Francis Dhomont Videos
französischer Komponist der elektroakustischen Musik
- Elektroakustische Musik
- Frankreich
- Komponist
Letzte Aktualisierung
2024-05-01
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Phonurgie: „making, working and creating sound“ Phonurgie brings the sound of this legacy to a close; on the other hand, the first part, Objets retrouves, draws all of its material and its structure from it. Paraphrased elements from Novars can, of course, be found – elements that themselves paraphrase Etude aux objets, making them commentaries on commentaries – while the opening and conclusion make reference to AvatArsSon. Nevertheless, n this fourth hommage, the allusions to the origins melt away before the original propositions; filliation is not renounced, but here the child, finally grown, reveals its identity. While the “sound color” may no longer be the same, morphological thought and writing still remain, in all of their many forms, true to the spirit of the “concerts de bruits” (Noise Concert). Phonurgie was realized in 1998 in the Syter studio of Ina-GRM in Paris and in the composers studio., and it premiered on September 25th, 1998 as part of the Invention `98 festival in Berlin. The piece was commissioned by Deutscher Akademischer Austauschdienst (DAAD). Phonurgie won First prize at CibertArt 1999 in Spain. In 1998 Phonurgie was included on the “Invention 98” disc and in 1999 on the “III CIMESP 1999” disc. Cycle du son was premiered on November 22nd 1998 as part of the 5th “L espace du son” Festival acousmatique international in Brüssels. Video created with vokoscreen and Sonic Visualizer on an openSUSE 13.1 Linux system.
Francis Dhomont Olivier Messiaen Pierre Schaeffer Bayle Berio Chion Dufour Malec Reibel Risset Stockhausen Varèse Xenakis Musica Nova 1950 1998 1999
AvatArsSon — 2nd of the 4 works in the Cycle du son — was realized in 1998 in the Syter studio of Ina-GRM and in the composer's studio, and it premiered on May 11th, 1998 as part of Ina-GRM's Cycle acousmatique at the Salle Olivier Messiaen of the Maison de Radio France in Paris(France). AvatArsSon was a special commission of the Ministère de la Culture (France) and of Ina-GRM for the 50th anniversary of musique concrète. AvatArsSon was awarded the first prize at the 2nd Concorso Internazionale di Composizione Musicale Elettronica Pierre Schaeffer (Pescara, Italy, 1999) and, in a shorter version (14:20), the second prize in the Musica Nova 1998 International Competition of Electroacoustic Music (Prague, Czech Republic). AvatArsSon was recorded on the disc 2°/3° Concorso Internazionale di Composizione Musicale Elettronica Pierre Schaeffer. To "the inventors of the treasure" (Bayle, Berio, Chion, Dufour, Ferrari, Henry, Malec, Parmegiani, Reibel, Risset, Schaeffer,Stockhausen, Teruggi, Varèse, Xenakis, Zanési, and others too numerous to name) This presents an original aspect of the "new music" (as Schaeffer called it in 1950) one that, thanks to the concept of the sound object, brought about its accession to a multidimensional musical world. But it is above all a metaphor for, and a short cut across, some of the stages of the sound odyssey — heard for itself and for its unveiled "images" (Bayle) — and its performance. It also recalls the fertile guiding drift that allows the attentive ear to discover the furtive traces of homage. Quotations used in this piece: At the beginning and sometimes : some short quotations (with treatments or not) of Étude aux objets by Schaeffer and of Francis Dhomont own work "Novars". - 00:18 "Pseudo" P. Henry (my own door) - 01:53 Parmegiani : De natura sonorum - 03:13 Reibel : Variations en étoile - 03:47 Zanesi : Stop l'horizon - 06:19 Bayle : Espaces inhabitables (Jardins de rien) - 09:12 Stockhausen : Gesang - 09:35 Berio : Omaggio a Joyce - 09:43 Malec : Nuda - 09:55 Chion : Requiem - 10:05 Ferrari : Hétérozygote - 10:28 Chion : La ronde - 11:33 Dufour : Bocalises - 11:57 Teruggi : Instants d'hiver - 12:13 Dufour : Bocalises - 12:49 Risset : Suite for little Boy - 13:17 Varèse : Ionisation - 15:11 Ferrari : Hétérozygote - 15:15 Xenaxis : Diamorphoses 29
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