Emmanuel Bondeville Videos
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Achard Bondeville Renzo Rossellini Cervi Hofman Lemon 1963
(11 Jan 1963) Bay of Monte Carol. Flags. Table with members in conference. Jury watch TV. TV screen announing festival. Arleen Francis. Georges Sion. Marcel Achard. Emmanual Bondeville. Marcel Pagnol. Renzo Rossellini, Gino Cervi, Tetsuro Furikaki, Arthur Crovetto, Edouard Hofman, Constantin Kuzakov, Richard Lemon. People on jury. Find out more about AP Archive: (http•••) Twitter: (http•••) Facebook: (http•••) Instagram: (http•••) You can license this story through AP Archive: (http•••)
Emmanuel Bondeville Georges Tzipine 1898 1961 1968 1987
Auteur : Emmanuel Bondeville +••.••(...)) Titre : Symphonie chorégraphique (1961) Structure : 1. Energique (0:00) ; 2. Expressif et scherzo (07:45) ; 3. Populaire et joyeux (21:39). Interprètes : Georges Tzipine ; Orchestre National de l'ORTF Date : 11/07/1968
Rimsky Korsakov Albert Wolff Lamoureux Simone Ballard Ballard André Gedalge Xavier Leroux Vidal Laparra Fauré Georgette Leblanc Pilot Pierre Monteux Gounod Ibert Milhaud Pasdeloup Roussel Geirr Tveitt Emmanuel Bondeville Poulenc Orchestre Lamoureux Metropolitan Opera Concerts Pasdeloup Bergen Philharmonic Orchestra Oslo Philharmonic Opéra Comique Teatro Colón Royal Albert Hall 1884 1906 1908 1909 1910 1911 1919 1921 1923 1924 1925 1926 1928 1930 1934 1935 1938 1940 1945 1947 1949 1951 1970
Recorded in 1930. Albert Wolff, Association des Concerts Lamoureux Not sure where I found this. If this is your transfer, let me know so I can give you credit. Albert Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during WWII. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris. He was married to the French mezzo-soprano Simone Ballard. Wolff was born in Paris, of Dutch parents. At 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at St Thomas-d'Aquin, Paris for four years. Upon graduation at the age of 22, Wolff was awarded first prizes in harmony and accompaniment. In 1906 Wolff joined the staff of the Opéra-Comique, the theatre which became the centre of his career, while leading ensembles elsewhere in the city of Paris. He made his conducting debut at an opera gala in Strasbourg (then under German control) on 9 May 1909. In 1908, Wolff was appointed chorus master at the Opéra-Comique. He remained in that position for three years before being given an opportunity to conduct the premiere of Laparra's La jota. Impressed with his performance, the Opéra-Comique took him with them to Argentina in 1911 where he conducted the Buenos Aires premiere of Pelléas et Mélisande at the Teatro Colón. He later conducted the opera again in its premieres in Naples, Copenhagen, Kristiania (now Oslo) and Stockholm. In August 1910 Wolff conducted Fauré’s incidental music in Georgette Leblanc’s production of the play Pelléas and Mélisande in the cloisters and gardens of Saint-Wandrille abbey. He continued as a conductor at the Opéra-Comique until World War I. Throughout that conflict, Wolff served first as at Les Éparges, then as a pilot (including a tour of Morocco), and was decorated for his courage. At the end of the War, Wolff went to the United States to join the conducting staff at the Metropolitan Opera, replacing Pierre Monteux in the French repertoire. His made his debut on 21 November 1919, in Gounod's Faust. Although Wolff's work with the company received consistently positive reviews from critics, he spent less than two full seasons at the Metropolitan Opera. While with the company Wolff was able to conduct several performances of his own opera L'oiseau bleu, the premiere being in the presence of Maurice Maeterlinck, whose play of the same name the opera was based on. Wolff returned to the Opéra-Comique in 1921 as chief conductor, a position he held for the next three years. He notably conducted the first Paris performances of L'enfant et les sortileges and Angélique by Ibert, and the world premiere of Le brebis égarée (1923) by Milhaud. Around this same time, he founded the Concerts Modernes Paris to provide a medium for the public performance of new works. In 1924 he resigned his post at the Opéra-Comique and became musical director of the Théâtre des Champs-Élysées. In 1925 he became second conductor of the Concerts Pasdeloup, greatly extending his work in purely orchestral music (including an appearance at the Royal Albert Hall, London in 1926); he later served as head conductor and director of the Pasdeloup from 1934–1940. From 1928 to 1934 he became principal conductor of the Orchestre Lamoureux. He notably conducted the premiere of Roussel's 4th symphony (which was dedicated to him) in October 1935; he had previously made the premiere recording of Roussel's 3rd symphony with the Lamoureux. In 1938 he was twice a guest conductor at the Bergen Philharmonic Orchestra; in 1947 he conducted the same orchestra with Geirr Tveitt in a recording of the latter's 3rd piano concerto. He also conducted a radio performance of his own flute concerto with Per Wang as soloist with Oslo Philharmonic Orchestra on NRK. Wolff conducted the premieres of the opéra-comiques L'École des maris (1935) and Madame Bovary (1951) by Emmanuel Bondeville. In 1945 he became director of the Opéra-Comique for a short while. While there, he conducted the first performance of Poulenc's Les mamelles de Tirésias (1947) and although he resigned from the position not long after he took it, Wolff continued to conduct occasionally at the theatre up until his death in 1970. He conducted 124 performances of Pelléas et Mélisande at the house, more than any other conductor. He also became associated with the Paris Opera where he became a conductor beginning in 1949.
Viorica Cortez Bondeville Froment Enescu Verdi Tedesco Cavallo Liceo Covent Garden Teatro San Carlo Scala 1935 1965 1969 1970 1971 1973 1974 1975
Grande Orchestra di Radio Tele Lussemburgo dir. Louis De Froment Viorica Cortez, mezzosoprano. (26 dicembre 1935 Bucium, Iasi, Romania). Figlia di un pianista, inizio lo studio del canto presso il Liceo Musicale della sua Città, passando poi al Conservatorio di Iasi. Qui si esibì prima come concertista, vincendo tra l'altro alcuni concorsi internazionali, tra cui quello dedicato a Georges Enescu. Dopo una lunghissima serie di concerti, esordì sulle scene del locale Teatro dell'Opera nel Samson et Dalida. Sempre a Iasi, si esibì nei ruoli più importanti del ruolo mezzosopranile tra cui Azucena, Eboli, Amneris, Carmen, Carlotta, quindi si trasferì all'Opera di Bucarest. Nel 1965 si fece conoscere a Toulouse con il Samson et Dalida e qualche anno dopo si dedicò definitivamente alla carriera internazionale apparendo a Dublino con Carmen, poi al Covent Garden, in vari teatri francesi e soprattutto all'Operà di Parigi. In Italia ha cantato per la prima volta nella stagione 1969-70, eseguendo l'Aida di Verdi al Teatro di San Carlo di Napoli e la Carmen al Comunale di Trieste. Si è successivamente esibita alla Scala nel 1970-71 con Samson e Messa di Requiem, tornandovi nel 1971-72 con Carmen ed Oedipus Rez e nel 1973 con Un ballo in Maschere, nel 1974-75 con Norma e nel 1975-76 con l'Heure Espagnole e nelle successive stagioni. Oltre che in Europa, ha cantato anche nei più importanti teatri americani. Ha avuto un vastissimo repertorio italiano, francese, tedesco, spagnolo, che la grande artista eseguiva tutto in lingua originale. Da citare come suo cavallo di battaglia, la Carmen, portata sui palcoscenici internazionali e giocata sull'avvenenza della figura e su un colore particolare, leggermente gutturale nel registro grave, ma con una spiccata sensualità.
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