Georges Rupès Videos
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2024-05-01
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This is the current anthem of the Vatican City State, voiced in latin. It was first played in 1950 under request of His Holiness Pope Pius XII, then known simply as "The Pontifical March". It is mainly without the vocals, and has an alternate set of lyrics in italian, which I'll try to find later. The latin part has the V instead of U because my font is all-caps, and the capital version of U in latin is V. PLEASE NOTICE US, PONTIFF! Lyrics: O felix Roma, O felix Roma nobilis. O felix Roma, Roma felix, Roma nobilis. Sedes es Petri, qui Christi vicem gerit, Sedes es Petri, qui apostolus est pacis. Pontifex tecum erimus omnes nos Pontifex es magister qui tuos confirmas fratres. Pontifex tecum erimus omnes nos Pontifex es magister qui tuos confirmas fratres. Pontifex fundamentum ac robur nostrum, Hominumque piscator pastor es gregis ligans terram et coelum. Petre, tu es Christi es Vicarius super terram, Rupes inter fluctus, tu es pharus ac veritas. Tu Christi es caritas, tu es unitatis custos, Promptus libertatis defensor; in te auctoritas. Petre, tu es Christi es Vicarius super terram, Rupes inter fluctus, tu es pharus ac veritas. Tu Christi es caritas, tu es unitatis custos, Promptus libertatis defensor; in te auctoritas. O Roma nobilis O Roma felix Roma nobilis
Charles Gounod Viktorin Allegra Petri Shepherd 1857 1869 1905 1918 1929 1949 1950 1969 1991 2015
Sung by The St. Cecilia Choir of St. John Cantius Church, Chicago on Sunday, June 30 at 12:30pm Mass. Jonathan Rudy, organist; Nicholas White, guest conductor. The music was composed in 1869 by Charles Gounod, for the celebration on April 11, 1869 of Pope Pius IX's golden jubilee of priestly ordination. The purely instrumental piece in three parts, originally called "Marche pontificale" (French for "Pontifical March"), became extremely popular from its first performance. It was first performed that day at four o'clock in the afternoon with seven pontifical bands and a chorus of over one thousand soldiers. On October 16, 1949, Pope Pius XII declared it the papal anthem, replacing Viktorin Hallmayer's "Marcia trionfale" (1857), which, being still the papal anthem when the Vatican City State was founded in 1929, had been treated also as the new state's anthem. Gounod's "Marche Pontificale" was first performed in this new role during a ceremony on Christmas Eve of 1949, one day before the opening of the Holy Year 1950. The old state anthem too was played for a last time, almost as a token of respect. At that time, Antonio Allegra (1905–1969), who was then one of the organists of St. Peter's Basilica, wrote Italian lyrics for Gounod's music. Other lyrics have been composed for the music in various languages and by different authors. In 1991, Raffaello Lavagna of Savona (1918–2015) wrote Latin lyrics for a four-voice choir, on an arrangement by Alberico Vitalini. O felix Roma – o Roma nobilis: Sedes es Petri, qui Romae effudit sanguinem, Petri cui claves datae sunt regni caelorum. Pontifex, Tu successor es Petri; Pontifex, Tu magister es tuos confirmans fratres; Pontifex, Tu qui Servus servorum Dei, hominumque piscator, pastor es gregis, ligans caelum et terram. Pontifex, Tu Christi es Vicarius super terram, rupes inter fluctus, Tu es pharus in tenebris; Tu pacis es vindex, Tu es unitatis custos, vigil libertatis defensor; in Te potestas. Tu Pontifex, firma es petra, et super petram hanc aedificata est Ecclesia Dei. Pontifex, Tu Christi es Vicarius super terram, rupes inter fluctus, Tu es pharus in tenebris; Tu pacis es vindex, Tu es unitatis custos, vigil libertatis defensor; in Te potestas. O felix Roma – O Roma nobilis. ENGLISH TRANSLATION O happy Rome - O noble Rome You are the seat of Peter, who shed his blood in Rome, Peter, to whom the keys of the kingdom of heaven were given. Pontiff, You are the successor of Peter; Pontiff, You are the teacher, you confirm your brethren; Pontiff, You who are the Servant of the servants of God, and fisher of men, are the shepherd of the flock, linking heaven and earth. Pontiff, You are the vicar of Christ on earth, a rock amidst the waves, You are a beacon in the darkness; You are the defender of peace, You are the guardian of unity, watchful defender of liberty; in You is the authority. Pontiff, you are the unshakable rock, and on this rock was built the Church of God. Pontiff, You are the vicar of Christ on earth, a rock amidst the waves, You are a beacon in the darkness; You are the defender of peace, You are the guardian of unity, watchful defender of liberty; in You is the authority. O happy Rome - O noble Rome.
Petri Slovak Radio Symphony Orchestra
Marche Pontificale Lyrics (Latin) "CHORUS O felix Roma – o Roma nobilis: Sedes es Petri, qui Romae effudit sanguinem, Petri cui claves datae sunt regni caelorum. Pontifex, Tu successor es Petri; Pontifex, Tu magister es tuos confirmans fratres; Pontifex, Tu qui Servus servorum Dei, hominumque piscator, pastor es gregis, ligans caelum et terram. Petre, Tu Christi es Vicarius super terram, rupes inter fluctus, Tu es pharus in tenebris; Tu pacis es vindex, Tu es unitatis custos, vigil libertatis defensor; in Te potestas. VOX ACUTA, VOX ALTERA AB ACUTA Tu Pontifex, firma es petra, et super petram hanc aedificata est Ecclesia Dei. VOX MEDIA, VOX GRAVIS Petre, Tu Christi es Vicarius super terram, rupes inter fluctus, Tu es pharus in tenebris; Tu pacis es vindex, Tu es unitatis custos, vigil libertatis defensor; in Te potestas. CHORUS O felix Roma – O Roma nobilis." Music by: "Slovak Radio Symphony Orchestra"
Théophile Adolphe Manoury Manoury Barber Puccini Gounod Andreas Dippel Massenet Georges Rupès Théâtre Capitole Toulouse Scala Metropolitan Opera 1846 1875 1903 1907 1909 1910 1911 1913 1917 1923 1926 1954 1955
Léon Campagnola +••.••(...)) was a French tenor who was active on both sides of the Atlantic during the first quarter of the 20th century. Born in Marseilles, Campagnola began his vocal studies as a baritone at the Conservatory of his hometown. He later transferred to the Paris Conservatory where he studied with renowned baritone Théophile-Adolphe Manoury +••.••(...)). Under Manoury’s tutelage, the young singer perfected his technique and retrained his voice from baritone to tenor. He made his operatic stage debut in Versailles as Vincent in Mireille in 1903. The following season, Campagnola travelled to Belgium to accept a contract in Mons. Much of the tenor’s early career was spent in Belgium, with appearances in Ghent, Antwerp and Brussels. Campagnola was essaying mostly lyric roles in such works as Mireille, Lakmé, Mignon, The Barber of Seville, The Pearl Fishers and La Dame Blanche during this period and was offered the role of Léopold in La Juive at the Théâtre du Capitole à Toulouse. The young tenor made a huge impression in this secondary role, which led to Campagnola being offered the role of Des Grieux in the first French performances of Puccini’s Manon Lescaut in 1907. Engagements in the major houses of Geneva, Lyon, Marseilles and Bourdeaux followed and in 1910, Campagnola was invited to the Opéra de Paris, where he made his debut as Roméo in Gounod’s opera. Reports that general manager Andreas Dippel had engaged Campagnola to appear at the Metropolitan Opera proved to be false. Although he never sang at the Met, Campagnola DID make his U.S. debut in Philadelphia on February 5, 1913 as Wilhelm Meister in Mignon. This production was part of a North American tour that included appearances in Baltimore, Boston, Chicago, Los Angeles and New York. Campagnola returned to Europe before war clouds began to loom. Although he made a single appearance at Milan’s La Scala in 1917 (as des Grieux in Massenet’s Manon), he found himself increasingly relegated to the French and Belgian provinces. At the relatively young age of 52, Campagnola, still at the peak of his powers, made the decision to leave the stage. He retired to the town of Aulus-les-Bains in the Pyrenees, where he devoted himself to teaching voice. Campagnola also found time for his favorite hobby, painting, and spent numerous hours creating portraits and landscapes. Shortly after Christmas, 1954, the retired tenor began work on a new painting, another landscape. Stubbornly insisting on working outdoors in the frigid temperatures, he caught a chill and soon developed a bronchial infection. He reluctantly took to his bed but refused medical treatment, preferring instead to relax at home, drinking strong coffee and puffing away on his pipe. Not surprisingly, the old tenor’s condition worsened and he had to be taken to the hospital in Marseilles. It was there, in the place of his birth, that Campagnola passed away on January 11, 1955, just one month shy of his 80th birthday. Léon Campagnola boasted a diverse repertoire of over 30 roles in such operas as Lakmé, Werther, Roméo et Juliette, Faust, Hérodiade, Thaïs, Le Jongleur de Notre Dame, Alceste, Louise, Carmen, La Reine Fiamette, I Gioielli della Madonna, Die Meistersinger, Tosca, La Bohème, Cavalleria Rusticana, Pagliacci and Rigoletto. His many recordings, made between 1911 and 1926 for Pathé, Victor and H.M.V., showcase a large, well controlled spinto voice coupled with an expressive and eloquent approach to the music. In this recording, Campagnola sings "Pastorale languedociennes" by Georges Rupès. This was recorded in Paris for H.M.V. on June 6, 1923.
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