George Rasely Videos
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2024-05-07
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Walter Damrosch Pelletier Nolan Arthur Carron Rutledge Helen Traubel Harman George Rasely Burr Joseph Royer Royer Gurney Parke Reeve George Cehanovsky Dickson Hull Metropolitan Opera 1862 1937 1950
Walter Damrosch +••.••(...)): Opera: The Man Without a Country (complete) Metropolitan Opera Orchestra conducted by Wilfred Pelletier. (note error in title: Pelletier, not Damrosch, conducting.) Premiere Cast, May 24,1937 Lieutenant Philip Nolan - Arthur Carron (tenor) Mary Rutledge - Helen Traubel (soprano) Harman Blennerhassett - George Rasely (tenor) Aaron Burr - Joseph Royer (baritone) Colonel Morgan - John Gurney (bass) Parke - Nicholas Massue (tenor) Fairfax - Lodovico Oliviero (tenor) Lieutenant Pinckney - Wilfred Engelman (baritone) Lieutenant Reeve - George Cehanovsky (baritone) Negro Boatman - Donald Dickson (baritone) 0:08 Act I.Scene I 3:50 Boatmen's Song 7:12 Country Dances 8:10 Duet, Blennerhassett and Mary 13:31 The Whippoorwill Serenade, Philip 16:45 Duet, Mary and Philip 24:56 -Aaron Burr enters 31:33 Intermezzo 36:02 Act I. Scene II (the trial) 47:18 Col. Morgan passes sentence 50:43 Ensemble 53:31 Mary's Air 56:06 Act II Prelude 1:02:07 Act II. Scene I 1:15:59 Philip's Air "Breathes there the man" 1:21:35 Interlude 1:23:16 Act II. Scene II. Hornpipe - Hull's Victory 1:25:08 Duet-Philip and Mary 1:33:08 Sailor's Chantey "The Frigate Constitution" 1:38:14 Mary's Plea 1:40:43 Finale 1:42:33 Interlude 1:44:38 Act II. Scene III 1:45:35 Battle and Death of Philip 1:52:45 -Curtain falls, curtain calls, and Milton Cross commentary Sorry that the sound quality is so thin, but 1937 technology and the infancy of the art of microphone placement may have much to do with this. The historical value of this recording is sufficient for its inclusion here on You Tube. Milton Cross - announcer, although difficult to hear
Robert Heger Franz Stockhausen Stockhausen Lothar Kempter Schillings Richard Strauss Richard Wagner Gustav Mahler George Rasely Vienna Philharmonic Orchestra Philadelphia Civic Opera Company Opera Company Philadelphia Metropolitan Opera House Vienna Volksoper Covent Garden Deutsche Oper Berlin Hofoper 1843 1886 1901 1902 1908 1909 1910 1911 1913 1925 1927 1929 1933 1935 1937 1945 1948 1950 1953 1978 1985
Recorded in 1929. Vienna Philharmonic Orchestra, Robert Heger conductor Thanks to Damian Rogan for allowing me to use his excellent transfers. You can find this and many other wonderful selections and information at his website: (http•••) Robert Heger (19 August 1886 / 14 January 1978) was a German conductor and composer from Strasbourg, Alsace-Lorraine. He studied at the Conservatory of Strasbourg, under Franz Stockhausen, then in Zurich under Lothar Kempter, and finally in Munich under Max von Schillings. After early conducting engagements in Strasbourg he made his debut at Ulm in 1908 or 1909. He held appointments in Barmen (1909), at the Vienna Volksoper (1911), and at Nuremberg (1913), where he also conducted Philharmonic concerts. He progressed to Munich and then to Berlin +••.••(...)), after which he returned again to Munich. In 1937 Heger joined the NSDAP. Heger conducted at the Royal Opera House, Covent Garden, from 1925 to 1935. Robert Heger conducted at the Deutsche Oper Berlin, 1945-1948 and again with his Munich company in 1953, when he gave the first London performance of Richard Strauss's opera Capriccio. He died in Munich. Feuersnot (The Need for Fire or Fire Famine), Op. 50, is a Singgedicht (sung poem) or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde" in the Oudenaarde Gazette, Leipzig, 1843. It was Strauss' second opera. Thematically, the opera has been interpreted as a parody of Richard Wagner's idea of "redemption through love", with the character of Kunrad representing Strauss himself The premiere was at the Dresden Hofoper on 21 November 1901. Gustav Mahler directed the Vienna premiere at the Hofoper on 29 January 1902, in the presence of the composer, but it was not a commercial success, in spite of Mahler's careful musical preparation. At the time of the premiere, the sexual and erotic subtexts and psychology were disturbing to audiences, as well as the perceived "advanced" nature of the music itself to more conservative-minded musicians. The Berlin premiere was on 28 October 1902. Since Strauss's time, the opera has rarely been staged or performed. In London it was presented on 9 July 1910, while the US premiere was not given until 1 December 1927 by the Philadelphia Civic Opera Company at Philadelphia's Metropolitan Opera House with George Rasely as Gundelfingen and Alexander Smallens conducting. The Zurich premiere was not until 1953. The New York City premiere was in 1985, at the Manhattan School of Music.
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