Wolfgang Gönnenwein Videos
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2024-05-21
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Sumi Jo Georg Solti Wilma Lipp Bohm Beverly Hoch Roger Norrington Cyndia Sieden John Eliot Gardiner Gruberova Levine Sylvia Geszty Otmar Suitner Rita Streich Ferenc Fricsay Julia Kogan Kogan Luciana Serra Sir Colin Davis Mahler Claudio Abbado Karin Ott Herbert Karajan Roberta Peters Hellen Kwon Wiener Philharmoniker London Classical Players English Baroque Soloists Rias Symphonie Orchester Mahler Chamber Orchestra Berliner Philharmoniker Berlin Radio Symphony Orchestra 1970 1982
1.조수미_Sumi Jo Wiener Philharmoniker_Georg Solti(1990) 2.Wilma Lipp Karl Bohm Wiener Philharmoniker(1955) 3.Beverly Hoch Roger Norrington_London Classical Players(1990) 4.Cyndia Sieden John Eliot Gardiner English Baroque Soloists(1995) 5.Edita Gruberova Jamer Levine_Wiener Philharmoniker (1982 live) 6.Sylvia Geszty Staats Kapelle Dresden_Otmar Suitner (1970) 7.Rita Streich RIAS Symphonie Orchester Berlin Ferenc Fricsay(1954) 8.Julia Kogan (live) 9.Andrea Frei Orchestra Of The Ludwigsburger Festspiele_Wolfgang Gonnenwein(1992 live) 10.Luciana Serra Staats kapelle Dresden_Sir Colin Davis(1984 live) 11.Erika Miklosa Mahler Chamber Orchestra_Claudio Abbado(2005 live) 12.Karin Ott Herbert von Karajan_Berliner Philharmoniker(1980) 13.Roberta Peters Berliner Philharmoniker Karl Bohm(1964) 14.권해선_Hellen Kwon Ivan Anguelov_Berlin Radio Symphony Orchestra(1996)
Theo Altmeyer Altmeyer Franz Crass Teresa Zylis Gara Julia Hamari Nicolai Gedda Hermann Prey Hans Sotin Wolfgang Gönnenwein Johann Sebastian Bach Rothe Berg 1969 1989
Provided to YouTube by Warner Classics St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria "Erbarme dich, mein Gott" (Alto) · Theo Altmeyer/Franz Crass/Teresa Zylis-Gara/Julia Hamari/Nicolai Gedda/Hermann Prey/Hans Sotin/Süddeutscher Madrigalchor/Consortium Musicum/Wolfgang Gönnenwein Bach: Matthäus-Passion BWV 244 (St. Matthew Passion) ℗ 1969 Original 1969 Digital Remaster 1989 The copyright in this sound recording is owned by EMI Music Germany GmbH & Co. KG Ensemble: Consortium Musicum Balance Engineer: Ernst Rothe Producer: Ernst Rothe Producer: Gerd Berg Contralto Vocals: Julia Hamari Conductor: Wolfgang Gönnenwein Balance Engineer: Wolfgang Gülich Composer: Johann Sebastian Bach Auto-generated by YouTube.
Theo Altmeyer Altmeyer Franz Crass Teresa Zylis Gara Julia Hamari Nicolai Gedda Hermann Prey Hans Sotin Wolfgang Gönnenwein Johann Sebastian Bach Rothe Berg 1969 1989
Provided to YouTube by Warner Classics St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria "Erbarme dich, mein Gott" (Alto) · Theo Altmeyer/Franz Crass/Teresa Zylis-Gara/Julia Hamari/Nicolai Gedda/Hermann Prey/Hans Sotin/Süddeutscher Madrigalchor/Consortium Musicum/Wolfgang Gönnenwein Bach: St. Matthew Passion ℗ 1969 Original 1969 Digital Remaster 1989 The copyright in this sound recording is owned by EMI Music Germany GmbH & Co. KG Ensemble: Consortium Musicum Balance Engineer: Ernst Rothe Producer: Ernst Rothe Producer: Gerd Berg Contralto Vocals: Julia Hamari Conductor: Wolfgang Gönnenwein Balance Engineer: Wolfgang Gülich Composer: Johann Sebastian Bach Auto-generated by YouTube.
Teresa Żylis Gara Olgina Elisabeth Grümmer Garner Maschera Verdi Gounod Cilea Puccini Franco Corelli Corelli Karl Böhm Cavalieri Mackerras Gönnenwein Richard Strauss Gundula Janowitz Kempe Schippers Chopin Steane Covent Garden Salzburg Festival Met Opera 1954 1965 1966 1970 1972 1976 1980 1983 1984
SUBSCRIBE now for exclusive updates!!! The Polish soprano, whose repertoire embraced a colossally wide range of music and periods, has died at the age of 91. Born in Landwarów (now Lentvaris in Lithuania), Żylis-Gara studied in Łódź with Olga Felixowna Olgina and, in 1954, won first prize at the Polish Young Vocalists Contest in Warsaw. This led to a number of high-profile invitations, as well as further prizes in vocal competitions in Toulouse and Munich. The latter, the ARD, led to her joining the opera company in Oberhausen and then the company in Dortmund where she enjoyed some of her earliest successes on stage, including, in 1966, the role of Octavian opposite Elisabeth Grümmer’s Marschallin in Der Rosenkavalier at the new Opera House in the city. (She stayed in Dortmund until 1970, while also performing throughout Germany.) The 1960s also saw her establishing a career outside Germany: she appeared at Octavian at Glyndebourne (with Monteserrat Caballé as the Marschallin) in 1965 and two years later returned as Donna Elvira in Don Giovanni. She also appeared as the Palais Garner in Paris, at Covent Garden (as Violetta in La traviata) and as Donna Elvira at the Salzburg Festival. The end of the 1960s saw her first appearance at New York’s Met which led to a contract with the company that saw her performing for 14 seasons in roles that included Pamina (Die Zauberflöte), Countess Almaviva (Le nozze di Figaro), Amelia (Un ballo in maschera), Madama Butterfly, Desdemona (Verdi's Otello), Elisabeth (Tannhäuser), Elsa (Lohengrin), Fiordiligi (Così fan tutte), Leonora (Il trovatore) Liù (Turandot), Marguerite (Gounod's Faust), Mimì (La bohème), Octavian, Tatiana (Eugene Onegin), and the title roles in Cilea's Adriana Lecouvreur, and Puccini's Suor Angelica, Tosca and Manon Lescaut (her last appearance at the Met on March 11, 1984). At the Met Opera Gala in 1972 to honour Sir Rudolf Bing she sang Desdemona opposite Franco Corelli’s Otello with Karl Böhm conducting. During the 1980s she sang in opera houses throughout the world, including each season at Covent Garden from 1976 to 1980. Her discography was extensive ranging from Cavalieri's Rappresentatione di Anima et di Corpo (conducted by Mackerras for Archiv) and the St Matthew Passion (Gönnenwein for EMI) to Richard Strauss’s Composer in Ariadne auf Naxos opposite Gundula Janowitz’s Ariadne/Prima Donna (Kempe/EMI), Elisabetta in Verdi’s Don Carlo (Schippers/Myto), Donna Elvira (Böhm/DG), numerous choral works and a number of albums of Polish songs. Reviewing an Erato recital of Chopin songs in October 1983, John Steane wrote that ‘Żylis-Gara deserves a place in one's collection. With a full-bodied lyric soprano voice, normally of beautiful quality, she has proved herself one of the most reliable of operatic artists in an international career that now spans very nearly 20 years , during which time the recording companies have used but hardly “promoted” her.’ #teresa_zylis_gara #teresa_zylis_gara_news_today #teresa_zylis_gara_death #operatic_soprano
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