C. S. DeLano Videos
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Pelo Delano Musica Nova 2018 2019
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Cohan Delano Roosevelt Rodgers Deems Taylor Paul Whiteman 1919 1932 1934 1936 1937 1940
In this rare recording, George M. Cohan performs his own song, WHAT A MAN, in tribute to President Franklin Delano Roosevelt at a birthday party for the President on Jan. 30, 1934. Cohan was, by his own admission, "not much of a vocalist," and at least one newspaper critic concurred in his review of Cohan's performance on this broadcast. Having said that, the song itself (if you can hear it in the background over the announcer's voice) is quite catchy, and Cohan's delivery is robust. NOTE: Sadly, the beginning of the first verse is missing from the original source recording, but what remains gives a good idea of the entire piece. The song itself is adapted from WE NEED A MAN, a song Cohan wrote for his one and only film musical THE PHANTOM PRESIDENT (1932) / but the song was not used for the film, which otherwise had a score by Rodgers & Hart. The party for FDR's 52nd birthday was broadcast from the casino floor of the Biltmore Hotel in New York. Deems Taylor was the host, with Howard Lanin and his orchestra providing the accompaniment for Cohan's song. (Paul Whiteman and his orchestra were also among the guests featured on the broadcast.) The birthday party was one in a series of presidential "birthday balls" which were fundraising events to eradicate polio. Eventually, these balls led to the formation of THE MARCH OF DIMES. Those who know the film YANKEE DOODLE DANDY will recognize the FDR-Cohan connection, which was, in reality, a bit more complicated than the film suggests. Cohan was a supporter of FDR during his initial 1932 campaign, even adapting the lyrics for his WWI hit "Over There" to "What a Man" / though not the same melody or lyric as what we have here. However, just two-and-a-half years after this tribute, Cohan had soured on FDR, feeling his policies / particularly regarding the support of unionism / had gone too far. (Cohan had fought the formation of Actors Equity in 1919). When Cohan was awarded a Congressional Gold Medal for two of his patriotic songs ("Grand Old Flag" and "Over There") on May 28, 1936, he chose not to go and pick it up because it would mean having to meet with FDR. To add another twist, the following year (1937), Cohan was offered the chance to PLAY Roosevelt on Broadway in the satirical musical comedy I'D RATHER BE RIGHT. This would be the first time a living U.S. president would be portrayed onstage in a musical, so it was quite controversial to present the leader of the free world as a song-and-dance man. Still, Cohan triumphed in the part, which forms the basis for the opening of YANKEE DOODLE DANDY. The film suggests that Cohan went down to the White House right away / but, in fact, Cohan waited for another 4 years until he was in Washington, D.C. / during the out-of-town tryout of his final play THE RETURN OF THE VAGABOND (1940) / to meet with FDR and receive his medal. From all accounts, Cohan turned on his Irish charm and the meeting went off with incident. In the film, FDR greets Cohan with the words, "How's my double?" / which, apparently, is a direct quote from their encounter.
Luis Orlandini Orlandini Vargas Becerra Pedro Humberto Allende 1991
Luis Orlandini - Música chilena para guitarra del siglo XX, vol.1 [1991] A1a Darwin Vargas - Tres preludios A1b Darwin Vargas - Tres preludios A1c Darwin Vargas - Tres preludios A2 Gustavo Becerra - Las Pascualas (variaciones eclécticas) A3 Luis Merino - Movimiento lento A4a Miguel Letelier - Siete preludios breves A4b Miguel Letelier - Siete preludios breves A4c Miguel Letelier - Siete preludios breves A4d Miguel Letelier - Siete preludios breves A4e Miguel Letelier - Siete preludios breves A4f Miguel Letelier - Siete preludios breves A4g Miguel Letelier - Siete preludios breves B1 Carlos Botto - Fantasía, op.25 B2 Pablo Délano - Evocación B3 Jorge Urrutia Blondel - Sugerencias de Chile B4 Jorge Urrutia Blondel - Tonada tradicional B5a Pedro Humberto Allende - Tres tonadas B5b Pedro Humberto Allende - Tres tonadas B5c Pedro Humberto Allende - Tres tonadas Luis Orlandini - guitarra Sello SVR Producciones - MCC 105
1ST HOUR - JERO NOUGUES DEEP ESSENCE MIX: 1- Analog Trip - Natural High (Alexander Saykov Remix)[READY MIX RECORDS] 2- Savvas - Soul Lifting (Original Mix)[LIMITATION MUSIC] 3- BiG AL - Sunset Cruise (Welldone Remix)[LISZTOMANIA RECORDS] 4- Harold Heath - Five Minutes More (Ilias Katelanos Remix)[SONIC SOUL RECORDS] 5- Nicolas Prieto - Aussie (Original Mix)[THE PURR] 6- The Timewriter - Heartstring (Original Mix)[PLASTIC CITY] 7- Lio Q - Just Get Deep (Cristian Poow Remix)[DBEATZION RECORDS] 8- Rishi K. - Pronoia (Lucas Perazzi Remix)[DEEPCLASS RECORDS] 9- Jay Pei - Cul De Sac (Original Mix)[LISZTOMANIA RECORDS] 10- Dave Pad - Aura (Original Mix)[ELECTRONIQUE] 11- Daniel Steinberg - 1981 (Terry Lee Brown Junior Remix)[ARMS & LEGS] 12- Daniel Solar - Dirtiest Clean (Delano Smith Remix)[KOLOUR RECORDINGS] 2ND HOUR - PROCESSING VESSEL GUEST MIX: 1- Igor Gonya - Palindrome (Original Mix)[I! RECORDS] 2- Portofino Sunrise - Burning Baby (Original Mix)[SOUL DEEPARTURE RECORDS] 3- Simplex Motive - Say Hello (Original Mix)[LISZTOMANIA RECORDS] 4- Processing Vessel - Define House Music (Original Mix)[DEEP DIVE RECORDS] 5- DJ Steaw - Sky Hunt (Original Mix)[LOCAL TALK RECORDS] 6- Kaan Elitok - Echoes (Original Mix)[SOUND VESSEL RECORDS] 7- Warmth - Avalanche (Original Mix)[MOSHITAKA] 8- Kay Magashoa - Mine To Drop (Processing Vessel Remix)[SOUND VESSEL RECORDS] 9- DJ Ndo-C - Domesticated Groove (Original Mix)[SOUND VESSEL RECORDS] 10- Nosak - Horizons (Original Mix)[DISCO MOON] / Murat Vural (A.K.A. Processing Vessel)found his musical passion by coincidence, while living in Ankara, Turkey - watching an episode of "Partyzone" on MTV Europe. several years later and a whole world away, Vural resides in sunny San Diego, California, producing an array of electronic music. His production style is pure Electronica, Harboring on Tech - Deep House and Techno. Murat shows off his musical talents by creating a fortress of intrincate rhythms and inviting melodies. Murat has succesfull releases with well known labels such as Plastic City, Pesto, 2600 Records, Ambioshpere, Paperjet Records and now with his own label Sound Vessel Records. You can find Murat in: SOUNDCLOUD: @processing-vessel FACEBOOK: web.facebook.com/ProcessingVessel/ TWITTER: twitter.com/SoundVesselRec BEATPORT: www.beatport.com/artist/processing-vessel/13973 TRAXSOURCE: www.traxsource.com/artist/7256/processing-vessel YOUTUBE: www.youtube.com/user/processingvessel?feature=mhum Sound Vessel Records - SOUNDCLOUD: @soundvesselrecords FACEBOOK: web.facebook.com/SoundVesselRecords?_rdr BEATPORT: www.beatport.com/label/sound-vessel-records/33471 TRAXSOURCE: www.traxsource.com/label/20318/sou…-vessel-records (http•••)
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- Zeitleiste: Komponisten (Nordamerika).
- Indizes (in alphabetischer Reihenfolge): D...