:26:28~) ■Thomas Ravenscroft +••.••(...).Three Country Rounds (1:28:34~) ■Giles Farnaby +••.••(...).Loth to Depart (1:31:38~) ■Robert White +••.••(...).Precamur sancte Domine (1:34:25~) ■Richard Allison (~1560 - 1610 49.De la Tromba Pavin (1:37:18~) ■Richard Deering +••.••(...).Pavan (1:39:20~) ■Thomas Tallis +••.••(...).If Ye Love Me (1:42:02~) ■John Dunstable +••.••(...).Quam pulchra es (1:42:51~) 53.Sancta Maria (1:44:43~) ■John Johnson +••.••(...).The Flatt Pavin (1:46:32~) ■Peter Phillips +••.••(...).Trio (1:47:45~) ■Orlando Lasso +••.••(...).Mon couer recommendezvous (1:50:24~) ■William Cornish +••.••(...).A Robyn (1:52:48~) ■Francis Pilkington +••.••(...).The messenger of the delightful spring (1:54:06~) ■William Brade +••.••(...).Galliard (1:56:14~) ■Thomas Bateson +••.••(...).The nightengale (1:57:49~) / Performed by Jon Sayles. (http•••) Championing our British Farmers & Countryside. Supporter of our Police, Armed Forces and Royal Family. I follow Politics and Current Affairs, with a particular interest in British Social, Economic, & Military History. For my sins a Blackburn Rovers and Lancs CCC supporter. Twitter: @OxfordTory Facebook: (http•••) All Rights Reserved
Paul O Dette John Dowland Daniel Bacheler Bach Vine 2010 2011
Paul O'Dette joins Benjamin Verdery for a pre-concert interview. Recorded November 3, 2011 at 92nd Street Y. An unparalleled master of the lute, Paul O’Dette presented an evening of lute music by English Renaissance masters John Dowland and Daniel Bacheler. A frequent 92Y guest, O’Dette had curated its 2010 Bach Guitar Marathon. O’Dette begins his conversation with Benjamin Verdery by talking about his start as a guitarist in a rock band and how he discovered the lute. He explains how he finds works to fill his Renaissance repertoire, many of which are anonymously written. He demonstrates techniques for playing the lute, and he discusses the difficulties of keeping a multi-stringed instrument in tune and the use of synthetic gut strings. Subscribe for more videos like this: (http•••) Facebook: (http•••) Twitter: (http•••) Tumblr: (http•••) Instagram: (http•••) Vine: (http•••) On Demand: (http•••)
Galliard John Dowland Daniel Bacheler 1562 1572 1619 1626
Five Elizabethan dances for Renaissance Lute performed by William Yelverton, All Saints Chapel, Sewanee, Tennessee. 12/20/19: Mrs. Winter's Jump, Round Battle Galliard, Mrs. White's Thing, Mrs. White's Nothing - by John Dowland +••.••(...)), Monsieurs Almaine - by Daniel Bacheler +••.••(...))
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- Zeitleiste: Komponisten (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): B...