Béni Egressy Videos
(1814–1851) ungarischer Komponist, Librettist, Übersetzer und Schauspieler
Gedenken 2024 (Geburt: Béni Egressy)
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- Komponist, Schauspieler, Übersetzer, Librettist
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2024-05-02
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Béla Viktor János Bartók Egressy Béni Erkel Franz Liszt Severe László Mikhail Glinka Antonín Dvořák 1855 1857 1881 1888 1911 1915 1916 1917 1918 1919 1936 1939 1945 1979 1989 2022
#piano #bartok A Miskolci Egressy Béni-Erkel Ferenc Alapfokú Művészeti Iskola verseny győzteseinek hangversenye. Ruszkai Barnabás - Zongora/Piano Béla Viktor János Bartók (/ˈbeɪlə ˈbɑːrtɒk/; Hungarian: [ˈbɒrtoːk ˈbeːlɒ]; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers.Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881.On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod.His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian.Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) +••.••(...)), had ethnic German roots but spoke Hungarian fluently. A native of Turócszentmárton (present-day Martin, Slovakia),[6] she also had Hungarian and Slavic ancestry. Béla displayed notable musical talent very early in life: according to his mother, he could distinguish between different dance rhythms that she played on the piano before he learned to speak in complete sentences.By the age of four he was able to play 40 pieces on the piano and his mother began formally teaching him the next year. Béla was a sickly child and suffered from severe eczema until the age of five,as a result of an inoculation with a faulty smallpox vaccine, with his facial disfigurement causing him to avoid people. In 1888, when he was seven, his father, the director of an agricultural school, died suddenly. His mother then took Béla and his sister, Erzsébet, to live in Nagyszőlős (present-day Vynohradiv, Ukraine) and then in Pressburg (Pozsony, present-day Bratislava, Slovakia). Béla gave his first public recital aged 11 in Nagyszőlős, to positive critical reception.Among the pieces he played was his own first composition, written two years previously: a short piece called "The Course of the Danube". Shortly thereafter, László Erkel accepted him as a pupil.In 1911, Bartók wrote what was to be his only opera, Bluebeard's Castle, dedicated to Márta. He entered it for a prize by the Hungarian Fine Arts Commission, but they rejected his work as not fit for the stage.In 1917 Bartók revised the score for the 1918 première, and rewrote the ending. Following the 1919 revolution in which he actively participated, he was pressured by the Horthy regime to remove the name of librettist Béla Balázs from the opera, as Balázs was of Jewish origin, was blacklisted, and had left the country for Vienna. Bluebeard's Castle received only one revival, in 1936, before Bartók emigrated. For the remainder of his life, although devoted to Hungary, its people and its culture, he never felt much loyalty to the government or its official establishments.Bartók's music reflects two trends that dramatically changed the sound of music in the 20th century: the breakdown of the diatonic system of harmony that had served composers for the previous two hundred years and the revival of nationalism as a source for musical inspiration, a trend that began with Mikhail Glinka and Antonín Dvořák in the last half of the 19th century.In his search for new forms of tonality, Bartók turned to Hungarian folk music, as well as to other folk music of the Carpathian Basin and even of Algeria and Turkey; in so doing he became influential in that stream of modernism which used indigenous music and techniques. One characteristic style of music is his Night music, which he used mostly in slow movements of multi-movement ensemble or orchestral compositions in his mature period. It is characterised by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies". An example is the third movement (Adagio) of his Music for Strings, Percussion and Celesta. His music can be grouped roughly in accordance with the different periods in his life.His pessimistic attitude towards composing was lifted by the stormy and inspiring contact with Klára Gombossy in the summer of 1915.[62] This interesting episode in Bartók's life remained hidden until it was researched by Denijs Dille between 1979 and 1989.[63] Bartók started composing again, including the Suite for piano opus 14 (1916), and The Miraculous Mandarin (1918) and he completed The Wooden Prince (1917). Bartók felt the result of World War I as a personal tragedy.Many regions he loved were severed from Hungary: Transylvania, the Banat (where he was born), and Pozsony where his mother had lived. Additionally, the political relations between Hungary and other successor states to the Austro-Hungarian empire prohibited his folk music research outside of Hungary.
Béni Béni Egressy Bartay Sor 1836 1837 1840 1843
=English= The Szózat (in English: Appeal or Summons) is considered as a second national anthem of Hungary, beside the Himnusz. Usually only its first two stanzas are sung at national celebrations. The official anthem is sung at the beginning of ceremonies, and Szózat is sung at the end. It was written in 1836 by Mihály Vörösmarty, and was set to music in 1840 by Béni Egressy. =Magyar= A Szózat Vörösmarty Mihály megzenésített verse, a magyarok nemzeti éneke a Himnusz mellett. Vörösmarty Mihály 1836-ban írta meg versét, amely az Auróra nevű almanachban jelent meg 1837-ben. A költeményre Egressy Béni írt zenét 1843-ban, amikor annak megzenésítésére Bartay András, nemzeti színházi igazgató pályadíjat tűzött ki. A mű ősbemutatójára 1843. május 10-én került sor a Nemzeti Színházban. A Szózatot második himnuszunknak is nevezik. Sokáig vita tárgya volt, hogy a Himnusz vagy a Szózat legyen a nemzeti himnuszunk. 1843-ban a Pesti Hírlap a költeményt „a nemzet béke s hadi dalának” nevezte.
Bartók Varga Szegedi Kocsis Dohnányi Mária Tőri Egressy Schönfeld Tóth Szabó Liszt Ferenc József Molnár Éva 2016
2016. május 16. hétfő, 19.30 Bartók Béla Nemzeti Hangversenyterem Händel: Dettingeni Te Deum Bartók: Cantata Profana Tatai Nóra - szoprán Balog Eszter - alt Varga Donát - tenor Szegedi Csaba - bariton Kocsis-Holper Zoltán - basszus Országos Egyesített Kórus Budafoki Dohnányi Zenekar Vezényel: Hollerung Gábor Résztvevő kórusok: Baba Jaga Leánykar, Komádi - Karnagy: Debreczeni Mária Bella Musica Nőikar, Budapest - Karnagy: Lestákné Czeróczki Judit Budapesti Akadémiai Kórustársaság, Budapest - Karnagy: Tőri Csaba Cantemus Kamarakórus, Dunaföldvár - Karnagy: Albu Erzsébet Dél-pesti Sonore Vegyeskar, Budapest - Karnagy: Mohai Tibor György Dunaújvárosi Kórus, Dunaújváros - Karnagy: Péter Kata Egressy Kamarakórus, Tata - Karnagy: Robozné Schönfeld Zsuzsanna Family Singers Énekegyüttes, Eger - Karnagy: Tóth Vilmos Fővárosi Fiatalok Egyesített Kórusa, Budapest - Karnagy: Tőri Csaba Gagliarda Kamarakórus, Szekszárd - Karnagy: Dr. Szabó Szabolcs Guido Kamarakórus, Budapest - Karnagy: Király Miklós Harmónia Kamarakórus, Nyíregyháza - Karnagy: Nagy Péter Harmónia Kamarakórus, Tiszafüred - Karnagy: Deák Róza Harmónia Vegyeskar, Érd - Karnagy: Dömötör Zsuzsanna Helikon Kórus, Keszthely - Karnagy: Kendeh Gusztávné Karcag Város Vegyeskara, Karcag - Karnagy: Lór-Kerekes Ágnes Kórus Spontánusz, Sopron - Karnagy: Kocsis-Holper Zoltán Liszt Ferenc Pedagógus Énekkar, Sopron - Karnagy: Makkos Ágnes Marosvásárhelyi Művészeti Egyetem Szalman Lóránt Vegyeskara - Karnagy: Dr. Orosz Pál József MediCantare Leánykar, Budapest - Karnagy: Tőri Csaba Palotásy János Vegyeskar, Jászberény - Karnagy: Bedőné Bakki Katalin Pesterzsébeti Városi Vegyeskar, Budapest - Karnagy: Pálffi Krisztina Szolnoki Bartók Béla Kamarakórus, Szolnok - Karnagy: Molnár Éva Tatabányai Bárdos Lajos Vegyeskar, Tatabánya - Karnagy: Szeimann Zsuzsanna, Salló Andrea Tatabányai Madrigálegyüttes, Tatabánya - Karnagy: Saltzer Géza Vox Insana Kamarakórus, Budapest - Karnagy: Tőri Csaba (http•••)
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