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Ivan Tcherepnin Tcherepnin Alexander Tcherepnin Playford Johnston Sanders Stern Mily Balakirev Devoe Ars Musica 1873 1897 1924 1962 1977 1995 1996 2000
"Alexander & Ivan Tcherepnin, The Music of Father and Son" is a program of works written by Alexander and Ivan Tcherepnin. These performances are studio recordings of music previously presented at a Tcherepnin memorial program offered at DePaul University on May 21, 2000 by Ars Musica Chicago. ~0:01 / ‘Processional for Organ’, composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii. ~4:47 / ‘String Quartet No. 1’, Op. 36 (“Love Offering to St. Theresa of the Child Jesus”), composed by Alexander Tcherepnin; performed by Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Albert Arias has written that this piece "was originally a cantata for narrator, tenor solo, flute, organ, and string quintet on a text of Ernesta Stern. In 1924, the music was reworked as a string quartet. Tcherepnin was moved by the spiritual autobiography of Saint Thérèse of Lisieux +••.••(...)) and used it as the inspiration for this quartet." ~13:10 / ‘There Was No Wind’, composed by Ivan Tcherepnin; performed by Carol LoVerde, soprano; Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Alberto Arias wrote this about the piece: "Composed in 1996, Ivan Tcherepnin's 'There Was No Wind' ('Point n'était de vent') was commissioned by M.P. Belaieff Music Publishers to celebrate its 100th Anniversary. Tcherepnin chose a theme based on a type of Russian folk song known as a 'platsch'. This particular 'platsch' with the French title 'Point n'était de vent' appeared in a 19th-century collection by Mily Balakirev, who collected the tunes and their texts in the Caucasus and supplied simple harmonizations. Tcherepnin used the essentials of this Russian melody and the original harmonies as the basis for a complex work with sumptuous texture and often tonal harmony." The text of ‘There Was No Wind’ is as follows, with translation by Ivan Tcherepnin: Not a stir of wind But watch out, here it comes! Not a soul around Here they come in droves. Not a stir of wind.... She expects no guests, But quickly they come. The whole place is now full. Fine horses in front Brimming all the rooms, Bustling all the rooms, Full of handsome young men. Bustling, all the rooms, Full of pretty young girls. Sparkling halls now full. All the rooms destroyed! Her eyes fill with tears. Oh dear soul Varioushka! Mother come near. Oh Mother come near. She consoles her Saying “Please don't cry, Varioushka. Please don't cry, Varioushka. Don't cry Varioushka. My heart, please don't cry. Please don't cry, my heart. I'll have new halls built! Sparkling new halls!” The gold cup she strikes, She breaks the gold cup With its precious blue gem. “Oh please don't cry, Varioushka, my heart Oh please don't cry. I'll buy you a gold cup With a precious blue gem.” Not a stir of wind.... ~26:43 / ‘Pensamiento’, composed by Ivan Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; David Witten, piano. Enrique Alberto Arias has written: “Ivan Tcherepnin wrote 'Pensamiento' in 1995 for Duo Clasico flutist Sue-Ellen Hershman-Tcherepnin and pianist David Witten, as part of the State Department 40th Anniversary celebration of the Fulbright program in Ecuador. The premiere was given that year in Quito, Ecuador." Ivan Tcherepnin wrote: "'Pensamiento' is about uniting North and South. My love of Ecuador and its people is reflected in the opening, which is a mini 'Condor Song'. After an encounter with the Eagle and ensuing conflicts, the Condor peacefully soars away above the highest Andean peaks.” ~30:01 – ‘Duo for Two Solo Flutes’, Op. 108, composed by Alexander Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; Jacqueline Devoe, flute. The work's sections are: ~30:01 Moderato ~32:32 Lento ~34:47 Cadenza ~37:46 Sostenuto ~40:34 Presto Enrique Alberto Arias writes of this work, "The 'Duo for Two Solo Flutes' was Alexander Tcherepnin's last completed work. The Swiss duo flautists Dominique Hunziger and Anne Utagawaya commissioned this score, which was completed 8 September 1977, just three weeks before the composer's death. Highly contrapuntal, the due emphasizes interpoint (a technique in which a melodic line is split between the melodic parts) and motivic variation based on the 9-step scale." ~42:02 / ‘Recessional for Organ’ (1962), composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii.
Devoe Schuster Schuster Performing Arts Center Victoria Theatre 2017
December 27, 2017 Schuster Center Tickets at www.TicketCenterStage.com. Ticket Center Stage is the only place authorized to sell tickets to events at the Benjamin & Marian Schuster Performing Arts Center, Victoria Theatre, and The Loft Theatre.
A great video of German Military artillery training exercise. GRAFENWOEHR, Germany (March 7, 2017) / The Armaments Research, Development, and Engineering Center (ARDEC) is responsible for the development of all the U.S. Army's armaments from 9mm side arms to 155mm artillery, and everything in between to include weapons, ammunition, propellants, explosives and fire control. During exercise Dynamic Front II, the 7th Army Training Command here invited four engineers from ARDEC to help evaluate the Army's artillery systems: Alex Tomosieski, ARDEC Fusion Cell; Ductri Nguyen, Projectiles; Matthew Bush, chief of Paladin Fire Control Software Branch; and Thomas DeVoe, chief of Artillery Technology Branch. The engineers will provide expertise in their respective specialities and gather data during this multinational exercise. John Riedener, 7ATC science advisor, whom coordinated the visit, explained that the goal is to bring new technologies and solutions to the exercises here in Germany. "Our primary focus is to observe the exercise, looking for opportunities to improve hardware and software interoperability with our NATO and other partner nations," said DeVoe. These civilians will observe all aspects of the exercise from the planning through the execution and at every level from Headquarters to the Firing Line. This began with attending a mission brief and academics day where they learned the exercise scenario. "This experience will help 'green' us in the way the actual user utilizes the systems we design. This will help us and our work force focus on what is important to the warfighter," he explained. When the live-fire begins, they will be with the different gun crews as they execute multi-echelon joint fires. "We will also be observing the Tactics, Techniques, and Procedures used in order to better to understand the Warfighter and their needs," said Bush. Bush added that this experience will allow us to influence ongoing armament acquisition programs, or initiate new developmental and prototyping efforts based on lessons learned by us during this exercise. For more information on exercise Dynamic Front II visit: (http•••) Video Description Credit: Staff Sgt. Kenneth Reed Video Credits: US Military Video Thumbnail Credit: MARINE SGT JOHN G. VANNUCCI This image is a work of a U.S. Army soldier or employee, taken or made as part of that person's official duties. As a work of the U.S. federal government, the image is in the public domain. Photo modified by ArmedForcesUpdate
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