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2024-05-02
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Johann Sebastian Bach Lege Dorothee Mields Heerden 2015
Provided to YouTube by Universal Music Group J.S. Bach: Mein Herze schwimmt im Blut, Cantata BWV 199 - No. 7 "Ich lege mich in diese Wunden" · Dorothee Mields · Lucas Schurig-Breuss · Carin van Heerden · L'Orfeo Barockorchester · Michi Gaigg Bach, J.S.: Kantaten für Solo-Sopran ℗ 2015 Carus Released on: 2015-10-01 Composer: Johann Sebastian Bach Author: Traditional Auto-generated by YouTube.
Giovanni Sebastiano Bach Vivaldi Johannsen Heerden Quint Schuh Bachwoche Ansbach 1501 1523 1594 1685 1690 1736 1738 1739 1749 1750 1884 1961 2004 2007 2013
Live recording from a concert given on Aug. 8, 2013 as part of the 2013 Bachwoche Ansbach. Johann Sebastian Bach +••.••(...)) Concerto del Sigre Ant. Vivaldi accommodato per l’Organo a 2 Clav. e Ped. del Sigre Giovanni Sebastiano Bach transcription of Vivaldi’s Concerto in A minor for Two Violins, Op. 3 No. 8 (from L'estro armonico) 0:00 [Allegro] 3:54 Adagio [Larghetto e spiritoso] 7:08 Allegro Kay Johannsen, 2007 Orgelmakerij Reil reconstruction of the 1739 Johann Christoph Wiegleb organ, in the Hof- und Stiftskirche St. Gumbertus of Ansbach, Barvaria. St. Gumbertus, the former collegiate church with its Gothic extensions and their three spires, is one of the city of Ansbach’s landmarks. The western side of the three spires gained its octagonal flanking towers at the end of the 15th century. The middle spire was built by Gideon Bacher in 1594. From the late Gothic construction built from 1501 – 1523, the choir still remains. The baroque-style hall construction of the church was created as recently as 1736 -1738 by Leopoldo Retty. A romantic crypt from the 11th century was cleared underneath the choir. St. Gumbertus' Church is the oldest historical building in the City of Ansbach. Well worth seeing is the late-Gothic choir, the so-called Schwanenritterkapelle (Swan Knights Chapel) and the royal burial vault with 25 elaborate sarcophagi of the Ansbach margraves from the 17th and 18th centuries. The original Baroque organ in St. Gumbertus was designed by Johann Christoph Wiegleb (1690 – 1749) and with its 47 different sounds was, at that time, the largest and most important organ in the region of Franconia. It was composed from an unusual abundance of acoustic colours and constituted a bridge between northern and southern methods of organ building. It was one of the first organs in Germany to get an expression pedal. The casing, designed by Ansbach’s court architect Leopoldo Retti, belongs to the most splendid creations of the late Baroque period. In 1884 the organ was rebuilt according to the sound perceptions of Georg Friedrich Steinmeyer who utilized materials from the older organ. Remains of the old Wiegleb Organ from that time later were irretrievably lost during a further restoration in 1961. In 2004 the church council resolved to restore the historic organ. The restoration work which was carried out by Reil, a company in Heerden, The Netherlands has now been completed. The cost of 1.5 million Euro was mainly raised by private donations, including more than half donated by the association “Friends of the Ansbach Bach Week”. The organ was officially inaugurated on June 17th, 2007 and is now at the disposition of the Bach Week. (Source: Bachwoche Ansbach website) Stoplist: Unteres Werk C-d3 (I): Principal 8’ Cijmbel 2’ 2fach Sesquialtera 1½’, 2-3fach Mixtur 2’ 8-9-10fach Superoctava 2’ Quinta 3’ Octava 4’ Flöth 4’ Grob Gedakt 8’ Flaut travers 8’ (to c0) Gembshorn 8’ Viola di Gamba 8’ Salacional 8’ Quintatön 16’ Trompete 8’ Oboe d’amour 8’ Oberes Werk C-d3 (II): Principal 4’ Flaschiolet 2’ Mixtur 1’ 4fach Quinta 1½’ Octava 2’ Waldflöthen 2’ Rohrflöthen 4’ Blockflöthen 4’ Quintatön 8’ Grobgedakt 8’ Fugara 8’ Fagott 16’ Vox humana 8’ Mittleres Werk C-d3 (III): Principal 4’ Nassat 3’ Sallicinet 2’ Nachthorn 2’ Petitt 4’ Spitzflöth 4’ Quintaten 8’ Echo: 8’, 4’, 3’, 2’, 1 3/5 ’ (from C, enclosed in swell chamber) Bässe C-d1 Principal Bass 16’ Cimpel Bass 2’ 2fach Mixtur Bass 4’ 6fach Bassettgen 4’ Quint Baß 6’ Octav Baß 8’ Violon Baß 16’ Quintadenen-Baß 16’ Posaunen Bass 16’ Subbass 32’ (open wood) 10 Bälge 9 x 4 Schuh 4 Sperrventile Tremulant Accordstern Maschinenzug zum Echo Manual-Schiebekoppeln III/II, II/I Calcant Stimmtonhöhe 465 Hz Temperatur: Wiegleb Winddruck: Manuale 66 mm Ws Pedal 68 mm Ws
Josef Mysliveček Heerden Wolfgang Amadeus Mozart Leopold Mozart Teatro San Carlo 1737 1770 1781
from Octet No.1 in E flat major, 2nd movement L'Orfeo Bläserensemble, Carin van Heerden (http•••) / Josef Mysliveček (March 9, 1737 / February 4, 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. He was close to the Mozart family and there are frequent references to him in the Mozart correspondence. [(http•••)
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