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Michel Richard Delalande Rondeau Bern Geyer Herseth Crispian Steele Perkins Perkins Joseph Haydn Hummel Heinz Holliger Lully François Couperin Collasse Minoret Chicago Symphony Orchestra Vienna Philharmonic Berlin Philharmonic Salzburg Festival Festival Lucerne 1657 1714 1726 1953 1955 1979 1981 1995 1997 2008 2013
Michel-Richard Delalande +••.••(...)) Suite in D - Grand Air - Marche - Bourée - Rondeau - Premier Tambourin - Second Tambourin - Gigue Markus Wuersch, trumpet Peter Solomon, organ Recorded at Catholic Church Stans, Switzerland Cameras, Editing and DVD-Production: Juerg and Marianne Rufer, Sound: Magnon Recording Studio, Paul Niederberger A Dingo and Fox Production 2008, Markus Wuersch, Peter Solomon Contact: Hochschule der Künste Bern HKB www.hkb.bfh.ch •••@••• Musikhochschule Luzern / HSLU www.hslu.ch/musik •••@••• Prof. Markus Würsch The Swiss trumpet virtuoso Markus Würsch was born in 1955 in Emmetten, Nidwalden in the spectacularly scenic region of lake Lucerne. He studied trumpet and brass ensemble conducting at the Conservatoire in Zurich and Lucerne where he received his degree with honours. He won the coveted Migros competition, and subsequently received a grant which enabled him to spend a year at the Conservatoire Nationale Supérieur in Paris. He also spent time studying with Charles Geyer at the Eastman School of Music (Rochester NY), with Vincent Cichowicz at Northwestern University of Chicago, and with Adolphe Herseth (principal trumpet of Chicago Symphony Orchestra). In 1981 Markus won the audition for principal trumpet with the Tonhalle Orchestra, Zurich, holding this prestigious post for fourteen years. In 1995, he spent a year studying at the Royal Academy of Music and the Royal College of Music, London. There he studied under Michael Laird and Crispian-Steele Perkins (Baroque-Trumpet), Jeremy West (Cornetto) and Phillip Jones (Ensemble Direction). He has performed as soloist at the Lucerne International Festival and with the Tonhalle Orchestra. With the support of the Swiss National Fund and the Bern University of the Arts, Markus conducted extensive research and subsequently developed a reconstruction of a 19th century keyed trumpet, in collaboration with the instrument maker Konrad Burri. The original instrument, the focus of the research, was found in the private collection of Karl Burri, Zimmerwald, near Bern. With this reconstructed instrument, Markus went on to perform and produce a CD recording of the trumpet concertos of Joseph Haydn and Nepumuk Hummel in June 2013. For some years now, he performs almost exclusively on historical instruments. He frequently appears with the ensembles “La Cetra” and I Barocchisti (RSI, Italian Swiss Radio) and continues to interpret the Haydn and Hummel trumpet concertos as soloist on the keyed trumpet. Markus Würsch is professor of Modern, Natural and Romantic trumpet at Bern University of the Arts, and at Lucerne University of Applied Sciences and Arts. Peter Solomon Biography Peter Solomon was born in Plymouth, England in 1953. He studied piano, organ and harpsichord at the Royal College of Music in London, and achieved the highest honours for his degree. After completing his first degree he was awarded several grants, which made it possible for him to further his studies in Paris, London and Cologne. In 1979 he was a runner-up at the international organ competition in St Albans, England. Since 1997 he has held the post as pianist/organist in the Tonhalle-Orchestra, Zurich. He has performed solos at the Salzburg festival, Lucerne festival and in concerts with many prestigious orchestras, such as the Vienna philharmonic, Berlin philharmonic and "I Musici". He also receives invitations from the USA and the far east. As a sought-after accompanist and chamber musician, Peter Solomon frequently plays in various formations with musicians such as Maurice Andre and Heinz Holliger amoungst others. Peter Solomon appears on many TV, radio, theatre and records. He teaches at the "Musikhochschulen" in Zurich and Lucerne. Michel-Richard Delalande 1657-1726 Born in Paris, he was a contemporary of Jean-Baptiste Lully and François Couperin. Delalande taught music to the daughters of Louis XIV of France, and was director of the French chapel royal from 1714 until his death at Versailles in 1726. Delalande was arguably the greatest composer of French grands motets, a type of sacred work that was more pleasing to Louis XIV because of its pomp and grandeur, written for soloists, choir and comparatively large orchestra. According to tradition, Louis XIV organized a contest between composers, giving them the same sacred text and a time to compose the musical setting. He alone was the judge. Delalande was one of four winners assigned to compose sacred music for each quarter of the year (the other composers being Coupillet, Collasse and Minoret). Delalande left many versions of his works. His earlier versions show adherence to French Baroque style, but the later revisions incorporate more Italian melismatic lines and greater attention to polyphonic counterpoint.
Michel Richard Delalande Maistre Pascal Collasse Guillaume Minoret Philidor Salomé Haller Damien Guillon Howard Crook Lamy Alain Buet Schneebeli Spina 1657 1683 1689 1690 1726 2001
"Beati quorum" dans les "MOTETS DE M.R DELALANDE, Sur Intendant de la Mvsique de la Chambre Et Maistre de musiqve de la Chapelle DV ROY (LOVIS XIV)". C'est en 1683 à l'issue d'un concours qui eut un retentissement considérable en France, que Lalande, à peine âge de 26 ans, fut nommé à l'un des quartiers de la Chapelle royale, comme sous-maître de la musique ; il fut choisi, dit l'on, par Louis XIV lui-même ; et il succédait donc (avec trois musiciens, Pascal Collasse, Guillaume Minoret et Nicolas Goupillet) à Henry Du Mont et Pierre Robert, en poste depuis 20 ans : le roi venait de les écarter au moment de son installation à Versailles. De la première époque de Lalande, il reste 27 grands motets pour la Chapelle du Roy, conservés à la Bibliothèque municipale de Versailles et copiés en 1689-1690 par Philidor, garde de la bibliothèque musicale de Louis XIV, dont ce fameux motet "Beati quorum remissae sunt" comosé sur le psaume 31. Enregistré lors des Journées Michel-Richard de Lalande 2001 à la Chapelle royale du château de Versailles. Les Pages et les Chantres de Versailles, la Grande Ecurie et la Chambre du Roy, Salomé Haller (dessus), Damien Guillon (contre-ténor), Howard Crook (haute-contre), Hervé Lamy (taille), Alain Buet (basse), Olivier Schneebeli (direction). 2 Quoniam tacui, inveteraverunt ossa mea, dum clamarem tota die. Quoniam die ac nocte gravata est super me manus tua: conversus sum in aerumna mea, dum configitur spina.
Michel Richard Delalande Maistre Pascal Collasse Guillaume Minoret Schneebeli Château Versailles 1657 1683 1726
Quam dilecta, dans les "MOTETS DE Mr DELALANDE, Sur Intendant de la Musique, de la Chambre Et Maistre de musique de la Chapelle DV ROY, LOVIS XIV." C'est en 1683 à l'issue d'un concours qui eut un retentissement considérable en France, que Lalande, à peine âge de 27 ans, fut nommé à l'un des quatre quartiers de la Chapelle Royale, comme sous-maître de la musique ; il fut choisi, dit l'on, par LOVIS XIV lui-même ; et il succédait donc (avec trois musiciens, Pascal Collasse, Guillaume Minoret et Nicolas Goupillet) à Henry Du Mont et Pierre Robert, en poste depuis 20 ans : le roi venait de les écarter au moment de son installation à Versailles. Selon Lionel Sawkins, ce grand motet fut probablement composé avant le recrutement de Lalande comme sous-maître de la Chapelle Royale(il prit ses fonctions en octobre 1683). Enregistré à la Chapelle Royale du Château de Versailles, lors des Journées Michel-Richard de Lalande organisées par le Centre de Musique Baroque de Versailles. Interprété par les Pages et les Chantres de Versailles, la Grande Ecurie et la Chambre du Roy et Olivier Schneebeli. 1 Quam dilecta tabernacula tua, Domine virtutum! 2 Concupiscit et deficit anima mea in atria Domini. 3 Cor meum et caro mea exultaverunt in Deum vivum. Etenim passer invenit sibi domum, et turtur nidum sibi, ubi ponat pullos suos. Altaria tua, domine virtutum, rex meus et Deus meus.
Michel Richard Delalande Maistre Pascal Collasse Guillaume Minoret Schneebeli Vir 1657 1683 1726 1988 2001
Quam dilecta, dans les "MOTETS DE Mr DELALANDE, Sur Intendant de la Musique, de la Chambre Et Maistre de musique de la Chapelle DV ROY", LOVIS XIV. Selon Lionel Sawkins ("Chronology and evolution of the grand motet at the court of Louis XIV" ; ed. by John Hajdu Heyer, Cambridge University Press, 1988), ce grand motete fut probablement composé avant le recruitement de Lalande comme sous-maître de la Chapelle Royale. C'est en 1683 à l'issue d'un concours qui eut un retentissement considérable en France, que Lalande, à peine âge de 27 ans, fut nommé à l'un des quatre quartiers de la Chapelle Royale, comme sous-maître de la musique ; il fut choisi, dit l'on, par LOVIS XIV lui-même ; et il succédait donc (avec trois musiciens, Pascal Collasse, Guillaume Minoret et Nicolas Goupillet) à Henry Du Mont et Pierre Robert, en poste depuis 20 ans : le roi venait de les écarter au moment de son installation à Versailles. Enregstré à la Chapelle Royale du Château de Versaille en 2001, dans le cadre des Journées Michel-Richard de Lalande organisées par le Centre de Musique Baroque de Versailles, avec les Pages et les Chantres de Versailles, la Grande Ecrie et la Chambre du Roy et Olivier Schneebeli (direction). 4. Beati qui habitant in domo tua, Domine! In saecula saeculorum laudabunt te. 5. Beatus vir cujus est auxilium abs te: ascensiones in corde suo disposuit, in valle lacrymarum, in loco quem posuit! Etenium benedictionem dabit legislator; ibunt de virtute in virtutem, videbitur Deus deorum in Sion.
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