Anja Van Engeland Videos
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Merlin Daniel François Esprit Auber 2005
Provided to YouTube by [Merlin] WMO Act 1, Ouverture · Anja van Engeland,Alexei Grigorev,Chamber Orchestra for Flanders,Walter proost, conductor. Frabizio Francia, arrangements. Daniel François Esprit Auber, La Muette de Portici, Highlights, Live recording ℗ Etcetera Released on: 2005-01-01 Auto-generated by YouTube.
Giuseppe Verdi Salva Velde Anja Van Engeland Charlemagne Orchestra 2011
Requiem - Giuseppe Verdi "Salva me " Brussels, 17 dec 2011 Charlemagne Orchestra for Europe & The Brussels Choral Society Conductor- Bartholomeus-Henri Van de Velde Soprano - Anja Van Engeland Mezzo-Soprano- Cassandra Zoé Velasco Tenor- Maurizio Pace Baritone- Marcell Bakonyi Directeur musical de la BCS - Eric Delson
Korneel Le Compte : Charton B21 Haruko Tanabe: Viola d'Amore by Pierre Van Engeland Here is our version of Bach's famous "Ciaccona". We recorded it, in one take, at Art Galerie Laurentin in Brussels, right in the city centre (at the very end of the recording you can hear birds singing, and a car passing just outside the window). Playing in a galery, surrounded by works of art, is always an immense inspiration for us. The Chaconne has been played on every imaginable instrument before, but never in this combination of Viola d'Amore and Viennese Bass, both tuned to a D Major chord. For this piece i used the wonderful Charton B-21, without frets and with modern strings, and a very light Violone bow by Jérôme Gastaldo. As usual, we didn't do any sound editing or corrections. We like the authenticity of a live performance, warts and all. In a time where it has become so easy to manipulate any type of recording or footage, we prefer to keep it honest. Bach's music is supernaturally resistant to any treatment or arrangement, and its genius and magic always remain intact, no matter what. We hope you will enjoy the somewhat unexpected sound colors that we gave to this music. Recording, cameras, image editing: José Andrès Reyes, with help from Tobias and Ceylan Le Compte. Many thanks to Carole Joyau, Charlotte Barbier, and Galerie Laurentin.
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