Isidore Luckstone Videos
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Handel Emma Juch Isidore Luckstone Fagan Moran Mapleson American Opera Company Metropolitan Opera 1863 1881 1888 1894 1904 1905 1911 1939 1969
Soprano Emma Juch +••.••(...)) / He Shall Feed His Flock (Part II, Come Unto Him) / Messiah (Handel) / Isidore Luckstone - piano / Recorded: May 7, 1904 in New York / See Discography of American Historical Recordings: (http•••) As noted by Fagan and Moran in EDVR vol. 2, this recording session was significant historically because of Emma Juch's appearance in the recording studio, ten years after her retirement, with piano accompanist Isidore Luckstone. Source(s): Victor ledgers. EMMA JUCH, soprano, b. July 4, 1863, Vienna; d. March 6, 1939, New York. Her father was an Austrian who became an American citizen. She studied with Mme. Murio-Celli in Detroit and made her debut (1881) with Mapleson's company at Her Majesty's Theater, London, as Philine in Mignon. In the same year she sang at the Academy of Music in New York. She was engaged +••.••(...)) by the American Opera Company, led by Mapleson. Her attempt to sign a contract with the Metropolitan Opera miscarried on account of the terms of her agreement with the American Opera Company. She traveled throughout the United States and Mexico with her own company +••.••(...)). Later she was active as a concert singer, making her final appearance in the New York Festival of 1894. In 1905 she married the lawyer Francis A. Wellman, but was separated from him in 1911. In 1904, after she had given up her singing career for a decade, she allowed Victor to publish three interesting records of her voice; all of these are among the great recorded rarities. (Concise Biographical Dictionary of Singers / Kutsch & Riemens / Chilton Press / 1969)/
Wagner Emma Juch Isidore Luckstone Mapleson American Opera Company Metropolitan Opera 1863 1881 1888 1894 1904 1905 1911 1939 1969
Soprano Emma Juch +••.••(...)) / Einsam in trüben Tagen (Elsa's Traum) / Lohengrin (Wagner) / Isidore Luckstone - piano / Recorded May 7, 1904 EMMA JUCH, soprano, b. July 4, 1863, Vienna; d. March 6, 1939, New York. Her father was an Austrian who became an American citizen. She studied with Mme. Murio-Celli in Detroit and made her debut (1881) with Mapleson's company at Her Majesty's Theater, London, as Philine in Mignon. In the same year she sang at the Academy of Music in New York. She was engaged +••.••(...)) by the American Opera Company, led by Mapleson. Her attempt to sign a contract with the Metropolitan Opera miscarried on account of the terms of her agreement with the American Opera Company. She traveled throughout the United States and Mexico with her own company +••.••(...)). Later she was active as a concert singer, making her final appearance in the New York Festival of 1894. In 1905 she married the lawyer Francis A. Wellman, but was separated from him in 1911. In 1904, after she had given up her singing career for a decade, she allowed Victor to publish three interesting records of her voice; all of these are among the great recorded rarities. (Concise Biographical Dictionary of Singers / Kutsch & Riemens / Chilton Press / 1969)/
Lillian Blauvelt Luckstone Myers Bizet Gounod Verdi Richard Wagner Damrosch Emerson Lucius Hosmer Hosmer Victor Herbert Rossini Carnegie Hall Alhambra Alexander Hall 1873 1893 1903 1904 1905 1906 1907 1909 1912 1920 1947
For whatever reason, the sound-level at the very beginning of the aria is anemic—but that problem passes quickly and you hear her in all her glory. Even though Blauvelt made 10 Victor recordings of nine different selections, it's somewhat surprising that her Victor discs are rarities. That said, the newest of the lot is 105 years old! Lillian Blauvelt (b. Brooklyn 1873 / d. Chicago 1947) was as a popular opera singer in New York City in the first decade of the 20th century. Her voice was a lyric soprano with a very pure timbre and dramatic distinction. Her vocal range was from G to D. Lillian was a graduate of the National Conservatory of Music. She sang in concerts in New York City and Brooklyn prior to becoming the soprano of the West Presbyterian Church, 42nd Street between Fifth Avenue and Sixth Avenue, in 1893. In January 1893 she sang the aria for Aida, from Act I, and the duet for Aida and Amneris from Act II, with Mrs. Luckstone-Myers, a contralto. The Sunday concert was held at Music Hall. She performed with the New York Symphony at Carnegie Hall. In the ninth season of Symphony Concerts for Young People,1904, the program was devoted to works by Bizet, Gounod, Verdi, and Richard Wagner. Blauvelt and Edward P. Johnson were soloists with the orchestra conducted by Frank Damrosch. Between Sept. 17, 1903 and Feb. 15, 1906, Blauvelt made 10 Victor records. She recorded the Jewel Song from Faust twice. It's unclear whether the discs were recorded in Philadelphia or Camden, New Jersey. In 1905 Blauvelt signed a six-year contract with Fred Whitney to appear in comic opera. She reportedly received $504,000 for her services, or $2,000 per week. Her first venture after the pact was made was a production of The Rose of Alhambra, written by Charles Emerson Cook and Lucius Hosmer. This was her first step into light opera after working for years in grand opera. Blauvelt received encores until she was compelled to refuse further acknowledgements. In 1906, she starred in Victor Herbert's The Magic Knight. She was a soloist for a February 1905 New York Symphony Concert given at Alexander Hall on the campus of Princeton University. She sang Una Voce Poco Fa by Rossini. Blauvelt was chosen to sing the soprano portion of a Verdi composition at a memorial concert to the composer held in Rome, Italy, in 1905. In December 1912 she returned from a tour in Europe to perform in a solo quartet in The Messiah at Aeolian Hall. This marked her first participation in a New York City concert for a number of years. A review said that her superb voice and style had changed very little. Until 1920, she appeared regularly in London on the concert stage. Later she lived and taught in Chicago, where she died---in 1947. In addition to the 9 titles Blauvelt made for Victor between 1903 and 1906, she made some recordings for U.S. Columbia between 1907 and 1909.
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